Tabernacle Door, Polychromed Wood, 16th Century

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Tabernacle Door, Polychromed Wood, 16th Century

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Tabernacle Door, Wood, Metal, 16th Century

Located in Madrid, ES

This type of elements are basic in churches, chapels, etc. since they contain the Sacred Forms, reason why it is logical the abundance, with a series of typologies more habitual and traditional or old than others. There are also iconographies more common than others, a certain thematic preference according to the date or school to which the work belongs, etc., always related to the Sacrifice of Christ, Salvation, Transubstantiation, Eucharist, etc. for being a key element for Christianity (especially the Catholic) what they will always contain. The present work shows a chalice with Sacred Form in what would originally be the interior of the door (very usual iconography) and a somewhat more striking relief to the exterior. Inside that it is a Eucharistic Christ or Eucharistic Savior, the way of presenting it is more usual of the scenes of the Last Supper, being not so frequent to find it alone like this. Compare for example with works such as the door of the tabernacle attributed to Alonso Cano...

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Tabernacle Door, Wood, Metal, 16th Century

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“Ressurrection”, Polychromed Wood, Spanish School, 16th Century

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The relief was probably a door of the Sagrario. The piece follows a customary decoration in the tabernacles of the Renaissance and the Baroque. Compare, for example, with the sevente...

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Niche. Carved and polychrome wood. 16th century

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Niche. Carved and polychrome wood. Century XVI. Wall niche with a rectangular front opening topped by a venerated shape finished in gold with two polychrome angel heads in the corne...

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"Saint Luke the Evangelist", Polychromed Wood, 16th Century

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Saint Luke is often represented as a man of mature and bearded age, accompanied by the animal of the Tetramorphs with which he is related (Revelation 4: 67)...

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Saint on a bed. Polychromed wood. Flemish school, 16th century.

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Dream of a saint. Carved and polychrome wood. Flemish school, 16th century. Relief made of carved and polychrome wood that shows an old man with a particular headdress (reminiscent of some chaperones) lying on a bed and accompanied by two friars dressed in habits, who talk to each other. Iconographically, the figure of the old man lying on the bed (note the cushion that raises the upper part of the body, following the common use of the time) who has not died (probably) because he was not completely lying down, is reminiscent of how he was usually represented, for example, to San Antón, San Jerónimo, etc. It is not very likely that it is the subject of the Transit or Death of Saint Francis of Assisi due to the absence of the Stigmata and due to age. It would be part of a cycle of scenes in the altarpiece of a church, an accompaniment that would give the viewer more clues about the identity of those represented. Stylistically, Flemish sculpture...

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