Ceramic Furniture

Wedgwood Fairyland Lustre Lily Tray, shape number 2483. Decorated with 'Jumping Faun' pattern to interior, 'Flight of Birds' to exterior. 'Pebble and Grass' border to exterior rim an...

"It is easy to understand why the rabble dislike cats. A cat is beautiful; it suggests ideas of luxury, cleanliness, and voluptuous pleasures." - Charles Baudelaire Iridescence, which changes in every angle of reflected light, is the perfect complement to a cat’s capricious nature. Zsolnay introduced its patented shiny metallic glaze, known as eosin, in 1893. The small family ceramics workshop begun in Pecs, Hungary by Miklos Zsolnay in 1853 had evolved into a world-class ceramics factory by this time. Zsolnay walked away with the Grand Prix at the 1878 World’s Fair in Paris for its art pottery. Under the stewardship of Vilmos Zsolnay...

We present this stunning, large vase, made in Italy, dating back to the early 20th century. The vase is crafted from polychrome glazed ceramic. The eye-catching decoration captures t...

A fine antique, diminutive English lustreware porcelain tea bowl or cup. By Wedgwood. Pattern no. Z4825. Designed by Daisy Makeig-Jones. With a...

1900-1910 French Art Nouveau Earthenware Vase in faience by Keller & Guérin - Lunéville, raised on 4 feet and decorated with hand-painted flowers enameled in white and azure sky blue...

A shallow serving bowl decorated with brightly colored butterflies, made by Wedgwood circa 1915. Three vibrant butterflies dance around the center of this bowl, encircled by an Orie...

Clément Massier vase design by Lucien Levy Design . Glazed ceramic. Signed and stamped at the bottom.

Model #2059 Riessner, Stellmacher and Kessel (RSt&K), consistently marked pieces with the tradename “Amphora” by the late 1890s and became known by that name. The Amphora pottery fa...

You are viewing an elegant art nouveau porcelain with green finish Offered in great shape ready for home use right away Circa 1910 Rounded body with vertical lobed panels, each resem...

Rare antique item from Rörstrand. The Rörstrand company has produced ceramics for nearly 300 years and is one of Sweden’s oldest industries. The Swedish Porcelain Works was founded i...

Large amount of exceptional antique wall tiles, Le Glaive, Europe, Belgium. Beautiful color and quality with the images of purple flowers and ochre and green details. The dimensions...

Small 19th century French Majolica Iris Jardiniere Onnaing.

This Art Nouveau vase features an extraordinary crystalline glaze that enhances its elegant, flowing form. The vase’s surface is adorned with unique, intricate patterns created by th...

A fine pair of large German porcelain vases. By Rosenthal. With a bulbous body and flaring neck. Each with 4 floral sprays on a white ground with intricate gilt vine accents throughout. The neck is cream or ivory colored. Both the rim and the footrim are gilt, and each color change from white to cream is separated by a gilt line. Marked to the base of each for Rosenthal / Selb-Plossberg...

A gorgeous Art Nouveau period iridescent porcelain vase In the manner of Loetz By Carlsbad Porcelain Austria, Late 19th Century Measures: 4.5"W x 4.5"D x 8.5"H. Very good origin...

Hand-thrown and boldly expressive, this English studio pottery vase dates to the 1980s, reflecting the period’s renewed fascination with organic forms and artisanal glazing. Crafted ...

Art Nouveau (Indian style) carved teak wood filigree swing with open butterfly design side supports and inset porcelain tile panels.

19th Century Majolica Vase with Floral and Foliage Motifs Description: This is a majolica vase dating from the 19th century, made in glazed ceramic with a rich and earthy brown tone...

Rare 19th French Majolica Asparagus octogonal plate signed Iris Longchamp. Iris, dragonfly and yellow daisies.

NIPPON - Art Nouveau hand painted and gilded ceramic planter / vase on pedestal base - featuring an over-all robust design of flowers and gilded tentacles on a moss green and cobalt ...

Kähler Art Nouveau ceramic bowl. Decorated with polychrome glaze in a typical art nouveau pattern. Signed HAK for Herman A. Kähler. Approx. 1900-1910.

Majolica dragonfly wall pocket by Desvres, circa 1900.     

Set of fish serving dishes designed by Limoge France. This is a beautiful set of dishes for fish serving created in Limoges France, around the 1890 and 1910. The art nouveau set is ...

Sarreguemines faience oval plate with metal frame, rich floral pattern Righi decor. Model not specified but corresponds to the Alpine flowers of the famous Righi model. Oval shape, w...

Striking large ceramic vase features the organic, rounded shape with 3 curved, free-flowing decorative handles. It is decorated in characteristic Belgian Art Nouveau style with the u...

Spectacular vase, Vienna Secession by Julius Dressler, made between 1900 and 1905 in Austria. This vase is an outstanding piece of history—made during the exciting era of the Secess...

