A 17th century Roman Altar Cross after Guglielmo della Porta

Anonymous (corpus after a model by Giambologna) circa 1700; Netherlandish or Northern Rhinish Ebonized wood, gilt bronze appliques and statuettes, textiles and relics Approximat...

Anonymous, school of Donatello Second half of the 15th century; Northern Italy Approximate size: 13 x 7.6 cm The present relief of the Virgin and Child is largely considered derive...

Anonymous Second half of the 15th century; Northern Italy, possibly Milan Gilt bronze Approximate size: 17.2 x 13 cm The present pax probably derives from a finer original realized in more precious materials. For example, the vigor of its central motif is carved in such a way as to suggest the original artwork was conceived in carved stone or perhaps mother-of-pearl. The intricacy of its frame suggests a separate master adept in silverwork. Overall, this bronze pax...

An impressive early 17th century wood relief carving of the Three Divine Virtues After Jan Pietersz Saenredam and Hendrik Goltzius First quarter of the 17th century; Northern Netherlands Approximate size: 35.5 x 50 cm (without frame); 53 x 67 cm (with frame) The present carving, of Flemish origin and from the first quarter of the 17th century, was executed during the Golden Age of Dutch art. The relief depicts the figures of Pietas, Caritas and Fides: the divine virtues of Hope, Charity and Faith. Each of the Virtues is articulated with exceptional care and the skill of a talented hand. The composition is bursting with energy, emphasized by the active putti surrounding its central protagonist and the emergence of the figures in the foreground, silhouetted against a cityscape with the upper horizon framed by clouds and rays-of-glory. The relief’s design is indebted to late 16th century Mannerist influences shown in the expressive postures of the figures and the billowing hair of Charity. Other Flemish artists approached this theme like the painters, Maarten de Vos, Maarten van Heemskerck, et al. However, our particular carving is an amalgam of three individual compositions engraved by Jan Pietersz Saenredam in 1601, and based on the designs of his mentor and long-time collaborator, Hendrik Goltizius (presumably following inspired Latin prose conceived by the Haarlem Humanist, Cornelis Schonaeus). The relief is set in an elaborate checkered, wood-inlaid frame but its scale and shape suggest it probably once formed part of an elaborate Beeldenkast or impressive Dutch oak cupboard...

The present pair of late 17th century or early 18th century Spanish Baroque giltwood architectural elements may have once formed part of an altarpiece environment. Their decorative p...

A yellow marine sponge fixed to an antique socle. The yellow marine sponge, or aplysina fistularis, often called the ‘yellow candle sponge,’ is here appr...

Romanesque Christ of the 17th century carved in fruit wood with posterior cross. It has remains of the original Polychrome. Total dimensions: 58x43 cm.

Italian tabernacle from the last quarter of the 17th century made in: mercury-gilt bronze, silver, enamel and ebony- This spectacular tabernacle du...

Cross of caravaca xvii century Very beautiful cross of Caravaca made in bronze. 17th century. Measurements: 12 x 6cm Good condition.

Cross of caravaca XVII century. Very beautiful cross of caravaca made in bronze. 17th Century. Measurements: 15x6 cm. Good condition.

Cross of caravaca XVII century. Very beautiful cross of caravaca made in bronze. 17th Century. Measurements: 15x6 cm. Good condition.

CROSS OF CARAVACA XVII CENTURY BEAUTIFUL CARAVACA CROSS FROM THE 17TH CENTURY IN BRONZE. MEASURES: 12.5X5.5 CM. IN GOOD CONDITION good condition