Pierre Mendell LTD ED Heart Portfolio Inscribed to Massimo Vignelli

Catalog published by the University of Michigan Museum of Art and D.A.P (Distributed Art Publishers) in conjunction with the exhibition Kara Walker: An Abbreviated Emancipation held ...

1949 survey of small modernist houses in America, compiled and edited by William J. Hennessey based on selections by a jury of architectural photographers in...

Hand-assembled in-house portfolio by renowned American sculptor Richard Lippold (1915-2002), known for his site-specific geometric constructions using wire as a medium, and for his a...

First edition of Larry Clark’s iconic second book of photographs (following 1971’s Tulsa) documenting and immortalizing a debauched adolescent subculture. Self-published in 1983. Con...

Graphic Revolution: American Prints 1960 to Now by Elizabeth Wyckoff. Saint Louis Art Museum, 2018. First Edition bi-folded softcover. When artists began making prints in bright colors and previously unimaginable formats and sizes in the 1960s, they launched an explosion of printed images in the United States. A new generation of artists was already incorporating printmaking techniques into their paintings, and this, in combination with ordinary, everyday subject matter, led art...

A wonderful and extremely rare real tennis, Royal Tennis, Jeu de Paume, Court Tennis Picture, J. Edmond Barre By W. Bromley. An exceptionally rare mid-19t...

Hopper Drawing by Carter E Foster. 2013, Whitney Museum of American Art. 1st Ed hardcover with dust jacket. This monograph was prepared to accompany the exhibition at the Whitney Museum of American Art, from May 23 to October 6, 2013. The exhibition then traveled to Dallas and finally to the Walker Art Center in 2014. The book was owned by Herbert Kasper and inscribed by the author to him. Herbert Kasper was an American fashion designer known as Kasper. He studied English and advertising at New York University and fashion at the Parsons School of Design in New York from 1951–53 and l'Ecole de la Chambre Syndicale de la Couture Parisienne in 1953. He left NYU to serve in the US Army in Europe. After World War II he enrolled at Parsons, where he became a protégé of milliner Fred Frederics. After graduating, he returned to Paris for two years developing his skills in design while working for Jacques Fath, Christian Dior, and Marcel Rochas. When he returned to the US, he worked for Frederics at Mr. John. He was an avid art collector, and in 2011, the Morgan Library and Museum devoted an exhibition, called “Mannerism and Modernism: The Kasper Collection of Drawings and Photographs,” to the designer. Hopper Drawing is the first major museum exhibition to focus on the drawings and creative process of Edward Hopper (1882–1967). More than anything else, Hopper's drawings reveal the continually evolving relationship between observation and invention in the artist's work, and his abiding interest in the spaces and motifs--the street, the movie theatre, the office, the bedroom, the road—that he would return to throughout his career as an artist. This exhibition showcases the Whitney's unparalleled collection of Hopper's work, which includes over 2,500 drawings bequeathed to the museum by his widow Josephine Hopper...

Presented is a much sought-after, limited edition lithograph entitled Moonwalkers by Ron Lewis. This piece of space history contains the original signatures of eleven of the twelve American astronauts who stepped onto the Moon's surface. Signed in felt tip blue ink by their portraits are the original autographs of Buzz Aldrin, Alan Bean...