Mid-20th Century Collectible Jewelry

Exquisite shagreen cigar case with silver collar. Expands for differing lengths of small cigar or cigarettes. Made in the U.K. in the 1900-1920´s. It has the stamp of the retail sho...

Elegant Diamond Ring with GIA Certified Diamond 4.08 Carat N/VS2 Mid Century Modern Emerald Cut Diamond Engagement Ring With very good polish and symmetry. 11.35 x 8.40 x 4.99 mm. Di...

Charming collection of vintage wooden toys from England The big blue British Rail engine is from Nicol Toys, an early wooden toy company in Roberts...

Never in use Cartier playing cards box, one deck plus joker, poker, bridge playing cards in Cartier red 2-doors case. Les Must de Cartier playing...

Made in the mid-1860s, this wooden and silk screened shipping crate was made for the iconic Player's Navy Cut cigarettes. The crate appears to have been shipp...

For your consideration is this virtually mint condition Art Deco ladies combination compact dating to 1928. This is a classic Art Deco Richard Hudnut Le Debut Cloisonné Powder, Rouge...

Ethnic musical instrument is a unique object realized in the half of the 20th century. Ethnic musical instrument made by craftsmanship with wood and recycled materials. Mint c...

Early Israeli Mezuzah on velvet mounting with ornate silvered body, and with gilded top and base. Decorated with colored glass and with gilded bell hangin...

A collection of five distinctive vintage shaving brushes from the 1940s-1950s. These quirky objects make a great shelf display and an original gi...

A Nanna Ditzel for Georg Jensen sterling silver ring. Designed as a curved undulating sculptural form. It sits beautifully on the finger, catching light from different angles. The ri...

A beautiful antique Art Deco period jewelry box, styled by Jacques Kreisler, circa early-20th Century, New York, New York. Box is an aubergine ...

Presented is a rare, platinum Master Exhibition Print of Edward Curtis’ The Three Chiefs. Typical of Curtis’ Master Exhibition Prints, this platinum print is double-mounted, signed, with an embossed copyright credit and date stamp. His numeric notation “52-00” is in the photographic negative. Curtis photographed The Three Chiefs during his two weeks on a Blackfoot reservation in the summer of 1900. The photograph depicts three Piegan men in traditional dress on horseback, situated next to a small stream with an expansive cloud-filled sky behind them. The Piegans were the largest group in the Blackfoot Confederacy and still retained a majority of their original culture when Curtis visited the tribe. It reportedly took Curtis several days to find the perfect prairie backdrop and riders for this photo, yet his patience paid off. The image was pivotal in enabling Curtis to form his vision for his next project - his ambitious 20 volumes “North American Indian”publication. This print is believed to be one of only three oversized, platinum Master Exhibition Prints of this image in existence. It was printed by Curtis specifically for his East Coast exhibition tour of 1905-1906. Curtis chose only a small number of what he believed to be his finest negatives to produce prints for the show. He never again mounted an exhibition of his work, nor produced such distinctive, large-format platinum prints. “The extraordinary rarity of The Three Chiefs becomes clearer when viewed in the context of other Master Exhibition Prints, principally the 108 in the Peabody Essex Museum in Salem, Massachusetts, the largest collection in existence. The Museum, however, is missing a number of early, iconic images, including The Three Chiefs. It has long been assumed that these missing prints were held elsewhere, possibly in the collection of The New York Public Library. This theory has been substantiated by the Curtis scholar, Bruce Kapson, who unearthed a cache of letters from Curtis to J.P. Morgan and to Morgan's librarian, Ms. Bella da Costa Greene in the Pierpont Morgan Library archives in 2007. The correspondence establishes that 58 of the 100 prints in The New York Public Library's collection are actually Master Exhibition Prints, specifically selected by Curtis for J.P. Morgan as the best examples of his work. A typed letter, dated March 1907, from Ms. Greene to Curtis states: 'I enclose herewith a list of Indian photographs which you sent to Mr. J.P. Morgan'. The letter is accompanied by a handwritten list of 58 photographs, including The Three Chiefs (print number 52.) Morgan donated this group of prints to The New York Public Library in 1912.” (Christie’s Live Auction 1893 Catalog, 2007). Curtis’ platinum prints make up less than 1/2 of 1% of all of the work he created. Curtis’ platinum prints were created only for exhibition or direct sales to patrons and they were always made by Curtis himself. One significant dealer in Curtis prints...