Subversion & Surrealism in the Art of Honoré Sharrer by M Melissa Wolfe, 1st Ed

The Loom of Art by Germain Bazin. Published by Simon & Schuster, New York, 1962. 1st Ed hardcover with dust jacket. In ten chapters of text and plates, Bazin,...

The Metropolitan Museum of Art: The Renaissance in the North. Published by The Metropolitan Museum of Art, NY, 1987. 1st Ed hardcover with dust jacket. At roughly the same time that Italian art was beginning to reflect a reawakening of the classical spirit—an epoch and style we call the Renaissance—the arts of Northern Europe were experiencing their own efflorescence. Painting, sculpture, and the graphic arts were pursued with a new vigor in the Netherlands, in Germany, in France, and in England, and resulted in a vast body of work that constitutes one of the glories of Western civilization. During the fourteenth and fifteenth centuries, the masters of the North developed styles quite distinct from those in the South: an attention to minute detail, particularly with regard to landscape, but also in domestic interiors; and an emotive piety that dramatized the sorrow and suffering of the Passion. Jan van Eyck's Crucifixion and Last Judgment present a horrific vision of the death of Christ and the damnation of sinners, set against a deep and distant landscape, sensitively and realistically rendered. The Lamentation by Petrus Christus...

Art Treasures of the Louvre by René Huyghe. New York: Harry N. Abrams, 1960. 1st Ed hardcover with dust jacket. Translated and adapted from the French, b...

The Metropolitan Museum of Art: Europe in the Age of Monarchy. Published by The Metropolitan Museum of Art, 1987, NY. 1st Ed hardcover. The seventeenth century in Europe rings with the names of the great sovereigns who had succeeded in creating nations by subjugating the feudal aristocracy and at whose courts power and wealth were concentrated and the arts flourished. Elizabeth I of England secured for her heirs the Protestant succession and for her country mastery of the seas; Louis XIV of France assembled his defeated vassals at Versailles; Gustavus II Adolphus and Christina of Sweden were for a time the most powerful Protestant monarchs on the Continent; Philip III and Philip IV...

First edition of Larry Clark’s iconic second book of photographs (following 1971’s Tulsa) documenting and immortalizing a debauched adolescent subculture. Self-published in 1983. Con...

Frida Kahlo The Brush Of Anguish By Zamora, Martha 1st Ed. 1990. Marilyn Sode Smith (Translator) Mexican author Martha Zamora captures the essence of one of Mexico's most prolific ...

The Pre-Raphaelites by Sandra Forty Hardcover Book. Title: The Pre-Raphaelites Publisher: Barnes & Noble Books, U.S.A. Publication Date: 1997 Binding: Hardcover Condition: Near Fine ...

The Etruscans Hardcover First Edition Oversized Collectible Book.May 4, 2001 by Mario Torelli (Author).The Etruscans have long been a rich source of research and intellectual inquiry as the most significant ethnic group who resided in ancient Etruria, current-day Tuscany and Umbria in Italy. A well-defined polity, the Etruscans were an advanced people whose presence on the Italian peninsula from the 8th to 4th century B.C. had an enormous impact on Roman culture, whose rise of power saw the collapse of Etruscan civilization. * Publisher ‏ : ‎ Rizzoli; First Edition (May 4, 2001) * Language ‏ : ‎ English * Hardcover ‏ : ‎ 672 pages * Dimensions ‏ : ‎9 x 2 x 12.25 inches This book is extensive in its scope; it traces the rise of the Etruscans at the end of the Bronze Age; examines the economic structure of the society; explores the emergence of a powerful aristocracy in the period from 750-650 B.C.; and considers the religious and cultural life of the group. This knowledge has largely been gleaned from a wealth of monuments and material culture which the Etruscans left behind including architecture (the various forms of which indicate familial structure and socio-economic standing, not to mention the larger social structure of Etruscan society) and applied arts, such as bronze objects for both ceremonial use and everyday life, which were produced by an artisan class for a wealthy and demanding aristocracy.Etruscan contributions to the history of art are also of immense importance and are explored in depth in this volume. Etruscan wall...