This Side of Paradise by F. Scott Fitzgerald

From the library of John A. Spoor an elegantly bound Rubáiyát by Club Bindery. Omar Khayyám, Translated by Edward Fitzgerald. Rubáiyát of Omar Khayyám; The Astronomer-Poet of Persia. Rendered into English Verse. London: Bernard Quaritch, 1872. Third Edition. 8vo, 8 1/4 x 6 inches (210 x 153 mm); xxiv, 36, (xiv) pp. Beautiful dark maroon morocco binding by Club Bindery 1892 (gold stamped on bottom of inside cover), gilt titling and gilt fillets on turn-ins and board edges, marbled endpapers, t.e.g. Pictorial bookplate of John A. Spoor 1921 on inside front cover by Emery Walker. Elegantly printed with text within decorative frames on each page. Spine lightly rubbed, small tear to the inside front endpaper. [Potter, 137] Condition: Near Fine Edward Fitzgerald continually revised and rearranged his version of the Rubáiyát, which was first published privately by the author in 1859, through four distinct editions during his lifetime. This third edition settled on 101 quatrains (as opposed to 75 in the first edition and 110 in the second), which is how it solidified. 500 copies were printed. A RARITY. In this third edition the translator is not credited on the title page, nor is the introductory text. Fitzgerald said of his Persian translations that they were "All very well, but very little affairs..." (from the Bibliographical Note in the 1926 Shakespeare Head Press edition, which we are offering, inventory #416) This copy bears the bookplate of Chicago business mogul John A. Spoor. An avid book collector, he assembled a notable and impressive book collection during the late 19th and early 20th century, which was auctioned in 1939 by Parke-Bernet New York over the course of 6 days. The Morgan Library holds a number of books with the Spoor bookplate in its collections. This bookplate was engraved by Emery Walker (1851 – 1933), an engraver, publisher and photographer active in the Arts and Crafts movement, whose work in type design inspired the evolution of private presses in the UK, among them William Morris' Kelmscott...

Colección General de los Trajes que en la actualidad se usan en España: principiada en el año 1801 Madrid: Librarias de Castillo, 1801. First Edition 8vo (12mo?); 6 1/2 4 1/8 inche...

Fitzgerald, F. Scott. The Beautiful and the Damned. New York: Charles Scribner's Sons, 1922. First edition, first state. Rebound in ¼ leather and cloth boards, with raised bands, gilt titles, and tooling to the spine. Gilded edges. New archival cloth slipcase. Presented is a first edition, first state of F. Scott Fitzgerald’s The Beautiful and the Damned. The book was published by Charles Scribner’s Sons in New York in 1922. It is presented here, rebound, in gorgeous blue ¼ leather and cloth boards, with raised bands, gilt titles, and gilt tooling to the spine, and a new archival slipcase. The Beautiful and the Damned was Fitzgerald’s second novel, following his debut This Side of Paradise. The book is an exploration of the nouveau riche, New York City nightlife in the 1920s, and the inner dynamics of two young and reckless newlyweds. Semi-autobigraphical, Fitzgerald modeled the characters of Anthony Patch and Gloria Gilbert on himself and his new spouse Zelda Fitzgerald and the story draws circumstantially upon the early years of Fitzgeralds' tempestuous marriage. Fitzgerald started writing The Beautiful and the Damned in August of 1920, while in Westport Connecticut. Having reflected upon the criticisms of his debut novel This Side of Paradise, Fitzgerald sought to improve upon the form and construction of his prose in this second book. He relied heavily on editorial suggestions from his friend Edmund Wilson...

David Opdyke's massive collage This Land (as elucidated in this book by award-winning author Lawrence Weschler) presents a slow-burning satire of the American dream as it blunders in...