21st Century and Contemporary Table Lamps

At once raw and highly finished, Meteorite is an expression of accessible beauty. In the tradition of Venetian battuto (beaten) glass, Pio and Tito Toso designed a special glass-blow...

Pair of Italian brass and white glass cubes table lamps.

A ceramic table lamp by Denis Castaing with white glaze decoration. The base and the lamp shade are in ceramic. Sold with a European electrical system. Perfect original conditions...

Model “Giroscopio”. Each lamp with a rectangular brass frame mounted to a central stem, which swivels around a double-sided champagne colored molded glass panel.   (Lamp shade not in...

Single table lamp. Brass column lamp decorated with rows of clear glass bubbles.    (Lamp shade not included)

Big lamp model "Lyra" by Philippe Cuny. Black-lacquered resin.

Pedrita lamp series’ concept is based on an experimentation of Brazilian stones: quartzites and quartz crystals, which are natural, semiprecious and exotic stones found in Brazilian territory. We worked in a Minimalist perspective, using straight lines and simple shapes to highlight materials’ natural properties. Their colors, vein patterns and translucency resemble green forest landscapes, greenish archipelagos, paths shaped by volcanic golden lava, running rivers or glacier and icebergs. Pedrita means ‘valuable stone’ and translates our desire to honor an alliance between national natural resources and Brazilian design. Technical specifications: There are 03 models of table lamps made of translucent quartz, and 01 model of floor lamp made of translucent quartz, green quartzite: Measures: Model S table 32...

A beautiful table lamp in transparent plexiglass with inclusion of bubbles and brass base designed by Studio Superego for Superego Editions. Unique piece. Biography Superego Edition...

Eon Collection - Harmony. Handcrafted quartz and brass table lamps. Signed by the artist on the underside. Stones are carved and polished by hand. Made to order. Limited edition.

White quartzite mineral specimen of standing form, mounted as a lamp. Measures : 10.5" H x 7" W x 5" D. Dealer: S138XX.

Cestita Alubut table lamp by Miguel Milá for Santa & Cole. Cestita Alubat is the latest addition to the Cesta family. Robust yet lightweight, this version is ready for action indoors...

This pair of Murano lamps was produced in Italy in the early 2000s. The lamps are completely in Murano glass and chrome details, while the lampshade is white.

In a career spanning over 30 years, New York City artist Christopher Russell has devoted himself to creating unique works of art, functional design, custom architectural elements, and large-scale commissions in an ever-expanding exploration of clay, his principal medium. Originally focused on painting and drawing, Russell was attracted to the malleable properties and endless possibilities of clay, which can traverse the divide between functional and purely aesthetic. Initially translating his draftsmanship to decorative graphic tiles, his work eventually progressed into hand-built sculpture, and most recently decorative vessels. His latest works are dynamic in structure and decoration. With a concentration on hand-building, something the artist attributes to a familial connection to architecture, engineering, and contracting, Russell eschews throwing pots “on the wheel”. While his geometrically rigid vessels look meticulously planned, the process is generally spontaneous. Process dictates the abstracted forms, but the ultimate goal is largely towards harmony, balance, and symmetry. Most notable in the recent works is Russell’s energetic surface ornamentation. Patchworks of simple shapes, in hues ranging from natural to artificial, jostle and hug to create cubist patterns akin to pictographs. A combination of black and white underglazes acts as a ground for his precise application of colored glazes, each individually developed by the artist. Employing stencil resists and decorative sgraffito results in work with an unexpected sense of depth. Equally varied are the competing textures that converge across each surface. Russell affirms that “Texture is the most visceral element in ceramics. It’s the thing that makes you want to touch. There’s design, color and form, but it’s texture that gives a piece its physical life.” Conclusively the agony and joy in his ceramic practice comes from what is left to chance. Best laid plans are at the mercy of the kiln, making each work a risky venture and each success a treasurable object. Russell has been the subject of solo shows at the Everson Museum of Art in Syracuse NY, and the Daum Museum of Contemporary Art in Sedalie WI. His work has also been exhibited widely in group exhibitions, including at The Bernardaud Foundation in Limoges, France, the Royal West Academy in Bristol, England, the Paul Robeson Gallery at Rutgers University, and WaveHill, the prestigious public gardens in The Bronx, New York. Among numerous private collections his work is also in the collection of Longhouse Reserve: The Jack Lenor Larsen Estate. Notable commissions include a large-scale ceramic wall mural...

Icon of Arredoluce, this lamp became history when it was included in the supply that the brand sent to the Kennedy family, and was designed by Angelo Lelii in the early Fifties. It i...

Kalmar Werkstätten Austria, contemporary Hase table lamp in polished brass with leather handle. New production of the table lamp designed by Kal...

The Somerset Table lamps-- A pair of table lamps with amber and brown transparent cast resin sections forming bamboo-shaped lamp bases. Each lamp can accommodate two medium base ligh...

Michel Buffet 'B 201' white table lamp. This authorized production lamp is still made by Michel Buffet in France with many of the same small-scale manufacturing techniques and crafts...

Materials: Brass and glass Dimensions: 4 x 4 x 14"