'Sea Anemone' Table Light with Golden Bronze Base by Pia Maria Raeder

Taking inspiration from planetary shapes and textures, the Cosmic collection artfully explores the interplay of metal properties and a curated selection of patina finishes. Handcra...

Taking inspiration from planetary shapes and textures, the Cosmic collection artfully explores the interplay of metal properties and a curated selection of patina finishes. Handcra...

Decorative steer horn table lamp with faux marble base.

Graceful resting hand-carved silvered brass deer lamp mounted on a black lacquered wooden base. Detailed on back and Head with extraordinary carvings....

Stylish and highly decorative, hard-labour-table-lamp. With early 20th century lighting as one of our specialities, we have seen a lot of unique light fixtures of all kinds, but never did we come across a bronze miner...

Striking sea urchin form table lamp ambitiously crafted with hundreds of bleached coconut husk spines fixed to a sturdy metal frame.

Taking inspiration from planet-like shapes and textures, the Cosmic collection explores the interplay of metal properties and an array of patina finishes. Handcrafted with bronzed ...

Midcentury cast bronze Venus de Milo table lamp, neoclassical, monumental light. Gorgeous piece. Quite heavy. 30" H to socket. Shade in photo is f...

The Ligne sculptures were made during a summer artist residency at Pilchuck school of glass. As with many of Sabine Marcelis's explorations with light, these objects were born from a curiosity to explore how a material volume can interact with a single line of light and in this case also how two very different ways of working with glass can elevate eachother. Together with talented neon benders, Sabine Marcelis hand-bent each of the neon lights to wrap around the various glass volumes, accentuating their mass and in turn, the glass volumes filtering the light. Dutch-Kiwi designer Sabine Marcelis’s work is at the forefront of contemporary material innovation in product and installation design. She works with glass manufacturers and more, forging partnerships across her industry to bring her ambitiously experimental projects to fruition. Marcelis’s focus is on allowing happenstance sensory experiences to emerge by juxtaposing combinations of unlikely materials and colors. She was educated at the Design Academy Eindhoven and since founding her eponymous studio in 2011 in Rotterdam in the Netherlands, she has built a remarkable roster of clients in fashion, architecture and art. She has created signature pieces for the likes of Rem Koolhaas’s architecture firm OMA, high-fashion labels Fendi and Isabel Marant and luxury beauty brand Aesop. She has also exhibited at the Salone del Mobile in Milan and won Wallpaper* magazine’s Designer of the Year award for 2020. Marcelis was invited to create a sculptural intervention for the interiors of Ludwig Mies van der Rohe and Lily Reich’s iconic Barcelona Pavilion, which saw the debut of the pair’s timeless Barcelona chair in 1929. For her “No Fear of Glass” exhibition, the designer subverted the original request made to van der Rohe to “not use too much glass” by designing chaise longues, pillar lights...

Bronze table lamp depicting a bird standing on a turtle. Base is a free form shape covered in pen shell.