Louis XV style folding screen decorated with hunting scene, pockets for letters

Large Italian Albarello, 18th Century An impressive 18th-century Italian albarello, notable for its size and the finely painted continuous cityscape in cobalt and manganese tones. O...

Pair of decorative Renaissance oak wooden reliefs depicting two man with curly hair and a moustache. The reliefs were probably part of a piece of furniture or architectural element. ...

A rare wooden casket with polychrome and gilded pastiglia relief, Italy, 15th century. The box is adorned with four finely executed scenes from the life of an unknown martyr — beautifully preserved and remarkably vivid after centuries. Dimensions: 15.5 × 10.4 × 9 cm Provenance: Dutch private collection In overall good condition for its age, with minor losses to the surface and possible retouching to the polychromy. The ball feet are likely later additions. Pastiglia [paˈstiʎʎa], an Italian term meaning "pastework", is low relief decoration, normally modelled in gesso or white lead, applied to build up a surface that may then be gilded or painted, or left plain. The technique was used in a variety of ways in Italy during the Renaissance. White lead pastiglia was a north Italian speciality, produced between about 1450 and 1550. Six workshops were identified by Patrick M. De Winter, although their location remains uncertain; the Workshop of the Love and Moral Themes, whose products seem the most numerous, was possibly at Ferrara, where the painter Cosimo Tura began his career gilding caskets. Venice is also thought to have produced them. Other workshops identified by De Winter include the "Workshop of the main Berlin casket" and "Workshop of the Cleveland Casket". The subjects were typically classical, drawn from both mythology and Ancient Roman history (especially the early period covered by Livy), but biblical ones are also found. Compositions can often be shown to be borrowed from another medium, such as prints or bronze plaquettes...

La Sainte Bible qui contient le Vieux et le Nouveau Testament edited by: Z.CHatelain & Fils, Arkstee & Merkus, Marc Michel Rey. A.D. 1770. Subtitle: 'Le nouveau Testament, cést à di...

A three-fold Vernis Martin screen In the Louis XV Manner The frame constructed from carved and gilded wood in the Rococo manner, the triptych Vernis Martin panels depicting idyll...

An absolutely magnificent antique French painted gilt wood screen. This was made in France, it dates from around the 1880-1900 period. It is of the utmost quality, with intricate an...

This exquisite painted screen hails from late 19th century England and features a captivating Hunt Scene. The screen is made up of three panels, each arched and painted on high-quality leather, with burlap backing and brass tack edges. The fine craftsmanship and attention to detail are evident in every aspect of this piece, from the intricately painted hunting scene to the durable construction of the screen itself. Measuring an impressive 72.25 inches in height and 20 inches in width, this antique screen is sure to be a focal point in any collection or home decor setting, and will be treasured by discerning collectors and enthusiasts of English decorative arts...

French Louis XV style (19/20th Century) cerused wooden frame 3 fold screen with white satin upholstered panels in a red toile print.