17th Century Historical Memorabilia

Very pretty Haute Epoque / Louis XIII bronze ladle from the beginning of the 17th century. Probably decorated with a lion's head on the end of the handle. Wonderful witness to the h...

A large crest with shell and scroll carved frame enclosing an azure ground with gilded coat of arms featuring a cross with four birds over lions and fleur de lis and Tudor roses. Onl...

MUSEUM PERFECTION ! AZTEC INFLUENCED LATIN AMERICAN COLONIAL ART AMAZINGLY RARE PIECE ! Approx. 14" x 8" x 2 1/2" After Hernán Cortés conquered the Aztec empire, painting and sculpture schools were set up within missions to produce art for Roman Catholic worship in Spanish America to promote Christian evangelization. The works that emerge from this period are great historic treasures and tell us much about this time in history. Icons were important in this conversion process. Here is an Imagene that was likely employed in a church from the 17th century. It features 5 elaborately carved faces and figures depicting angels and saints. This piece is magnificent for many reasons, but the most important reason is that this piece illustrates the bridge between the Spanish and Aztec art schools. The Aztecs had developed the most splendid feather art in the world. Feather mosaics (arte plumario in Spanish, amantecayotl in Nahuatl), were created by specially trained and talented Aztec nobles. The blue green iridescent color of hummingbird feathers had made them a regular form of tribute to Aztec rulers and art that featured these feathers were incomparable. The Spanish art instructors adopted feathers into traditional Catholic imagery and this piece shows the result of such hybrid. Here feathers are prominently sculpted into the background and were polychromed with sensational hues to reflect the native love and cultural appreciation for feather art. Few feather mosaics survive because of their temporal frailty, but the wood worked feathers in this piece give scholars and collectors a lasting indication of how Aztecs stylistically used the feathers in their pieces. Aztec religious leaders wore headdresses and garments made of feathers - and here these saints appear to be wearing feather headdresses! Even after centuries, the colors of this piece are incredibly compelling. Fragments of the rich blue green pigment that was applied to mimic the hummingbird feathers are still present. The golds, yellows and browns display spectacular understanding of complementary colors. What's more this piece also shows Aztec sun imagery incorporated into the design! On the reverse side of the Saints' faces we see a vivid blue sun burst type design which clearly was an Aztec motif of the period and has no comparable counterpart in Catholic holy treasures...

Fantastic antique American Pioneer cooking Pan, truly an absolutely unique Museums Piece! Total weight is ca 15 kg, the Pan itself is made out of iron and sits on a solid wooden stump...

A fine example of a mid-17th century steel halberd with pole arm, with a diamond shape thrusting point, axe blade with shallow concave cutting edge featuring ...

Act for Preventing Frauds and Abuses in His Majesty's Customs 1662. Publisher: London : Printed by John Bill and Christopher Barker, printers to the Kings Most Excellent Majesty. First edition: Very good condition for its age other than some wear to spine. Customs act 1662: Ten-line decorated initial on first page. Royal arms on cover title page: approximately 8 x 6.5 cm. Crawford arms 66. See Crawford, J.L.L. Bibliography of royal proclamations of the Tudor and Stuart sovereigns and of others published under authority, 1485-1714, II, page 511. Public General Acts. 1662. 14 Car.II.c.11. "Anno regni Caroli II. Regis Angliae, Scotiae, Franciae, & Hiberniae, decimo quarto. At the Parliament begun at Westminster, the eighth day...

Antique portrait titled 'Basilius Magnus (..)'. Portrait of Ivan IV (1530-84, 'the Terrible'). This print originates from 'Tooneel der keyseren ende coningen van christenryck sedert den onderganck van het Griecks keyserdom vervatende hare beeltnissen afcomsten ende voornaemste daden (..)'. Ivan IV Vasilyevich (Russian: ???´? ????´??????; 25 August 1530 – 28 March [O.S. 18 March] 1584),[2] commonly known in English as Ivan the Terrible...

Polychrome firgure Circa 18th Century Southern European Polychrome Saint/Santos Figure Religious Artefact A Polychrome saint religious artefact...

Antique print titled 'De Academia van Vrieslant'. Original antique print of the university of Franeker, Friesland, the Netherlands. This print originates from volume 1 of 'Chroniqve ...

King Charles I (1600-1649) took to the English throne in 1625. An unpopular monarch with a tyrannical bent, he soon turned the powerful institutions of government against himself. His marriage to a Roman Catholic (Henrietta Maria...

Very rare William and Mary pewter trefid spoon the handle molded in relief with portraits and dating from around 1690. The spoon has an elongated rounded ...

A really gutsy and interesting early 17th century carved wood panel. If this kind of thing appeals to you, it does to me, than this is a compelling example of early carving and the p...

A scarce document signed by Oliver Cromwell and dated 1650 With military content, regarding payment of New Model Army troops The man who changed Brit...

Antique map titled 'Belagerung des Besten Schloss und Passes Gennep'. Old map of the Siege of Gennep, the Netherlands. This map originates from 'Theatrum Europaeum' by M. Merian. Art...

Directoire style open armchair hand-carved Italian beechwood cane seating Cane seating broken H. 34" x W. 21/75, some water stains on feet. Only one left, unfinished raw wood.

Antique engraving with the title Arrival of the English King Charles II from Delft in The Hague, 25 May 1660. Episode during his tour through and departure from the Netherlands. Arrival at the Vijverberg and Het Groene Zoodje, salute shots are fired at the Hofvijver. In the air the fame and putti with the arms of the English king, Holland and The Hague. On the left part of the signs of the zodiac. Marked at the top: Page. 34. In the top the Arms of the King with the text: Honi soit qui mal y pense. This a maxim in the Anglo-Norman language, a dialect of Old Norman French spoken by the medieval ruling class in England, meaning "shamed be whoever thinks ill of it", usually translated as "shame on anyone who thinks evil of it" It has been used as the motto of the British chivalric Order of the Garter. In current French usage, the phrase may be used ironically to insinuate the presence of a hidden agenda or a conflict of interest. Makers (mentioned on the engraving): Pieter Philippe after a design of: Jacob...

Antique Italian ballot urn shaped wooden box, carved and painted, coming from Tuscany, Monte San Savino near Arezzo in Central Italy. This ballot urn is an excellent example of a 17th century wooden voting box...

Beautiful authentic Italian metal and wood portable tabernacle in style of Antonio da Sangallo the Younger. A civil and military architect, Antonio da Sangallo the Younger was tr...

17th century Italian Gravure/Cartography Le Theatrum statuum Regiae Celsitudinis Sabaudiæ Ducis or at Theatrum Statum Sabaudiæ, is a representative and iconographic representation f...

1990s style open armchair made in Italy Size H. 29 .5" x W. 21.5, sold as is in raw unfinished beechwood Only one left.  

Italian holy water stoup. Second half of the 17th century.

Beautiful court portrait of What May Very Well Be Louis XIV's Son, known as "Dauphin". The child in Baroque "Hunting" Attire, holding a bow and arrow, with a Papillon in Stride....