Glazed Table Lamps
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Technique: Glazed
Recognized Seller Listings
Roger Capron Ceramic Sconce Table Lamp on Metal Base, Vallauris, France 1960’s
By Roger Capron
Located in New York, NY
A rare "Pajama" decor tube light by French ceramist Roger Capron, together with its metal mount it can be used as a sconce or a table lamp. Rewired.
Category
Mid-20th Century French Mid-Century Modern Glazed Table Lamps
Materials
Ceramic
Pair of 19th Century Chinese Canton Baluster Porcelain Antique Table Lamps
Located in London, GB
A fine pair of Chinese late 19th century Canton medallion vases, decorated in the Famille rose palette. Now mounted as lamps with hand gilded turned bases.
Height of vases 16 1/2 ...
Category
19th Century Chinese Antique Glazed Table Lamps
Materials
Porcelain
Metallic Glazed Ceramic Table Lamp by Bitossi for Bergboms, Italy, circa 1970
Located in New York, NY
A metallic glazed ceramic table lamp by Bitossi for Bergboms, Sweden.
Please note that the shade pictured is not included.
Category
1970s Italian Vintage Glazed Table Lamps
Materials
Ceramic
Gertrud Lönegren, Table Lamp, Grey Glazed Stoneware, Rörstrand, Sweden, 1950s
Located in High Point, NC
A grey glazed stoneware table lamp designed by Gertrud Lönegren and produced by Rörstrand, stamped, Sweden, 1950s.
Sold without the lampshade. Stated dimensions excluding lampshade ...
Category
1950s Swedish Mid-Century Modern Vintage Glazed Table Lamps
Materials
Stoneware
Pair of Green Porcelain Craquelure Straight Necked Vase Table Lamps
Located in London, GB
A fine pair of small bright green craquellure straight necked vases, now mounted as a lamps. Ideal for beside tables, or those smaller spaces.
Measures: Height of vases 14 in (36 ...
Category
20th Century Chinese Glazed Table Lamps
Materials
Porcelain
Large Famille Verte Chinese Antique Table Lamp
Located in London, GB
A fine large Chinese famille verte vase of baluster form, beautifully decorated with a procession of Chinese figures wearing traditional clothing within hilly landscape scenery, on a...
Category
20th Century Chinese Glazed Table Lamps
Materials
Porcelain
Green Porcelain 19th Century French Samson of Paris Antique Table Lamp
Located in London, GB
A fine 19th century French Samson of Paris vase decorated in the Kangxi style, finely painted throughout with blossoms and butterflies on a green groun...
Category
19th Century French Antique Glazed Table Lamps
Materials
Porcelain
Chinese Porcelain Black Ground Vase mounted as a Lamp, Qing Dynasty
Located in New York, NY
Of square tapering form; decorated with a peacock and tree peony branch in a bold polychrome palette; mounted on a black wood square base. Fitted with a brass adjustable rod and two ...
Category
Early 20th Century Chinese Glazed Table Lamps
Materials
Porcelain
Chinese Porcelain Monochrome Vase Mounted as a Lamp
Located in New York, NY
Of archaistic form with brown craquelure overall and broad matte band with low relief decoration; mounted on a turned giltwood base and fitted with gold-lacquered brass adjustable ro...
Category
19th Century Chinese Antique Glazed Table Lamps
Materials
Brass
Table Lamp, in the Manner of Bitossi for Bergboms, circa 1970
By Bitossi
Located in New York, NY
A striking table lamp in gilt gazed ceramic, likely by Bitossi (for Bergboms).
Measures: Height of body 10", height with shade 22".
Category
1970s Swedish Vintage Glazed Table Lamps
Materials
Ceramic
1970s Red-Orange Ceramic Table Lamp by Lee Rosen for Design Technics
Located in Sagaponack, NY
A hand-thrown cylinder-form ceramic table lamp having a rich, glossy red-orange glaze and encircling deeply textured sgraffito decoration designed in 1969 by Lee Rosen for the 3300 s...
Category
1970s American Mid-Century Modern Vintage Glazed Table Lamps
Materials
Ceramic
1950s Italian Glazed Ceramic Table Lamp
Located in Sagaponack, NY
Ceramic table lamp with an ovoid shaped body, hand decorated with white thistle leaves and vine with gold accents on a light, coral colored background.
