Patinated Table Lamps

Large patinated brass or bronze desk or table lamp attributed to Fontana Arte, circa 1960 (very similar to mod. 2278). Dark patinated brass with a silvery sheen and textured acrylic diffuser...

Danish Kastrup opaline glass Lamp with brass fitting, Denmark, 1960 White matte opaline glass lamp with brass fittings by Kastrup glass which was a Da...

Pair of Mid-Century Modern lamps with Verdigris patina. Made of cast iron, the column lamps have tapered bases and feature stylized pagoda tops. The metal has been purposely oxidized...

A large circa 1940s French brass table lamp with original patina.  Measurements: Height of body: 23" Height to rest of shade: 33" Widest point: 11".

Tall Murano glass table lamp by Dino Martens for Aureliano Toso. Rewired; with new custom silk shade.

Monumental Hollywood Regency glazed ceramic lamp. Original shade included. The ceramic portion of the base is 16 in. diameter x 26 in. tall.

Elegant gilt bronze and white opaline Hollywood Regency lamp in the style of Tony Duquette. Custom paper shade (19 in. diameter at top x 21 in. diameter at bottom x 12.5 in. tall)...

With the original "médaille patinated" round base and tapered stem that hold a white lacquered and frosted glass shade.

Super rare midcentury table / wall lamp by Robert Mathieu and most probably in cooperation with Pierre Guariche, designed and manufactured in France, circa 1950s. A yellow enameled a...

This handblown Italian Murano glass table lamp has an organic double gourd or squash form which rests upon a black glass pedestal base decorated with gold wash. The body of the piece...

An uncommon patinated steel desk lamp with an adjustable lacquered conical shade. The arm is attached to a circular magnet ball and socket connection, allowing for a high degree of a...

Elegant Mayan inspired ceramic lamp with original shade. Overall lamp dimensions (listed): 33 in. tall x 16 in. diameter. The body (to the final) ...

Pair of blue opaline glass lamps with brass fittings by Kastrup glass which was a Danish glass maker who was bought up by Holmegaard glass manufacturer in 1967. This pair is in very...

Elegant pair of French Art Deco table lamps in the style of Maison Baguès and Leleu, France, circa 1930-1940. The two arm table lamps are made of brass with a beautiful characteristi...

A pair of circa 1960s Italian carved and painted wood lamps with giltwood bases. Measurements: Height of body 18" Height to shade rest 27.5" Diameter 5" (widest point).

A mid-20th century cold painted elephant sculpture lamp base. Dimensions refer only to elephant and base. Shades available to purchase separately.

Extremely rare, large and elegant Mid-Century Modern Murano Glass table lamp. Designed by Ludovico Diaz de Santillana for Venini, 1960s, Murano, Italy. Executed in Murano glass shad...

Pair of lamps in gilded and silvered bronze, base diameter 14 cm adjustable height: 87 cm Maxi and 72 cm Mini model of Charles or Maison Jansen all in bronze Height: 87 cm Diameter...

ATL1901 A bronze Baroque desk lamp in its original age-darkened finish signed by the New York maker E. F. Caldwell circa 1950s. It’s quite similar, though not an exact match to those...

An unattributed American Craftsman thick burled wood slab table lamp with rectangular base. Shade not included.

This stylish pair of table lamps are very much in the style of the 1960s with their sophisticated Hollywood Regency coloration and form. The opaline glass is accented with gold bands...

Lamp in patinated brass figuring a stylized music-hall dancer holding a hat in his raising hand and a stick with a round knob in the other hand. The bulb represents the character hea...

