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Ebony Religious Items

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Material: Ebony
Christ with angels. Possibly Flemish school, 17th century.
Located in Madrid, ES
Christ with angels. Oil on copper, ebony frame, textile. Possibly Flemish school, 17th century. Oil painting on copper enhanced with a textile strip that also presents an ebony wood...
Category

17th Century European Baroque Antique Ebony Religious Items

Materials

Copper, Other

A 17th century Roman Altar Cross after Guglielmo della Porta
Located in Leesburg, VA
A 17th century Roman altar cross after Guglielmo della Porta Approximate size: 67 x 27 cm The present altar cross, likely of Italian Roman origin, reprod...
Category

17th Century Italian Renaissance Antique Ebony Religious Items

Materials

Agate, Lapis Lazuli, Bronze

Ebony Wood and Gilt Bronze Reliquary Altar Cross After Giambologna
Located in Leesburg, VA
Anonymous (corpus after a model by Giambologna) circa 1700; Netherlandish or Northern Rhinish Ebonized wood, gilt bronze appliques and statuettes, textiles and relics Approximat...
Category

1690s Dutch Baroque Antique Ebony Religious Items

Materials

Bronze

Altarpiece Reliquary with Oil on Table, Rosewood, Luis De Morales, 16th Century
By Luis de Morales
Located in Madrid, ES
LUIS DE MORALES (Spain, 1512-1586). The Virgin with a book, the Sleeping Child and Saint John. Oil on panel. Altarpiece with relics may be related to The Royal Site of San Lorenzo de El Escorial. Published: Mateo Gómez, Isabel. Revista de Estudios Extremeños, 2018, Tomo LXXIV, Nº. II, pp. 1115-1128. Table with the Virgin of a little more than half body, sitting on a bench and leaning on a table, reading with the sleeping child on her lap; on the right, a Saint John appears from behind the bench and puts a finger to his mouth asking for silence so as not to disturb Jesus' sleep. The oil is framed by a reliquary altar in ebony wood: flanked by two fluted columns with Corinthian capital and based, located on a base with the relics (read their signs from left to right, they host those of San Silvestre, San Felipe Apóstol, San Felipe Neri, San Antonio Abad, Santa María Magdalena, Santo Sepulcro de Nuestro Señor and Santa Clara) on canvas and framed by ovals with silver rings; the upper end is decorated, in the frieze and top of the tympanum, with silver ovals with colored agates, and topped by pinnacles with bronze balls. Isabel Mateo has analyzed both elements: the table was painted by Luis de Morales, nicknamed "the Divine" (Badajoz, h. 1510-1586), and places it in the last stage of the painter, created for private devotion. In his analysis he highlights the similarities with other works of the painter: "Virgin with the Child and the Holy Juanes" of the parish church of Valencia de Alcántara (Cáceres) dated between 1550-1560; the “Virgins with hats” from the Abelló Collection and the Prado Museum in Madrid; etc. Furthermore, he refers to the flamenco iconographic influences and Rafael's models in Morales' work, among others. As for the reliquary, added later to the completion of the painting, it relates it to El Escorial and Felipe II...
Category

16th Century Spanish Renaissance Antique Ebony Religious Items

Materials

Silver, Other

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18th Century Italian Carved Painted Wood Reliquary Altar Figure Bust Pair
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Previously Available Items
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Austrian Silver-Gilt and Enamel Reliquary, Reinhold Vasters, circa 1870
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H 35 in W 19.5 in D 18 in
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