Giltwood Furniture

A French Napoléon III period framed architectural oil on canvas panel from the mid 19th century, with Allegory of the Arts and rinceaux motifs. Created in France at the beginning of ...

An early 20th century French Louis Philippe style gilded mirror with curved top corners, incised x pattern. Black painted inner and outer border and beautiful gilt patina with red un...

18th century Italian Barocchetto (Rococo) Handcarved Giltwood Mirror The refined and elegant mirror, made in Turin, Italy, in the middle of the eighteenth century has a wooden fr...

Having a circular inset marble top within a frame highlighted by raised beadwork molding, the top resting on a turned standard with bold giltwood carvings, the tripartite base issuin...

A fine English round or circular convex mirror featuring a Regency design of a moulded gilt frame and ebonized trim, with gilt balls around the circumference. Dimensions: Diameter 1...

Immerse yourself in the grandeur of the English Georgian period with this captivating 19th-century English Georgian framed mirror. Reflecting the opulence and sophistication of the e...

Very elegant giltwood and hand-carved bedhead with silk upholstery in light beige. France

A gorgeous antique French Regency Louis XV style bureau de pente roll top ladies writing desk with petite Italian gold gilt desk chair In the manner of Vernis Martin France and Ita...

A midcentury Baker Furniture Company mirror in the roman style. parcel gilt frame with dark green interior paint. Mirror glass is 23W x 46H.

This striking 19th century Italian altar stick is a finely carved example of Baroque-inspired ecclesiastical art, rendered in richly gilded wood. Standing on a tripartite base with e...

This is a tall antique pier mirror. An English, giltwood bevelled wall mirror, dating to the late Georgian period, circa 1820. Visually s...

A large last half of the 19th century French Baroque style stained, painted, and parcel-gilt wall bracket of unusual bisected cornice form having stained chestnut shelf above compoun...

A pair of French upholstered and gilded stools from the early 20th century. This elegant pair of French Louis XVI style stools from circa 1920 features a new muslin upholstery applied on the rectangular seat. The body of the stools is made of gilded wood. The legs are typical of the Louis XVI decorative vocabulary: rosettes on the knees over thin fluted legs at the top with reeding in their lower part. This pair of French giltwood stools...

1980's Gilt Round Mirror with very deep frame. 22" diameter and 3 inches deep. Mirror glass is 13" diameter. Wire on back for hanging. Good overall condition. Can be professionally p...

Exquisite pair of hand carved Ganesha gilded framed doorway or room dividers these are finished front and back with stunning detail they also stand on t...

Display a bust or a vase on this elegant antique wall corbel; crafted in Italy, circa 1760, the large gilt wood wall bracket features hand carved scroll and acanthus leaf motifs thro...

Italian style six light painted and parcel gilt chandelier with iron chain and accents. Newly rewired with wax candle covers. Includes chain and a beautiful carved wood canopy.

Charming French antique mirror in gold gilt with intricately carved acorns and oak leaves. Minimal foxing in the original mirror plate; a lovely size to hang where this unique piece ...

A gorgeous Rococo Baroque style gilt wood framed mirror Italy, Circa 1960s Measures: 15.5"W x 1.25"D x 26"H Very good original vintage condition.

An enchanting original Louis Philippe mirror from France, dating to the late 19th century. The mirror features a refined black frame with a gold pearl rim, mercury glass, and a grace...

Antique Carved Gilt Wood Frame with Glass C1900 Measures - 25"H x 23"W x 4.75"D A beautifully crafted antique carved gilt wood frame from around 1900. This piece features intricate...

A mirror in a golden decorative frame from Italy. The frame is made of metal. Mirror is in very good vintage condition, no damage or cracks in the frame. Original glass. Beautiful pi...

A beautiful small mirrors in a golden decorative frame with flowers. Produced in 1960s in Europe/Italy. The frame is made of wood, painted in gold wood paint. Mirrors are in good vin...

A beautiful small size box/case in a pearls from Italy. Case is in very good vintage condition, no damage or cracks. Beautiful piece! Only one unique item.

Dimensions - H: 52 1/4 in W: 29 in D: 4 in This exquisite Antique Italian Rococo Style Gold Gilt Carved Wall Hanging Mirror exudes timeless elegance and craftsmanship. Featuring in...

