Crystal Screens and Room Dividers
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Material: Crystal
Coat Hook Mid-20th Century, Made in Italy, 1950
By Ico Parisi
Located in Milano, IT
Bellissimo appendiabiti da parete del 1950 con serigrafia di barca, 3 appendini in cristallo e ottone, 1 ripiano in cristallo con cornice e gambe in legno di mogano Attribuito al arc...
Category
Mid-20th Century Italian Mid-Century Modern Crystal Screens and Room Dividers
Materials
Crystal
Rizo Imperial Crystal Partition Screen With Capitals
By RIZO
Located in Mumbai, IN
The ‘Imperial’ screen is an iconic baroque inspired masterpiece from RIZO’s Atelier.
Featuring tridimensional, carved highly refined crystal filigree panels realized with extreme h...
Category
21st Century and Contemporary Indian Baroque Crystal Screens and Room Dividers
Materials
Crystal, Metal
Contemporary Valentina Giovando Screen Iron Brass Crystal Gold Bronze
Located in Milano, IT
Sutra love
Sutra Love is a foldable screen from the "Sutra" Collection.
The structure is an iron frame, the decoration is made of hand-cut round brass discs, rows of crystal stra...
Category
21st Century and Contemporary Italian Modern Crystal Screens and Room Dividers
Materials
Crystal, Brass, Iron
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The monogram canvas, adorned with iconic LV initials and floral motifs, stands out not only for its recognisability but also for its exceptional durability. Teamed with natural tan leather, this pairing gracefully matures, developing a lavish patina over time that enhances the bag's inherent character. The enduring design underscores Louis Vuitton's timeless allure, elevating these pieces to coveted collector's items that encapsulate the brand's storied history and commitment to impeccable craftsmanship.
A brief history about Louis Vuitton trunks: Louis Vuitton was born in 1821 to a farmer and milliner and came from a long-established working-class family in eastern France. Vuitton grew up understanding the effects of perseverance and a strong work ethic from watching his family. At the age of 16, he made the decision to walk 292 miles from his hometown to Paris to try and make a new life for himself. When he arrived the city was in the midst of industrialisation with current modes of transportation evolving quickly allowing for longer journeys. With this came the need for sturdy travel pieces.
Vuitton was taken as an apprentice for a successful box maker and packer named Monsieur Marechal. He learned to craft durable containers and how to pack them properly – a well-respected profession at the time.In 1854, years after he had mastered his craft and became well respected for it, Vuitton ventured out on his own to open a shop on Rue Neuve des Capucines. It was here that he began to establish himself as a luggage maker. Then, in 1858, Vuitton designed the first Louis Vuitton steamer trunk. At the time trunks had rounded tops to allow for water to run off but this did not allow for convenient stowage. Vuitton introduced a flat, yet waterproof, trunk that was easily stackable. The first of his trunks were outfitted with a grey canvas referred to as Trianon – it wouldn’t be until several decades later that the signature monogram would be introduced.
With a burgeoning business, Vuitton moved his family and workplace to Asniere, where he employed twenty workers to craft his trunks. By 1900 he would have 100 employees, and in 1914 the company would more than double in size. After years of success, Vuitton began to experiment with the design of his luggage by introducing a new striped canvas pattern (1876) and later the still well-known Damier print (1888). The hand-painted patterns were developed to prevent counterfeits. Even in the late 1800s, Louis Vuitton was enough of a status symbol to warrant counterfeiting. In 1886, his son George invented and patented an ingenious locking system that made it impossible to pick the lock of their trunks. This lock is still used today.
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