Category
1950s Italian Mid-Century Modern Vintage Glazed Table Lamps
Materials
Ceramic
Marianna von Allesch, Glazed Ceramic Table Lamp, United States, circa 1950s
Located in New York, NY
A sleek, glazed ceramic midcentury table lamp. Shade sold separately.
Category
1950s American Mid-Century Modern Vintage Glazed Table Lamps
Materials
Ceramic
1970s Ceramic Table Lamp by Lee Rosen for Design Technics
Located in Sagaponack, NY
Based on Rosen’s earlier ceramic forms, the hand thrown ‘4300 Series’ of 1967 expanded the types of hand applied glazes with an enlarged palette of colors and glaze techniques. This ...
Category
1970s American Mid-Century Modern Vintage Glazed Table Lamps
Materials
Ceramic
1970s Ceramic Table Lamp by Lee Rosen for Design Technics
Located in Sagaponack, NY
A classic, bulbous vase form rendered as a large curvaceous high glaze ceramic table lamp. Sold with an installed solid brass custom light fitting consisting of a circular cover plate for the rod hole, vertical rod, double socket ball cluster each socket with a barrel chain...
Category
1970s American Mid-Century Modern Vintage Glazed Table Lamps
Materials
Ceramic
1960s Red-Orange Ceramic Table Lamp by Lee Rosen for Design Technics
Located in Sagaponack, NY
A hand-thrown cylinder-form ceramic table lamp having a rich, glossy red-orange glaze and encircling deeply textured sgraffito decoration. At the time of production there was a 25% p...
Category
1960s American Mid-Century Modern Vintage Glazed Table Lamps
Materials
Ceramic
Ceramic Table Lamp by Gordan Martz for Marshall Studios
Located in Sagaponack, NY
A stacked three-part Mid-Century Modern ceramic table lamp designed by Gordon Martz with broad stroke under-glazing in tan and green. Made by Marshall Studios in the USA, circa 1950s.
Category
1950s American Mid-Century Modern Vintage Glazed Table Lamps
Materials
Ceramic
Metallic Glazed Ceramic Table Lamp by Bitossi for Bergboms, Italy, circa 1970
Located in New York, NY
A metallic glazed ceramic table lamp by Bitossi for Bergboms, Sweden.
Please note that the shade pictured is not included.
Category
1970s Italian Vintage Glazed Table Lamps
Materials
Ceramic
Deep Red 19th century Chinese Sang de Boeuf Antique Table Lamp
Located in London, GB
A superb late 19th century Chinese sang de boeuf porcelain baluster vase, with magnificent deep glaze, now mounted as a lamp with a hand gilded turned base.
Height: 18 3/4 in (47.5...
Category
Early 20th Century Chinese Glazed Table Lamps
Materials
Ceramic, Porcelain
Pair of Large Chinese Sang De Boeuf Baluster Porcelain Table Lamps
Located in London, GB
A superb pair of large Chinese sang de boeuf baluster vases, with a particularly good deep glaze colour, now mounted as lamps with hand gilded turned bases.
Height of vases: 23 1/4...
Category
20th Century Chinese Glazed Table Lamps
Materials
Porcelain
Pair of French Early 20th Century Turquoise Glaze Porcelain Table Lamps
Located in London, GB
A superb pair of early 20th century French turquoise glazed ceramic vases, now mounted as lamps with hand gilded turned bases.
Fantastic colour to the glaze.
Height of vases: 16 ...
Category
Early 20th Century French Glazed Table Lamps
Materials
Porcelain
Christopher Russell, Opaque Green Lamp, USA
Located in New York, NY
In a career spanning over 30 years, New York City artist Christopher Russell has devoted himself to creating unique works of art, functional design, custom architectural elements, and large-scale commissions in an ever-expanding exploration of clay, his principal medium. Originally focused on painting and drawing, Russell was attracted to the malleable properties and endless possibilities of clay, which can traverse the divide between functional and purely aesthetic. Initially translating his draftsmanship to decorative graphic tiles, his work eventually progressed into hand-built sculpture, and most recently decorative vessels.