The son of Edmond Lachenal, Raoul Lachenal worked in his father's studio until 1911, when he established a new workshop at Boulogne-sur-Seine. While some of Raoul Lachenal's Art Nouv...

This piece was executed by Maurice Alexandre. BACS - EDON ROC, CAP D’ANTIBES, FRANCE (1912-1927) BACS workshop was formed by four colleagues employed by Clement Massier: Jean Barol...

Elegant and rare Majolica stork with a bamboo vase signed Delphin Massier, circa 1890. The Massier are known for the quality of their unique enamels an...

Majolica white swan jardinière Delphin Massier Vallauris, circa 1890.

A stylish Austrian Art Nouveau twin handled art pottery vase hand painted with floral designs and made at Old Moravian Pottery around 1906. The squat ...

Danish art nouveau white and bright blue crackle glaze porcelain vase with intricate golden, burgundy, black and blue decorative band around the belly. Produced by Dahl Jensen in th...

An Art Nouveau small sized pot vase in green ceramic with floral barbotine reliefs. The interiors are finished in a striking bluish glaze that contrasts elegantly with the naturalis...

This evocative Japonist vase was designed by Sándor Apáti Abt for the Hungarian ceramic factory Zsolnay. The vase features a radiant background of gold, green, and orange, and is ado...

Majolica Water Lily Pad or water lilies Plate signed Villeroy et Boch, circa 1900. 7.7 inches diameter.   

Note: We highly recommend shipping through 1stDibs for its cost effectiveness, full insurance coverage, and reliable handling. While standard parcel services are an option, the defau...

This stunning Art Nouveau ceramic vase, attributed to Moorcroft, features an exquisite hand-painted tulip decor. The deep, glossy glaze accentuates the vibrant yellows and purples of...

A rounded Art Nouveau ceramic plant decorated with flower motifs. It features a striking lotus flower motif in soft enamel relief. The body is finished in a warm brown glaze, agains...

19th Century Majolica flowers and butterfly plate Wasmuel.

A lovely Art Nouveau biscuit barrel, made of iridescent art glass with a combed pattern made by Loetz Wwe. with a brass mount by WMF which w...

Brilliant handmade hand-glazed Art Nouveau Soliflore Vase, 1930. Handmade and hand-glazed in brilliant colored details. Made in Belgium Art Nouveau period 1930 fine quality. The pi...

French Majolica Wild Rose Plate Delphin Massier Circa 1890.

This is a cute porcelain half-doll, meant to be posed on a pin cushion or a drip catcher. She is made in the form of a Dutch Girl. She is impress marked at the lower back with “14123...

Le pichet canard de Saint Clément, en faïence barbotine, modèle 7492, est un véritable chef-d'œuvre qui illustre l'élégance et le savoir-faire des artistes Émile et Charles Gallé. Ce...

A highly decorative and vividly colored Art Nouveau Majolica jardinière or flowerpot, dating from circa 1900. This exuberant barbotine piece features an ornate relief design dominate...

Berkefeld Filter Gesellschaft G.M.B.H Celle Berkefeld filter Berkefeld Filter Gesellschaft G.m.b.H. – manufacturer ca. 1900, Celle, Germany There is one like it in Pharmacy Museum, ...

A ruby lustre box with mother-of-pearl lustre interior and decorated with polychrome butterflies in gold, designed by Daisy Makeig-Jones circa 1920. This ...

A very stylish and elegant Hungarian porcelain vase hand painted with Islamic influence floral designs by renowned maker Zsolnay and dating from...

Inspired by a centuries-old technique of Chinese ceramics, this elegant table lamp is a bright and dramatic shade of turquoise with a fine crackle glaze. The dimensions are measure...

An encounter with Massier’s luster-glazed ceramics is an embarkation on an acid-colored trip, the sort of exploration which inspires deep reflection and requires transparency. Clemen...

Antique Art Nouveau figural Nymph on gourd porcelain vase by Ernst Wahliss, circa early 1900s. This beautiful large piece made in Austria is in very good vintage condition with no ch...

Eye-catching antique flower shaped Art Nouveau vase by Danish ceramic artist Herman C. Kähler. Dramatic speckled orange and brown uran glaze. Signed under base. Beautiful vintage c...

PRE-OWNED GOODS ARE EXEMPT FROM IMPORT TARIFFS FOR U.S., UK, AUSTRALIAN & CANADIAN CUSTOMERS. THEREFORE, NO IMPORT TARIFFS WILL BE APPLICABLE TO YOUR PURCHASE. Kähler, Denmark. ...

A fine antique English lustreware porcelain cabinet vase. By Wedgwood. Pattern no. Z4829 Shape no. 2351 Designed by Daisy Makeig-Jones. With a ...

A stunning French Art Nouveau pair of large vases with female figures of the era, signed by the Parisian Sculptor F. Citti, Paris 1900-1910. Measures: Height 19 in (48 cm) Width...

Josef Strnact, Austria. Antique Art Nouveau vase with handles in glazed terracotta. Hand-painted gold decoration and cobweb. Approx. 1900. Measures: 3...