This striking English art pottery lamp was made by the renowned Moorcroft Pottery company of Burslem, Stoke-on-Trent, Staffordshire. Initially with James Macintyre & Co., innovative ceramist William Moorcroft founded his own firm in 1913. Underwritten by retailer Liberty London, the company went from strength to strength and was granted a Royal Warrant by Queen Mary in 1928, leading them to include the phrase ‘Potter To HM The Queen’ on their paper labels as well as in their impressed marks. William's son Walter joined the firm in 1935 and took over management and design responsibilities upon the death of his father in 1945. Moorcroft remains in business today with early pieces by William and Walter being particularly sought after. This Walter Moorcroft signed lamp has a traditional pear or bottle vase form which has been decorated in the 'Fuchsia' pattern. The body of the lamp has a variegated blue/blue-green background featuring Moorcroft's distinctive slip-trailing technique. The leaves and blossoms have been finished in bright jewel tones. The body of the lamp has been joined to a metal base having a milgrain edge and four scrolling feet. The top of the lamp has a simple metal cap topped by a decorative foliate band. The piece retains its original Lightolier reflector bowl, patented by Jacob Samuel Hamel in March of 1950. The reflector bowl has a frosted body which attaches to the lamp by Virtue of three screws. The lamp comes complete with a silk shade manufactured by Royal Knight...

Monumental Mid Century Tommi Parzinger for Stiffel White, Brass and Marble Candelabra Lamps, 1940s. Substantial Stiffel Lamp Company brass and white marb...

Pair of light blue glass lamps with brass fittings by Kastrup glass which was a Danish glass maker who was bought up by Holmegaard glass manufac...

A pair of unique circa 1940s French patinated textured metal table lamps with original finish. Measurements: Height of body 14.5" Height to shade rest 20.5" Diameter 6.5".

Sleek, elegant, sophisticated, these are the words that best describe this fantastic modernist lamp that was produced in the early 1960s, in Vienna, Austria. Here we can see the infl...

A pair of vintage candlestick table lamps, manufactured by Maitland-Smith, each crafted of patinated copper, with woven tapered stems a...

Elegant gilt bronze and white opaline Hollywood Regency lamp in the style of Tony Duquette. Custom paper shade (19 in. diameter at top x 21 in. diameter at bottom x 12.5 in. tall)...

Superb pair of Maison Charles table lamp, model‚ Lotus. US rewired and in working condition. Two lights, 40 watt max bulb per light. Measure: Base is 4.5 inches by 4.5 inches.

Elegant Mayan inspired ceramic lamp with original shade. Overall lamp dimensions (listed): 33 in. tall x 16 in. diameter. The body (to the final) ...

Large, heavy Empire style gilt and patinated bronze Amphora table lamp decorated with fine ornaments and garlands on a square base supported by four feet covered with leaves. Five-li...

A Mid-Century Modern rectangular beige marble table lamp with patinated brass hardware. Designed by T. H. Robsjohn-Gibbings and manufactured by Hans...

Rectangular black marble table lamp with patinated brass hardware. Marble base height 16 inches.

Pair of 1950s gilt metal Asian seated figural lamps on black ebonized platform bases, in the style of James Mont.

Oversized, unusual shape urn-style antique bronze table lamp. Newly rewired with dual pull chain light sockets and brass stem / finial. Brown twisted ...

Set of two monumental and extremely rare Mid-Century Modern table lamps in heavy, massive brass. Designed and manufactured by Vereinigte Werkstätten, 19...

Mid-Century Modern Verdigris colored table lamp. Made from vintage fabric printing roll, with patinated copper accents, and brass base and fittings. Includes cream colored custom paper lamp shade...

Monumental Hollywood Regency glazed ceramic lamp. Original shade included. The ceramic portion of the base is 16 in. diameter x 26 in. tall.

Monumental patinated brass Hollywood Regency lamp. Lamp body measures 24.5" tall, overall height, 38". Newly restored with solid patinated brass hardware, double sockets and pull cha...

Attributed to Tony Paul. Wonderful design, Only one available.

Tripod lamp in oxidized brass and varnish, France 1950. This lamp is refined in its smallest details, the sheet of metal winds, forming two lobes. The ...

Pair of Scandinavian midcentury “Stromboli” table lamps in a smokey colored glass. Stromboli glass was created by introducing metallic powder during the blowing process. Designed by ...

PH 3½-2 desk light by Poul Henningsen. Original yellow lacquered zinc top-shade, matté yellow single layered glass middle and bottom shade, patinated brass stem and Bakelite detailin...

