Polychromed Santos Sculpture of the Resurrected Christ

Hand carved and painted santo with child, possibly John The Baptist. The vivid polychrome colors and primitive wood carving make for a striking...

Striking and meaningful work of religious art. This beautifully hand carved and over three feet tall, wooden Sacred Heart of Christ statue is another one of our recent great finds. ...

An early polychrome religious santos carving, circa 1800s. The piece is hand carved in a soft wood with original paint and polychrome finish on a wood...

This Item is an Identical Museum Reproduction The carving shows Christ and St John sitting on a bench. John rests his head on Christ's chest, his eyes closed in devotion. His right hand rests in that of Christ, who places a loving arm around his shoulder. This Item is an Identical Museum Reproduction . Polymer is a heavy and very strong type of resin material that captures perfectly the details of the casting. The advantages of polymer when compared to concrete, cast stone, and cement are that it is far less fragile and much more resistant . sold by . Ancient Sculpture...

MUSEUM PERFECTION ! AZTEC INFLUENCED LATIN AMERICAN COLONIAL ART AMAZINGLY RARE PIECE ! Approx. 14" x 8" x 2 1/2" After Hernán Cortés conquered the Aztec empire, painting and sculpture schools were set up within missions to produce art for Roman Catholic worship in Spanish America to promote Christian evangelization. The works that emerge from this period are great historic treasures and tell us much about this time in history. Icons were important in this conversion process. Here is an Imagene that was likely employed in a church from the 17th century. It features 5 elaborately carved faces and figures depicting angels and saints. This piece is magnificent for many reasons, but the most important reason is that this piece illustrates the bridge between the Spanish and Aztec art schools. The Aztecs had developed the most splendid feather art in the world. Feather mosaics (arte plumario in Spanish, amantecayotl in Nahuatl), were created by specially trained and talented Aztec nobles. The blue green iridescent color of hummingbird feathers had made them a regular form of tribute to Aztec rulers and art that featured these feathers were incomparable. The Spanish art instructors adopted feathers into traditional Catholic imagery and this piece shows the result of such hybrid. Here feathers are prominently sculpted into the background and were polychromed with sensational hues to reflect the native love and cultural appreciation for feather art. Few feather mosaics survive because of their temporal frailty, but the wood worked feathers in this piece give scholars and collectors a lasting indication of how Aztecs stylistically used the feathers in their pieces. Aztec religious leaders wore headdresses and garments made of feathers - and here these saints appear to be wearing feather headdresses! Even after centuries, the colors of this piece are incredibly compelling. Fragments of the rich blue green pigment that was applied to mimic the hummingbird feathers are still present. The golds, yellows and browns display spectacular understanding of complementary colors. What's more this piece also shows Aztec sun imagery incorporated into the design! On the reverse side of the Saints' faces we see a vivid blue sun burst type design which clearly was an Aztec motif of the period and has no comparable counterpart in Catholic holy treasures...

An Extremely Fine Carved Polychromed Oval ‘Comesso’ Cameo of Christ Contained in an oval velvet lined leather box Signed: Lament Shell, mother-of-pearl, leather, velvet France Circa 1850 Size: 4.5cm high, 3.7cm wide - 1¾ ins high, 1½ ins wide Provenance: Ex Private collection See: For another cameo signed by Lament, contained in a Victorian gold frame...