Beautiful 19th century Italian giltwood carvings. Very fine quality. Makes a great accent piece. Note: Sold per piece. There are 5 available. ...

Antique Alexandre Louis Leloir Engraving of the Temptation of St. Anthony Offered for sale is an engraving of the original oil painting by Alexandre-Louis Leloir (1843-1884). Lel...

Pier Francesco Cittadini (Milan, 1616-Bologna, 1681) "Jacob and his family go to Egypt" Oil on canvas, cm 109 x 190 (canvas only) The valuable painting, made in oil on canvas, depicts Jacob and his family go to Egypt and we believe it can be, given the high quality painting, autograph work of Italian Pier Francesco Cittadini (Italy Milan, 1616 - Bologna, 1681) made after 1647. The work, in excellent condition is accompanied by a coeval frame in wood finely carved and golden. The scene depicted, which was confused with the Flight to Egypt in the past years, is instead identified with the biblical episode of Jacob’s journey. In the foreground, reading the painting from left to right, we see a caravan composed of animals, including donkeys, dromedaries, goats, dogs and horses and people, women, men and slaves, who carry on their journey along the banks of a river, following a path that to the right, would seem to lead to the through of a bridge. In addition to the watercourse is described an environment characterized by large rocks and impervious come far to cover the entire verticality of the canvas. On the left, in the distance, we see the tail of the caravan that runs along the steep path. Large trees enliven and harmonize the environment, as well as white and grey clouds characterize the predominantly clear sky and illuminated on the right by sunlight. The story is told in the Bible, Book of Genesis, 30, 25, passage in which is described the flight of Jacob from Haran after the contrasts with Laban, father of his wife Rachel. Jacob is the third great patriarch of the Bible. From his descendants originate the twelve generations of the people of Israel. He is the son of Isaac and Rebekah, who led him to flee from the wrath of Esau to Haran to seek refuge from his brother, Laban. At his uncle’s house Jacob met his daughter Rachel. As soon as he saw his cousin, Jacob was taken. Jacob will stay seven years in the service of Laban to marry his beloved Rachel. But Laban, with a deception, will give him in marriage first Lia, the least beautiful eldest daughter, and only after another seven years the splendid Rachel. From his first wife he will have several children, while Rachel will give birth to the beloved son, Joseph, who will become viceroy of Egypt. After years of service, Jacob asked to be paid with every dark-coloured garment among the sheep and every spotted and dotted garment among the goats. Laban accepted and sent away from his sons all the leaders of that kind. So Jacob took fresh branches of poplar, almond and plane tree, and flayed them, and put them in the troughs. The optical suggestion induced the goats and the sheep to conceive and give birth to dark, striped and dotted garments. He also ensured that all the strongest and healthiest leaders of the flock of Laban would drink near the barked branches, thus assuring a genetic superiority to his part of the flock. His flocks grew numerous and strong and he became richer than his relative, arousing envy. It was clear that Laban would not respect him much longer. At the suggestion of the Lord, Jacob decided to return to Canaan. Trying to avoid any possible dispute, he left with his family while Laban was absent for shearing sheep. But when, three days later, his uncle returned home, he became angry, feeling offended because Jacob had gone secretly and had not allowed him to greet his daughters and grandchildren. In addition, his teraphim, statuettes, or idols, which depicted the family deities, had disappeared. After 7 days of pursuit, Laban and his men reached Jacob’s group on Mount Gilead, in the mountainous region west of the Euphrates River, where his uncle and grandson had a stormy conversation. The younger man was outraged at being accused of stealing idols and told Labano to rummage through his family’s tents at will. Neither of them could know or even imagine that it was Rachel who took the idols and hid them in the saddle of the camel. During the search, she sat down firmly on the saddle, apologizing for not being able to get up, «because I usually have what happens to women» (Gen 31:35). So the loot wasn’t discovered. The author of this work was inspired by the composition of an engraving by Stefano Della Bella (1610-1664) of circa 1647. The engraving by Stefano della Bella bears the title "Iacob sur ses vieux jours quitte sans fascherie pour voir son filz Ioseph, sa terre et sa patrie" and is signed on the bottom left "Stef. of the Beautiful In. et fe." while on the right it is declared "Cum privil. Regis", that is with license of the king. Stefano Della Bella (Italy - Florence, May 18, 1610-Florence, July 12, 1664) was born in a family of painters, sculptors and goldsmiths and was left early orphan of his father sculptor, he dedicated himself first to the art of goldsmith at the school of Giovanni Benedetto Castiglione and Gasparo Mola, then turning his attention to drawing and engraving. He soon began drawing figures and copying the etchings of Jacques Callot, which inspired his early works. Under the protection of the Medici, in particular of Don Lorenzo, cadet son of Grand Duke Ferdinand I, Della Bella has the opportunity to make study trips to Rome, where he stayed from 1633-1636; In Rome he met French engravers and publishers of prints such as Israël Henriet and François Langlois, who influenced his decision to move to Paris in 1639, four years after the death of Callot. In Paris he soon reached, thanks to the engravings commissioned by Cardinal Richelieu, the success also worldly; he frequented courtiers, theatre artists and writers, while refusing too oppressive honors. In 1646-1647 he continued his travels in the Netherlands to Amsterdam, Antwerp and Dordrecht. He returned to Florence in 1650 and resumed working under the protection of the Medici court, working for his patrons. In 1656 he became a member of the Academy of Apatists. The painting object of this study is reasonably attributable to Pier Francesco Cittadini, or Pierfrancesco Cittadini, called the Milanese or the Franceschino (Italy - Milan, 1616-Bologna, 1681) as some exemplary stylistic comparisons proposed to follow can prove. Pier Francesco Cittadini was an Italian baroque painter, mainly active in Bologna. His artistic training first took place with the painter Daniele Crespi...