His latest works are dynamic in structure and decoration. With a concentration on hand-building, something the artist attributes to a familial connection to architecture, engineering, and contracting, Russell eschews throwing pots “on the wheel”. While his geometrically rigid vessels look meticulously planned, the process is generally spontaneous. Process dictates the abstracted forms, but the ultimate goal is largely towards harmony, balance, and symmetry.
Most notable in the recent works is Russell’s energetic surface ornamentation. Patchworks of simple shapes, in hues ranging from natural to artificial, jostle and hug to create cubist patterns akin to pictographs. A combination of black and white underglazes acts as a ground for his precise application of colored glazes, each individually developed by the artist. Employing stencil resists and decorative sgraffito results in work with an unexpected sense of depth.
Equally varied are the competing textures that converge across each surface. Russell affirms that “Texture is the most visceral element in ceramics. It’s the thing that makes you want to touch. There’s design, color and form, but it’s texture that gives a piece its physical life”.
Conclusively the agony and joy in his ceramic practice comes from what is left to chance. Best laid plans are at the mercy of the kiln, making each work a risky venture and each success a treasurable object.
Russell has been the subject of solo shows at the Everson Museum of Art in Syracuse NY, and the Daum Museum of Contemporary Art in Sedalie WI. His work has also been exhibited widely in group exhibitions, including at The Bernardaud Foundation in Limoges, France, the Royal West Academy in Bristol, England, the Paul Robeson Gallery at Rutgers University, and WaveHill, the prestigious public gardens in The Bronx, New York. Among numerous private collections his work is also in the collection of Longhouse Reserve: The Jack Lenor Larsen Estate. Notable commissions include a large-scale ceramic wall mural...
Category
2010s American Modern Glazed Table Lamps
Materials
Ceramic
Christopher Russell, Sea Green Lamp, USA
Located in New York, NY
In a career spanning over 30 years, New York City artist Christopher Russell has devoted himself to creating unique works of art, functional design, custom architectural elements, and large-scale commissions in an ever-expanding exploration of clay, his principal medium. Originally focused on painting and drawing, Russell was attracted to the malleable properties and endless possibilities of clay, which can traverse the divide between functional and purely aesthetic. Initially translating his draftsmanship to decorative graphic tiles, his work eventually progressed into hand-built sculpture, and most recently decorative vessels.
His latest works are dynamic in structure and decoration. With a concentration on hand-building, something the artist attributes to a familial connection to architecture, engineering, and contracting, Russell eschews throwing pots “on the wheel”. While his geometrically rigid vessels look meticulously planned, the process is generally spontaneous. Process dictates the abstracted forms, but the ultimate goal is largely towards harmony, balance, and symmetry.
Most notable in the recent works is Russell’s energetic surface ornamentation. Patchworks of simple shapes, in hues ranging from natural to artificial, jostle and hug to create cubist patterns akin to pictographs. A combination of black and white underglazes acts as a ground for his precise application of colored glazes, each individually developed by the artist. Employing stencil resists and decorative sgraffito results in work with an unexpected sense of depth.
Equally varied are the competing textures that converge across each surface. Russell affirms that “Texture is the most visceral element in ceramics. It’s the thing that makes you want to touch. There’s design, color and form, but it’s texture that gives a piece its physical life.”
Conclusively the agony and joy in his ceramic practice comes from what is left to chance. Best laid plans are at the mercy of the kiln, making each work a risky venture and each success a treasurable object.
Russell has been the subject of solo shows at the Everson Museum of Art in Syracuse NY, and the Daum Museum of Contemporary Art in Sedalie WI. His work has also been exhibited widely in group exhibitions, including at The Bernardaud Foundation in Limoges, France, the Royal West Academy in Bristol, England, the Paul Robeson Gallery at Rutgers University, and WaveHill, the prestigious public gardens in The Bronx, New York. Among numerous private collections his work is also in the collection of Longhouse Reserve: The Jack Lenor Larsen Estate. Notable commissions include a large-scale ceramic wall mural...
Category
2010s American Modern Glazed Table Lamps
Materials
Ceramic
Christopher Russell, Sepia Form Lamp, USA
Located in New York, NY
In a career spanning over 30 years, New York City artist Christopher Russell has devoted himself to creating unique works of art, functional design, custom architectural elements, and large-scale commissions in an ever-expanding exploration of clay, his principal medium. Originally focused on painting and drawing, Russell was attracted to the malleable properties and endless possibilities of clay, which can traverse the divide between functional and purely aesthetic. Initially translating his draftsmanship to decorative graphic tiles, his work eventually progressed into hand-built sculpture, and most recently decorative vessels.
