Mosquitobush Yankee Prints & Stories by Francis Tolman, Signed First Edition

Norwegian Folk Costumes (Norske Folkedragter) by Einar Lexow and Joh. F.L. Dreiers. Norsk Folkemuseum, 1913. 1st Ed hardcover. Norwegian traditional dress ...

“The Story of Western Furniture” book by Phyllis Bennet Oats. NY: Harper and Row, 1981. Stated first U.S. Edition hardcover with dust jacket. 253 pp. A survey of the development of f...

Cornell Capa: Photographs by Cornell Capa. Bulfinch Pr, 1992. Signed by both editors on title page and also inscribed by Capa. Stated first edition hardcover with dust jacket. 179 du...

The Wrightsman collection, Vols. I-V. New York: The Metropolitan Museum of Art, 1966-1973. First edition hardcovers with dust jackets. 2248 pp. Inscribed by the Wrightsmans. The complete series of The Wrightsman collection catalogues from The Metropolitan Museum of Art. Jayne and Charles Wrightsman, who, in a relatively short period of time—beginning in 1952—amassed the finest private collection in America of the decorative arts of the Ancien Régime (15th c until 1792). Throughout the years the Wrightsmans' active interest in the Department of European Sculpture and Decorative Arts has resulted in splendid gifts that have enabled the Museum to create an unparalleled and truly encyclopaedic collection of French 18th c...

Gorgeous Erre Paris silk scarf in mint pristine condition. Erre Foulards 100% Silk Square 34" x 34” Scarf. Designed by Terry Pheto and Princess Charlene of Monaco. Great gift 100 ...

The Passions of the Mind a novel of Sigmund Freud by Irving Stone. Vintage book, 1st edition: 1971 Biography of Sigmund Freud In the 1880's, Vienna was Europe's glamour capital. It was in that brilliant city that Sigmund Freud began his long struggle to free people...

R.S. Berkely silver plated flugelhorn, model FLU669, 2006. If used for playing, this horn is suitable for intermediate and professional trumpeters. Recognized for its durable con...

An Intricate Jerusalem Textile, made in Jerusalem, 1886. Double-sided large pouch. Wool thread embroidered on cotton net. One side has a lion and stag holding flags reading “Jerusalem” in Hebrew, which flank a crowned Ten Commandments. Titled in Hebrew “Swift as a deer, strong as a lion” (Ethics of the Fathers 5:20). “Jerusalem” is seen in large lettering, atop a pair of birds and flowers. Top scene of the reverse side is titled “Mount of Olives”, amongst a plethora of olive trees, and a cluster of buildings is titled “Chulda the Prophetess”, (where her and others tombs reside). Main scene is titled “The Western Wall”, which features the wall and outer structures with turrets and Cyprus trees. The Hebrew date of “1886” is revealed on the bottom corners. This delicate textile, incredibly vibrant in color after 130 years of being created, is a masterful, exceedingly rare work of art produced in Jerusalem by an unknown woman --- likely quite young, a teenager --- as a gift to an unknown individual. Too complex to be a “tourist trinket”, as we know of one other similarly-made textile that is in the collection of the Israel Museum, and is dated 1876: see the book “Jewish Folk Art: From Biblical Days to Modern Times”, page 122. A clue to where perhaps this was made is in the depiction of the lion and stag holding flags, as they are identical to those featured on the crest of Moses Montefiore. In the 19th century, Montefiore gave enormous sums of money to purchase land for Jewish settlements and establish schools in Palestine. This textile most likely hailed from a school for girls funded by Montefiore, and was made as either a gift for Montefiore himself, or another wealthy donor. As to the actual purpose of this textile, since it is in the form of a large pouch, its intended purpose might have been to hold a tallit (prayer...