This elegant chandelier is a timeless piece with Old World charm, newly rewired for modern functionality. Featuring six gracefully curved arms in a distressed, gold gilt finish, the ...

Louis XVI, French Arm Chair, Versace Fabric, Giltwood, France, 1960s A Louis XVI style armchair designed and produced in France. Finest Versace upholstery covers this one of a kind ...

One is good. Two are great. This is a lovely pair of mirrors.

A circa 1930s, sunburst mirror wall hanging in carved wood of small proportions. Condition very good. A very fine sunburst mirror in a framed gilt wood worked out in detail in its ra...

Old world elegant cocktail table from the fifth generation woodworking shop of the late Mario Genovese Custom Furniture of Natick, MA. The 45.5" diameter circular polished onyx top...

Housing six lights, sitting in crystal bobéches. Will be rewired with certified UL US sockets for USA and appropriate sockets for other countries, ready to hang! Gilt metal with glas...

Antique Baroque style gilt mirror. Bold carvings, 19th century. Measures: 54" x 36". See our other mirrors. Please, contact us for shipping options. Presented by Joseph Dasta Antique...

Stunning antique carved gilt girandole mirror in the Baroque manner with two candelabra, France, ca. 1890. An oval form, beveled mirror framed by a robust and lavishly carved and mol...

An exceptional museum-calibre Swedish circa 1800 late Gustavian period armchair of neoclassical form by Swedish royal cabinetmaker Ephraim Ståhl (1768 -1820), the giltwood frame in o...

18th century, pair of Italian Baroque lacquered and gilt wood benches This particular pair of baroque benches was made in Rome, Italy, in the second half of the 18th century. Their wooden structure is entirely sculpted, lacquered and gilded in Mecca. It consists of a seat with a profile moved from which depart two armrests characterized by arched elements, moved and culminating in curls. The effect of great movement is enhanced by the decorations of rocaille taste with volutes and leaves that surround them creating dynamism. The band under the seat, quadrangular and move, is decorated with rocaille elements and framed with reserve that creates curls in some points of connection. The six curved legs, characteristic of the Baroque era, are decorated with phytomorphic elements and end with a curly...

Enchanting oil on canvas by Carl Emil Doepler, protected by a beautiful hand-carved giltwood frame with a metal label titled "Italian Renaissance Party", depicting a traditional Ital...

A tall and slim gold gilt mirror with delicately decorated frame and ribbon tied crest. Can be either wall mounted or floor standing. The foliate and laurel leaf carving is fine and ...

2 portraits, late 18th century, oil on board.