His latest works are dynamic in structure and decoration. With a concentration on hand-building, something the artist attributes to a familial connection to architecture, engineering, and contracting, Russell eschews throwing pots “on the wheel”. While his geometrically rigid vessels look meticulously planned, the process is generally spontaneous. Process dictates the abstracted forms, but the ultimate goal is largely towards harmony, balance, and symmetry.
Most notable in the recent works is Russell’s energetic surface ornamentation. Patchworks of simple shapes, in hues ranging from natural to artificial, jostle and hug to create cubist patterns akin to pictographs. A combination of black and white underglazes acts as a ground for his precise application of colored glazes, each individually developed by the artist. Employing stencil resists and decorative sgraffito results in work with an unexpected sense of depth.
Equally varied are the competing textures that converge across each surface. Russell affirms that “Texture is the most visceral element in ceramics. It’s the thing that makes you want to touch. There’s design, color and form, but it’s texture that gives a piece its physical life.”
Conclusively the agony and joy in his ceramic practice comes from what is left to chance. Best laid plans are at the mercy of the kiln, making each work a risky venture and each success a treasurable object.
Russell has been the subject of solo shows at the Everson Museum of Art in Syracuse NY, and the Daum Museum of Contemporary Art in Sedalie WI. His work has also been exhibited widely in group exhibitions, including at The Bernardaud Foundation in Limoges, France, the Royal West Academy in Bristol, England, the Paul Robeson Gallery at Rutgers University, and WaveHill, the prestigious public gardens in The Bronx, New York. Among numerous private collections his work is also in the collection of Longhouse Reserve: The Jack Lenor Larsen Estate. Notable commissions include a large-scale ceramic wall mural...
Category
2010s American Modern Glazed Table Lamps
Materials
Ceramic
Christopher Russell, Black Ovals Lamp, USA
Located in New York, NY
In a career spanning over 30 years, New York City artist Christopher Russell has devoted himself to creating unique works of art, functional design, custom architectural elements, and large-scale commissions in an ever-expanding exploration of clay, his principal medium. Originally focused on painting and drawing, Russell was attracted to the malleable properties and endless possibilities of clay, which can traverse the divide between functional and purely aesthetic. Initially translating his draftsmanship to decorative graphic tiles, his work eventually progressed into hand-built sculpture, and most recently decorative vessels.
His latest works are dynamic in structure and decoration. With a concentration on hand-building, something the artist attributes to a familial connection to architecture, engineering, and contracting, Russell eschews throwing pots “on the wheel”. While his geometrically rigid vessels look meticulously planned, the process is generally spontaneous. Process dictates the abstracted forms, but the ultimate goal is largely towards harmony, balance, and symmetry.
Most notable in the recent works is Russell’s energetic surface ornamentation. Patchworks of simple shapes, in hues ranging from natural to artificial, jostle and hug to create cubist patterns akin to pictographs. A combination of black and white underglazes acts as a ground for his precise application of colored glazes, each individually developed by the artist. Employing stencil resists and decorative sgraffito results in work with an unexpected sense of depth.
Equally varied are the competing textures that converge across each surface. Russell affirms that “Texture is the most visceral element in ceramics. It’s the thing that makes you want to touch. There’s design, color and form, but it’s texture that gives a piece its physical life.”
Conclusively the agony and joy in his ceramic practice comes from what is left to chance. Best laid plans are at the mercy of the kiln, making each work a risky venture and each success a treasurable object.
Russell has been the subject of solo shows at the Everson Museum of Art in Syracuse NY, and the Daum Museum of Contemporary Art in Sedalie WI. His work has also been exhibited widely in group exhibitions, including at The Bernardaud Foundation in Limoges, France, the Royal West Academy in Bristol, England, the Paul Robeson Gallery at Rutgers University, and WaveHill, the prestigious public gardens in The Bronx, New York. Among numerous private collections his work is also in the collection of Longhouse Reserve: The Jack Lenor Larsen Estate. Notable commissions include a large-scale ceramic wall mural...
Category
2010s American Modern Glazed Table Lamps
Materials
Ceramic
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