Machine Age patinated brass skyscraper lamp with circular stepped base and central brass stepped column, USA, circa 1930s.

Pair of hourglass form brass table lamps by Stewart Ross James for Hansen.

A table lamp lamps by Evan Jensen. Patinated metal. Marked: Evan Jensen 650 Antika. Evan Jensen was awarded a Gran Prix at the Barcelona World Exhibition o...

Pair of California studio modern patinated brass and Manzanita root burl lamps. Brass cylinder is 3.5" diameter and 19" tall.

Pair of French Mid-Century Modern Craftsman table lamps in the form of urns. The pieces possess a rare warmth from the use of natural materials of hand made and fired earthenware pot...

Tall Murano glass table lamp by Dino Martens for Aureliano Toso. Rewired; with new custom silk shade.

Impressive Pair of Table Lamps “Ananas”, Attributed to Maison Jansen, France, ca 1970 Pineapple brass table pair of lamps from the 1960/70s in France attributed to Maison Jansen. Artfully made of brass, this elaborate worked model of table lamp is a true design iconic masterpiece. On top of a great looking base, made of patinated, gilt brass and black glass plates sits this large, one of a kind worked brass pineapple with fantastic shaped leaves. The hidden bulb in the center creates an outstanding lightning mood on the ceiling. An absolute eye-catching 20th century design table lamp bringing this Hollywood Regency flair straight in your home. Circa 1970 H 78 cm W 50 cm D 50 cm Jansen, the French luxury Opulence, refinement, audacity of style marriages… so many words agree with Maison Jansen. Through this name, a whole era sounds like a reminder of a certain French chic… Some names evoke immutable images, atmospheres... Like Jansen, for example. Let’s close our eyes… The 1960s and 1970s are at their peak. France is doing well. It is a country of full employment where everything seems possible. Within the international Jet Set, a carefree crowd of movie stars, public figures, literary idols and crowned heads, we love the Maison Jansen, its taste for styles struck with a good quality exuberance, and its brilliant side. It all began in 1880, when the Dutchman Jean Henri Jansen founded the epon-ymous house in Paris. Jansen is part of the continuity of these world-famous furniture manufacturers and companies that operated under the Second Empire and at the time of the Universal Exhibitions, as the ‘Escalier de Cristal’ teaches. At that time, the Union Centrale des Beaux-Arts appliqués à l'Indus-trie and the Société du musée des Arts Décoratifs merged to form the Union Centrale des Arts Décoratifs. Supported by both gallery owners, collectors and manufacturers, this organi-zation gives the «la» to the whole profession, and in the prevailing politico-ideological slump (France was defeated by Prussia in 1871 and Napoleon III is in exile), the ‘Union Centrale des Art Décoratifs’ focuses production on the celebration of past styles. While this nostalgia evokes memories of an era that we imagine more stable, an innovative exoticism will be all the rage: the reign of Turkish style and Japonisme. The Jansen house masterfully rushed into the «exotic» trend, but quickly de-veloped a style derived from the ornamental splendor of the eighteenth, then a little later, so-called «imperial» styles mainly intended for royal families. Af-ter the First World War, J.H Jansen was joined by the cartoonist Albert Cazes, by Stéphane Boudin and by Pierre Delbée, who successively directed the house when it disappeared in 1929. At the end of the Kennedy era, Boudin complete-ly redecorated the White House, at the request of the First Lady, Jackie, who had fallen in love with his work after discovering it at Malmaison. In 1971, Jansen joined forces with Leleu-Deshays and continued its quest for excellence. From 1969 to 1979, the dandy decorator Serge Robin took the reins of the house, granting it an eclectic and luxurious style: he revisited the great eras of French art, from the Renaissance to Louis XVI, by modernizing them with more contemporary pieces in Plexiglas or wrought iron. His recomposed and sophisticated style met with resounding success. When Jackie Kennedy, who became the wife of the great Greek shipowner Aristotle Onassis, moved to France, the young architect married Louis XVI-style furniture to modernist designs from the 1950s. When the Shah of Iran decided to celebrate the 250th anniversary of the Per-sian Empire in 1971, Serge Robin and his teams turned to the grandiose and ephemeral setting of Persepolis. A hundred semi-trailers then left the work-shops on Rue Saint-Sabin to reach Tehran. At the same time, Princess Soraya of Iran commissioned her a sumptuous palace for Avenue Montaigne, the princes Faisal bin Fahd of Arabia and Mubarak Al-Sabah, and the Agnelli snatched it. On the French side, he puts his talent at the service of Brigitte Bardot, for whom he completely revamped the Madrague and the Lannes boulevard. Serge Robin embodies all the audacity of the name Jansen with the most im-probable weddings. With him, Plexiglas tables, Japanese chairs from the 50s, gold thread curtains, zebra sofas...