19th C. Large Antique Hand Carved Wood Lantern Hanging Ceiling Light Pendant LA , Late 1800’s early 1900’s charming George III Style English Carved Wood antique Partially Gilt hangin...

Japanese Buddhist assembled wood sculpture of Kannon-Bosatsu (Avalokitesvara), the God of Compassion, standing male figure with abundant cloak draper...

Beautifully executed with fine attention to details, French Louis XV style carved gilt wood stool on cabriole legs ending with snail feet, deco...

Very good quality 19th century gilded wall mirror in the empire style French circa 1840’s with original backboards and mirror plate Height It can hang landscape or portrait Heig...

A grand 19th century Italian marble-top console table with an apron carved of wood to mimic a swaged cloth and large classical face in the centre, all painted a wonderful museum oliv...

Refined, tall two-panel byôbu (folding screen) completely adorned with ‘Wajima Ryûsaku’ lacquer by the Nitten award winning artist Mitsuo Takana (1956). Featuring five refined images inspired by woodblock prints from the famous series ‘Tôkaidô gojûsan tsugi’ (The fifty-three stations of the Tokaido road), like the 1st station Nihonbashi, the 10th station Hakone, and the 21st station Okabe. The design is executed in hiramaki-e (low-relief lacquer design) in shades of gold, silver, heightened by some multi-coloured details. Set on a shiny black lacquer substrate. Signed in red lacquer in the lower right corner. Including original signed & sealed wooden tomobako (storage box). The front with an inscription about the contents as described above. The inside: ‘Friend of the Nitten Exhibition Takana Mitsuo’ - Seal: ‘Hikari’. ‘Lacquer artist Wajima Ryûsaku’ - Seal: ‘Ryûsaku’. Mitsuo Takana was born 1956 in Wajima, Ishikawa prefecture. He won several awards during exhibitions like: Ishikawa Contemporary Art Exhibition, Japan Artisans' Association Exhibition and the well-known Nitten Exhibition. Dimensions: Height 57.48 in/146 cm, Total width 66.92 in/170 cm (2 x 33.46 in/85 cm), Depth 1.10 in/2.8 cm. Weight 56.21 lb/25.5 kg. Wajima lacquerware...

A late 16th century oil on copper painting by Nicolò Cercignani, an Italian Old Masters artist of the late-Renaissance or Mannerist period, depicting the Raphaelesque transfiguration...

For FULL item description click on CONTINUE READING at the bottom of this page.   Offering One Of Our Recent Palm Beach Estate Fine Furniture Acquisitions Of A Henredon Italian...

19th century Napoleon III gilded oval mirror with elaborately carved crest. In good condition with bright gilt. Wear consi...

A very fine and elegant Regency Satinwood and parcel-gilt double action Harp from the workshop of the famous harp and piano maker Sebastian Erard (1752-1831), decorated in the Grecia...

This exceptional antique Louis XV sofa from the annexes of the Chateau of Versailles was crafted in France, circa 1760. The hand carved canapé st...

A stunning pair of Italian Florentine baroque rococo style wall mirrors Italy, Circa 1960s Gold gilt wood, with mirror. Measures: 7.25"W x 1.25"D x 12"H. Very good original vinta...

A rare, high quality lacquered portable jû'bako (tiered food container/stacked picnic box) fitted with a removable vertical safety bar - housing a nice secret – decorated with a refi...

A palatial scale Louis XVI style salon set comprising four arm chairs and a matching sofa. The deeply carved frames are finished in gold leaf and upholstered in antique turquoise Ita...

A French petite mirror is the Louis XVI style. The painted gilt carved frame has a pierced crest depicting a military helmet, sword, shield, quivers and ax. The original mirror plate...

An eye catching classic Hermes silk scarf shown in an elegant custom gilt wood frame. Makes a graphic luxurious piece of art. The scarf is...

Round Sunburst Mirror, carved wood, gold leaf, Spain, 1950s. This sunburst mirrors was handcrafted in carved wood and gold leaf gilding. Eye-catching design combining Baroque, Midcen...

Rose Tarlow Melrose House Giltwood Kent Armchair. Act fast, only 11 left.

Great antique carved Rococo style giltwood Italian mirror. Distressed original mirror glass as shown in photos. Good overall condition . Measures 30" x 17". Inset mirror is 15.5" x 1...