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Eugenio Carmi Art Mirror, Memphis Style, Italian Collectible Design 70's
$1,717.79
$1,908.6610% Off
£1,269.99
£1,411.1010% Off
€1,440
€1,60010% Off
CA$2,362.80
CA$2,625.3310% Off
A$2,626.40
A$2,918.2210% Off
CHF 1,376.70
CHF 1,529.6710% Off
MX$32,074.65
MX$35,638.5010% Off
NOK 17,187.31
NOK 19,097.0110% Off
SEK 16,170.05
SEK 17,966.7310% Off
DKK 10,962.70
DKK 12,180.7710% Off
About the Item
Artistic Mirror - Decorative Art Mirror - Memphis
Decorative geometric wall mirror by Italian artist Eugenio Carmi for furniture brand Acerbis. Designed in the 1980s and named "Morphos", this mirror is part of a series that perfectly represents Carmi's artistic approach, with intertwined geometric shapes in bright colors. This style is also very close to that of the "Memphis Group", of which Ettore Sottsass - amongst others - was a member.
Fitted in a black lacquered wood frame, the mirror has two eyelets on the back for hanging. The only signs of time can be found on the frame itself, which can be easily retouched or even replaced - for example with a brushed aluminium one.
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- Creator:Acerbis (Manufacturer),Eugenio Carmi (Designer)
- Dimensions:Height: 28.75 in (73 cm)Width: 28.75 in (73 cm)Depth: 1.19 in (3 cm)
- Style:Space Age (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:1980-1989
- Date of Manufacture:1980s
- Condition:Wear consistent with age and use. Minor fading.
- Seller Location:Milano, IT
- Reference Number:1stDibs: LU7782239378682
Eugenio Carmi
Eugenio Carmi was born in 1920 in Genoa, Italy. At age fifteen he began painting lessons, which came to a halt during the Second World War during which he graduated with a degree in chemistry from Swiss Federal Institute of Technology. In 1946, Carmi was living in Italy and became a student of the painter Felice Casorati, whose work remained an inspiration for his own in the next decade. In the late 1950s, Carmi was tasked with promoting Cornigliano Steelworks and used steel and iron to create contemporary art to enhance the company’s image. This led to his first solo exhibition in 1958 at the Galleria Numero in Florence, where he presented enamel paintings on steel. During the 1960s and 1970s, Carmi focused on creating work inspired by the combination of industry and culture, leading to lithographs on tin plates and linking kinetic and audiovisual art. It was in the 1970s that he developed his signature geometric style, a contrast from the Art Informel style of the previous decades. He often used mathematical laws such as the Pythagoras theorem to create his precise geometric shapes, a nod to his training at the Swiss Federal Institute of Technology.
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