This stylish and chic hand-carved wood duck decoy lamp will make a subtle statement with its form and use of materials. The piece was created by Cornwall Wood Products in Paris, Mai...

Dimensions: 26in H x 10in W x 10in D Lamp shade: 10in H x 15in W. _______________________________________________________________ Transforming a piece of Mid-Century Modern furnit...

Elevate your interior ambiance with our dazzling pair of table lamps from the 1960s, impeccably reimagined in the Hollywood Regency Style. Hand-crafted from brass, these lamps stand ...

A pair of lamps designed by Stuart Ross James (1912-1997) for Hansen. Very handsome and elegant pair of table lamps from the American midcentury period circa 1960. Those table side lamps has been designed by Stuart Ross James for the Hansen Lighting Co. They are carefully crafted in solid patinated bronze with gorgeous verdigris finish. Made with a squared base and fluted curved body and mounted in black wood platforms. The measurements of the main body (the fluted base) for each lamp are, 20 by 7.25 by 7.25 inches (50.8 x 18.4 x 18 .4 Cm). Stewart Ross James was born in 1912 in Toronto and moved to the US in his early teens; he attended high-school in Birmingham, Alabama. He wrote in his yearbook that his life's ambition was "to be a success in the field of Interior Decoration." By 1940, he was living in New York City and working as an interior designer on Park Avenue. He later moved to Winchester, New Hampshire, where he continued design work, collaborating with the New York architectural firm of O'Connor & Killham on projects for Kenyon College in Ohio, the Phoenix Insurance Company in Hartford, Connecticut, and for Princeton University's Firestone Library. He designed interiors for the Cunard Line's Boston offices in 1952 and lamps for Hansen LIGHTING of New York in 1957. Hansen LIGHTING was set up at 1st Ave and 53rd St. in New York City, following WWII by George Hansen in order to introduce his Classic, wall-mounted swing arm lamp. He had conceived of the IDEA while stationed as an Army staff sergeant in a lonely weather station in Goose Bay, Labrador, in Newfoundland. While spending a dark winter there, Hansen built a simple lamp that would allow him to read in bed. It consisted of a bent length of copper tubing, wired and bolted to the wall, with a bulb at one end and a tin can for a shield. The first Hansen lamps were built by a Queens metalworker. Early on, Hansen entered into association with METALARTE of Barcelona, a premier lighting manufacturer. The lamps attracted the attention of architects (Edward Durell Stone; Phillip Johnson; Skidmore, Owings & Merrill) and interior designers (Billy Baldwin, Edward Wormly, Eleanor Brown, Sister Parrish, Albert Hadley) as well as his future collaborator, world-renowned designer, T.H. Robsjohn-Gibbings. Hansen retired from designing in 1988, and Hansen LAMPS was acquired in 1991 by Hinson LIGHTING...

Engraved brass spherical lamp with thick walls, France, 1970s. Rewired. Shade not included.

1950s Italian Mid-Century Modern adjustable desk lamp or table lamp by Stilux Milano. Executed in perforated painted metal, white acrylic diffu...

A wonderful pair of French empire or neoclassical patinated and gilt bronze and crystal spike lamps / light fixtures completely redone with new wires and ca...