Large Lacquered Wood Antique Burmese Buddha Statue

The Buddha statue was made from a copper alloy in a standing position with hands in double Abhaya mudra. This mudra symbolizes the act of dispelling fear in the face of adversity. In Laos and Thailand where this mudra are used as one of the most iconic gestures, with its origin was pre-Buddhism era, when it was a symbol of good intentions and friendship when approaching strangers. In contrast to Indian iconography, it was often shown with both hands raised to the level of the shoulder in Southeast Asia. The statue was made in the classic Lopburi style, which historically was heavily influenced by Khmer art...

A delicately carved wood Buddha in an upright standing posture with a double Abhaya mudra. The statue displays a gilt surface with beautiful patina and some minor wear. The face was ...

A Japanese carved wood Amitabha (Amida) Buddha statue with residual gold leafed surface circa 19th century (late Edo period). The buddha is seated in the padmasana position on an elevated double lotus throne, under a small lotus halo canopy. His right hand is held in abhaya mudra which means fearlessness in Sanskrit. The mudra symbolizes protection, peace, and fearless. His left hand gently resting on his thigh. Dressed in a flowing robe with open chest, the statue showcases a classic iconography found prominently in Japanese Buddhism art during Edo to Meiji period, characterized by the double lotus throne and a particularly serene meditative facial expression, highlighted by inset gemstones...

An gilt and lacquered wood Buddha head with displayed on a metal and Lucite stand. stunning presence with its refined features and amazing details. The carving is of exquisite qualit...

An extraordinary "Kepeng Lamak" from Bali, Indonesia, circa early 20th century. Lamak is a general term for temple hangings, mostly made of disposable materials like palm leaves for temporary offerings. A small number, such as this piece, were made by wealthy and aristocratic families for permanent display. The lamaks are traditionally displayed in temples or residents for a strong spiritual reason in Bali that is known as "Artja". They could function as receptacles, or a vessels of for the habitation of the deities when they descent to the earth on propitious occasions. In a goddess form with a carved wood head adorned with painted face and mirrored crown who likely represents Dewi Danu, the water goddess, this lamak was constructed with a bamboo frame, cotton pompoms, fabric fragments...

A striking architectural pole carved from solid teak that was used for building construction in Burma circa 19th century. Serving both structural and ornamental purposes, this types of carved poles...

Material: wood 152 cm high 77,5 cm wide and 26,5 cm deep Gilded with 24 krt. gold Mandalay style Originating from Burma 19th century With inlayed eyes

Material: bronze 96 cm high 71,5 cm wide and 50 cm deep With traces of 24 krt. gilding Shan (Tai Yai) style Varada mudra Originating from Burma 19th century Very special !  

Material: wood 72 cm high 39 cm wide Weight: 14.9 kgs Gilded with 24 krt. gold Shan (Tai Yai) style Bhumisparsha mudra Originating from Burma 18th century With Burmese insc...

Material: lacquerware 120 cm high 67 cm wide and 52 cm deep Weight: 12.4 kgs Gilded with 24 krt. gold Ava style Bhumisparsha mudra Originating from Burma 19th century Very special !  

Material: wood 71,7 cm high 58 cm wide and 44,3 cm deep Weight: 23.3 kgs Gilded with 24 krt. gold Mandalay style Bhumisparsha mudra Originating from Burma 19th century With...

Material: wood 9,8 cm high 5,8 cm wide and 3,4 cm deep Weight: 0.042 kgs Gilded with 24 krt. gold Shan (Tai Yai) style Bhumisparsha mudra Originating from Burma 19th century...