A giving joy beautiful French Fayence Floor Vase fantastic Art Nouveau pattern - Impressing Colours Manufacturer unknown - marked Design Period 1915 - 1925 Country of Manufacture : France H / height: 46 cm ~ Gew. / weight: 4550 grs DM / diameter max: 28 cm ~ DM oben / diameter inner rim: 19.8 cm .... an ode to Southern France A Legend of Provence by Adelaide Anne Procter (30 October 1825 – 2 February 1864) The lights extinguished, by the hearth I leant, Half weary with a listless discontent. The flickering giant-shadows, gathering near, Closed round me with a dim and silent fear. All dull, all dark; save when the leaping flame, Glancing, lit up a Picture's ancient frame. Above the hearth it hung. Perhaps the night, My foolish tremors, or the gleaming light, Lent power to that Portrait dark and quaint, — A Portrait such as Rembrandt loved to paint, — The likeness of a Nun. I seemed to trace A world of sorrow in the patient face, In the thin hands folded across her breast: — Its own and the room's shadow hid the rest. I gazed and dreamed, and the dull embers stirred, Till an old legend that I once had heard Came back to me; linked to the mystic gloom Of that dark Picture in the ghostly room. In the far south, where clustering vines are hung; Where first the old chivalric lays were sung; Where earliest smiled that gracious child of France, Angel and knight and fairy, called Romance, I stood one day. The warm blue June was spread Upon the earth; blue summer overhead, Without a cloud to fleck its radiant glare, Without a breath to stir its sultry air. All still, all silent, save the sobbing rush Of rippling waves, that lapsed in silver hush Upon the beach; where, glittering towards the strand The purple Mediterranean kissed the land. All still, all peaceful; when a convent chime Broke on the mid-day silence for a time, Then trembling into quiet, seemed to cease, In deeper silence and more utter peace. So as I turned to gaze, where gleaming white, Half hid by shadowy trees from passers' sight, The Convent lay, one who had dwelt for long In that fair home of ancient tale and song, Who knew the story of each cave and hill, And every haunting fancy lingering still Within the land, spake thus to me, and told The Convent's treasured Legend, quaint and old: — Long years ago, a dense and flowering wood, Still more concealed where the white convent stood, Borne on its perfumed wings the title came: " Our Lady of the Hawthorns " is its name. Then did that bell, which still rings out to-day, Bid all the country rise, or eat, or pray. Before that convent shrine, the haughty knight Passed the lone vigil of his perilous fight; For humbler cottage strife or village brawl, The Abbess listened, prayed, and settled all. Young hearts that came, weighed down by love or wrong, Left her kind presence comforted and strong. Each passing pilgrim, and each beggar's right Was food, and rest, and shelter for the night. But, more than this, the Nuns could well impart The deepest mysteries of the healing art; Their store of herbs and simples was renowned, And held in wondering faith for miles around. Thus strife, love, sorrow, good and evil fate, Found help and blessing at the convent gate. Of all the nuns, no heart was half so light, No eyelids veiling glances half as bright, No step that glided with such noiseless feet, No face that looked so tender or so sweet, No voice that rose in choir so pure, so clear, No heart to all the others half so dear, So surely touched by others' pain or woe, (Guessing the grief her young life could not know,) No soul in childlike faith so undefiled, As Sister Angela's, the " Convent Child. " For thus they loved to call her. She had known No home, no love, no kindred, save their own. An orphan, to their tender nursing given, Child, plaything, pupil, now the Bride of Heaven And she it was who trimmed the lamp's red light That swung before the altar, day and night; Her hands it was whose patient skill could trace The finest broidery, weave the costliest lace; But most of all, her first and dearest care, The office she would never miss or share, Was every day to weave fresh garlands sweet, To place before the shrine at Mary's feet. Nature is bounteous in that region fair, For even winter has her blossoms there. Thus Angela loved to count each feast the best, By telling with what flowers the shrine was dressed. In pomp supreme the countless Roses passed, Battalion on battalion thronging fast, Each with a different banner, flaming bright, Damask, or striped, or crimson, pink, or white, Until they bowed before a newborn queen, And the pure virgin Lily rose serene. Though Angela always thought the Mother blest Must love the time of her own hawthorn best, Each evening through the years, with equal care, She placed her flowers; then kneeling down in prayer, As their faint perfume rose before the shrine, So rose her thoughts, as pure and as divine. She knelt until the shades grew dim without, Till one by one the altar lights...

French Majolica Daisies Kitchen Salt Canister signed Saint Clement Keller & Guerin Circa 1900. H / 6.8 inches. Salt / Sel in French.

Art Nouveau Majolica Rare exemplar of antique majolica Gustavsberg Sweden 1860-1890 according mark A fantastic antique majolica plate, d 21,0 cm ( 8,27 inches) A beautiful rich flora...

Small Majolica white swan jardinière signed Jerome Massier Vallauris, circa 1890.