Sterling Silver Cricket Trophy, circa 1923

Presented is a beautiful photogravure showing a Klamath man hunting from a dugout canoe. This image is Plate 458 from Volume 13 of Edward Curtis' epic project The North American Indian. The photogravure was published in 1923 by Suffolk Engr. Co., in Cambridge, MA. The Klamath people are from the inland region of Northern California and Southern Oregon. Their oral history records the volcanic eruption that created Crater Lake over 7000 years ago Edward S. Curtis created one of the most enduring and iconic visual records in the history of the photographic medium. He was an award-winning artist, a consummate craftsman, a visionary, an intrepid entrepreneur, and was highly regarded as a respected ethnographer and publisher. Curtis began photographing Native Americans in the mid-1890s and selling these images in his successful downtown Seattle studio. One of his earliest models was Princess Angeline, the aged daughter of chief Sealth, the Suquamish Indian after whom Seattle is named. At the National Photographic Convention of 1899 Curtis was awarded the grand prize for three of his soft-focused, sepia-toned images of Puget Sound Native Americans: Evening on the Sound, The Clam Digger, and The Mussel Gatherer. Curtis spent the summer of 1900 with George Bird Grinnell observing the Sun Dance at an encampment of Blood, Blackfeet, and Algonquin in Montana. This was a pivotal experience for Curtis, confirming his desire to study and photograph the Native tribes of North America. A trip to visit the Hopi reservation in Arizona a few months later further fueled his enthusiasm. Curtis envisioned a plan to create a massive scholarly and artistic work that would document the tribes west of the Mississippi, their ceremonies, beliefs, daily life, and landscapes. In 1906, Curtis approached railroad tycoon J.P. Morgan to request financial assistance for his project. Morgan agreed to pay him a total of $75,000, or $15,000 a year for five years. Morgan and Curtis decided that Curtis' masterwork, The North American Indian, would be a set of 20 volumes of ethnographic text illustrated with high quality photoengravings taken from his glass plate negatives. Each of these volumes would be accompanied by a portfolio of large size images, all sumptuously bound in Moroccan leather. The papers used for printing would also be of the best quality: a Dutch etching stock by Van Gelder, a Japanese vellum, and for the most discerning subscribers, a translucent Japanese tissue paper. To fund publication, Curtis would sell subscriptions at approximately $3,000 per set, with a total of 500 sets to be published. An ambitious and extensive project, Curtis spent much of his life documenting as many Native tribes as possible. The importance and the urgency of the task was clear to him, as he wrote in the introduction to his first volume of The North American Indians in 1907, "The information that is to be gathered ... respecting the mode of life of one of the great races of mankind, must be collected at once or the opportunity will be lost." In 1930, some 24 years after his initial request for funding, the last two volumes, Vol. 19 and Vol. 20, were published and The North American Indian project was finally completed. Curtis took over 40,000 photographs and made over 10,000 wax cylinder...

This is an exquisite early 20th century crystal jar with a silver lid and spoon. The lid's top is fashioned after a cricket wicket. The jar sits on a round silver base with decorativ...

This is a fabulous 1923 bird's eye map of Washington, DC that shows the city in amazing detail. Every building is individually drawn and all major roads in the city are shown. The vi...

Presented is a vintage Air Force Academy felt pennant, circa 1950s. The pennant has a dark blue field with a white headband and no ties. Printed in r...

A fine vintage Elizabeth II English cast sterling silver presentation trophy on oakwood plinth in the form of a Victorian soldier; an addition to our military related silverware collection. This fine vintage Elizabeth II English cast sterling silver trophy has been realistically modelled in the form of a crouching soldier holding a musket. The model is embellished with impressive cast details reproducing the fine details of the soldier's Victorian attire, including a dagger and ammo pouch to his belt. The sterling silver soldier is displayed on the original oak wood presentation plinth. The cuboid plinth is fitted with a vacant silver inscription band; the band may be engraved with a personal inscription if so desired. This fine presentation silver...

A fine and impressive vintage George VI English cast sterling silver presentation trophy in the form of a tennis player; an addition to our diverse presentation silverware collection. This fine vintage George VI cast sterling silver presentation piece has a circular waisted form to a circular domed spreading base. The surface of the cup is plain and unembellished. This vintage tennis trophy...

This sterling silver footed presentation tray was made by the well-known English maker, Barker Ellis in circa 1967 in an Edwardian style. The tray is...

A superb sterling silver period facsimile of the James Beard Memorial Trophy in hallmarked silver on a marble base originally commissioned by an early recipient of this nautical award. Makers mark for Pobjoy Mint, the makers of the actual trophy, and hallmarked London 1983. The trophy is awarded to the world offshore speed record holders in Class 1 power boat...