Fabric Furniture

Originally designed by Cédric Ragot for Roche Bobois in 2013, the Nautil sofa gives a contemporary update to the iconic styles of the 1970s. Constructed from a solid wood frame, t...

Since opening in 1997, The Rug Company has become synonymous with luxury rug design and well known for their collaborations with leading creatives, including design houses and artists. This Anemone Cocoa rug...

James Boswell, the 9th Laird of Auchinleck, was a prestigious biographer and diarist. During the course of his life, James met an amazing number of the powerful of the literati, the ...

Dining Chair Flock CS2 Designer: Kateryna Sokolova for Noom Model shown in the main pictures: Legs: Upholstered (wood as an option) Upholstery: Dedar, Nimbus col.006 The "Flock" c...

Vintage Indian batik Kantha indigo patchwork with Irish linen cushion pillow Beautiful set of ethnic pillows (cushions). Vintage Indian indigo cotton h...

Large Shelf Still Life Poster 2017 + Spalding Tote bag Jonas Wood (American, b. 1977) Offset lithograph in colors on smoothe wove, printed to the edges. Published on the occasion of ...

This ‘Hunter Lounge Chair’ with its original ottoman, was designed in 1962 by Torbjørn Afdal, and manufactured by the Norwegian company Bruksbo. It's a relaxing chair with a simple ...

Mario Bellini "Le Bambole" three-seater sofa for B&B Italia, faux-fur, foam and metal, Italy, 1972. The search for a new shape for upholstered furniture: all parts are shaped like a...

Pair of floor lamps produced in Sweden by ASEA belysning. Made from solid brass and teak stems with a nice concave shape. New lamp shades in hand sewn chintz fabric with single pleat...

Modern curved serpentine sofa in orange velvet w gold & wood details Giulia sofa is a modern mid-century style sofa. This luxury sofa pr...

Very rare to find model of sectional sofa by Roche Bobois, made in France in the 1980s. Called "Super Lounge", this is a one-of-a-kind sectional sofa composed of 12 units that can be arranged as you wish, like the Mah Jong sofa from the same manufacturer. 4 folding backrest...

Originally designed by Antonio Citterio for B&B Italia in 1995, the Harry armchair is named after the famous artist and furniture designer Harry Bertoia. Traditional in style with a...

Conchula Day Bed, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. Designed by Rute Martins for the Contemporary Collection, the Conchula day bed is a room-d...

Originally designed in 2001 by Antonio Citterio for B&B Italia, this George four-seat sofa offers both comfort and style. The sofa features a slim tubular steel frame with protec...

Minimalistic rug, in a neutral color, contemporary, suitable for any modern interior. Made in Lyocell, it can also be produced in wool or viscose, fully customizable in its color and...

Valverde Floor Lamp, Modern Collection, Handcrafted in Portugal - Europe by GF Modern. The luxurious Art Deco floor lamp Valverde creates a subliminal ambience for extraordinary liv...

Chair Gropius CS1 Designer: Kateryna Sokolova Model in the main picture : Collection - Magic velvet, Color - Pink 2253 Dimensions: Height: 74 cm / 29,13 in Width: 57 cm / 22,44 in ...

Inspired by the legendary 1970s, Denver has a shape whose design is clearly visible from the side. The chaise longue is composed of two elements: the...

PAGODA The calm of resonating with your inner peace For 20 years, we have been committed to offering you unique collections in terms of design and quality. Today we honor the handma...

The Fleure Bench Midi, with its impeccable fluted detailing complements one of our signature pieces: The Fleure Sofa. Shown here upholstered in Designers Guild Varese Ochre cotton ve...

Originally designed by Antonio Citterio for B&B Italia in 2016, the Richard sofa is a fantastic example of contemporary Italian design. The two seat sofa is constructed from a tubul...

Minho Day Bed, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. Designed by Rute Martins for the Contemporary Collection, the Minho day bed with a wooden sid...

De Castro Chair, Modern Collection, Handcrafted in Portugal - Europe by GF Modern. The De Castro dining chair is a tribute to one of the most remarkab...

Twins Day Bed, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. Designed by Rute Martins for the Contemporary Collection, the Twins day bed and curved sofa s...

Twins Sofa Outdoors, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. Designed by Rute Martins for the Contemporary Collection, the...

Toscana Nightstand, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The organic modern Toscana nightstand is a captivating blend of natural beauty and conte...

Twins Sofa Outdoors, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. Designed by Rute Martins for the Contemporary Collection, the Twins outdoors couch...

Caju Swivel Lounge Chair, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Caju lounge chair stands as a trendy furniture piece that personifies the orga...

Folke Ohlssons classic lounge chair 'USA 75', produced by DUX, Sweden, during the 1960s. This pair is in excellent condition with a exceptional walnut frame. Upholstered in high qua...

Originally designed by GamFratesi for Danish furniture manufacturer Fredericia in 2012, this Haiku sofa was manufactured in 2018. Perfectly balancing their Italian and Danish design...

Cini Boeri for Arflex, modular 'strips' sofa, fabric, chrome Italy, 1968 Stunning 'Strips' sofa designed by Italian designer Cini Boeri for Arfl...

Twins Sofa, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. Designed by Rute Martins for the Contemporary Collection, the Twins curved couch and day bed sha...

Uffo Sofa, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. Uffo Sofa Material Codes FI007 Black lacquer; satin finish M105238 Fabric Nobilis Bouclé Handcra...

T50 Lounge Chair, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. Designed by Rute Martins for the Contemporary Collection, the T50 lounge chair pays homage...

Quirky, cool and extremely beautiful. Carved from solid teak, these gorgeous Mid Century Modern chairs exemplify the finest Scandinavian craftsmanship. Made by K.S. Mobler in Denmark...

Twins sofa, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. Designed by Rute Martins for the Contemporary Collection, the Twins cu...

Hello Friends, and welcome to another unmissable offering from Lord Browns Furniture, the UK’s premier resource for fine Sofas and Chairs. On offer on this occasion is, quite possib...

Designed by Naoto Fukasawa for B&B Italia, the Papilio collection is named after the Latin word for butterfly and draws inspiration from the silhouette. Taking the same form as the iconic grande Papilio...

Ellipse Chair, Modern Collection, Handcrafted in Portugal - Europe by GF Modern. The Ellipse chair is a classic and comfortable piece for any occasion. ...

Originally designed by British industrial designers Edward Barber and Jay Osgerby in 2000 and manufactured by Cappellini, the Superlight sofa is a fantastic example of minimalist, c...

Little big chair, swivel armchair Signed by Kristian Sofus Hansen and Tommy Hyldahl for Norr11. Model shown on the picture: Fabric: Barnum Bouclé 15 Made in Italy Appropriately named, the Big Big Chair is the bigger version of the compact Little Big Chair. The voluminous shapes are divided into four playfully oversized objects...

Originally designed by Kai Kristiansen in 1956 and manufactured by Schou Andersen Møbelfabrik, the No 42 chair is one of the most well known designs in mid century Danish furniture...

Tapis Shaped #029 also known as Ray Rug is an avant-garde piece by HOMMÉS Studio x TAPIS Studio. Part of our Shaped Collection that is perfect for an irreverent interior look, from t...

Florence Knoll for Knoll International, sofa, model '67A', steel, fabric, United States, design 1958, production 1960s/70s This sofa model 67A is designed by Florence Knoll for Knol...

Twins sofa, contemporary collection, handcrafted in Portugal - Europe by Greenapple. Designed by Rute Martins for the contemporary collection, the Twins curved sofa and day bed shar...

Scandinavian sit-group "Minerva" by Peter Hvidt & Orla Mølgaard Nielsen, Denmark. Teak frame with newly upholstered petrol bouclé seat and back. This vintage pieces of furniture can...

Beautiful and chic set of 4 Ciprea armchairs by the legendary Afra and Tobia Scarpa for Cassina. Made in Italy in 1968, covered with original burnt orange velvet. A predecessor to th...

Camaleonda sofa, designed by Mario Bellini and manufactured by B&B Italia in 1972. The set features two big modules with two backrests and one armrest. Green linen velvet upholster...

Twins Chaise Lounge, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. Designed by Rute Martins for the Contemporary Collection, t...

We kindly suggest that you read the entire description, as with it we try to give you detailed technical and historical information to ensure the authenticity of our objects Elegant ...

Cornaro two-seater sofa, designed by Carlo Scarpa and manufactured by Studio Simon in 1974. Made of Iroko wood, foam, and azure chenille velvet. Excellent vintage condition. Born in Venice on June 2nd, 1906, Carlo Scarpa began working very early. Only a year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity; from 1927, he began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building which stands on the banks of the Grand Canal, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa was constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, all worth mentioning. One of his key works, despite its relatively modest diminished proportions, was the first of many works which were to follow in the nineteen fifties: the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and shows clearly Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in how twentieth-century museums were set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his most incredible ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of the Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) and at the Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti Award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on renovating and restoring the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider one of his greatest works. While he worked on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began building a villa in Udine for the Veritti family. To shed some light on how much his work evolved over the years, it may be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions which were to make the most of his formal skills, working on the Carlo Felice Theatre in Genoa as well as another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, plenty of other episodes can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen in 1973, Carlo Scarpa started building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he carried out simultaneously on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this twentieth-century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, arising out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem,” [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea,” followed by a cloister that ends by a small chapel, with an arcosolium bearing the family sarcophagi, the central pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways, teamed with the luminosity of these harmoniously blended spaces, shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all his many skills to come up with this truly magnificent space. As well as an outstanding commitment to architectural work, with the many projects we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure.” Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded eight years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana,” “Quatour,” and “Orseolo.” While in 1974, they added a couch and armchair, “Cornaro,” to the collection and the “Toledo” bed...

Enhance your space with this timeless pair of Mid-Century Organic Modern Executive Armchairs by renowned designer Eero Saarinen for Knoll. These iconic chairs feature a classic 4-leg...

This fantastic Turkish Kilim was woven in the 20th Century and features a beautiful tribal design. Decorated with motifs and medallions which have been woven intricately, this piece ...

Best Chair Design at the International Design & Architecture Awards 2021 Honorable Mention at the European Product Design Awards 2021 The Arches dining chair...

Laurence Chair, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. Designed by Rute Martins for the Contemporary Collection, the Laurence leather dining chair ...

La crème de la crème au chocolat. Six leaves folding screen, painted fabric decorated with motifs (Camaieu, pistachios, chocolate, vanilla...). Nailhead trim with double golden stit...

Abstract multicolor high pile rug carpet, Germany, 1970s.

Minho Chaise Longue, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. Designed by Rute Martins for the Contemporary Collec...