Plaster Screens and Room Dividers

Large Art Deco Screen France Wood, stucco Mid 20th c. Dimensions: H x W x D: 214 x 204 x 2 cm Description: Impressive screen with an Art Deco interior scene. The room divider con...

This striking white plaster three fold folding screen divider with decorative embroidery on the panel is a unique piece created by the Tbilisi, Georgia based designers Rooms Studio in collaboration with Salome Chigilashvili. Additional Information: The white three-fold screen is made up of three panels which are shaped uniquely and made of plaster, which are adorned with embroidered details that look like brush strokes made of unprocessed yarn. The screen features black legs which frame the piece and give it its stability. This crossover beautiful white folding screen divider would look great in a woman's dressing room, or any room in the house to separate space in a modern loft-like interior. The white folding screen comes in a numbered edition of 6, making it a limited edition hand crafted piece for your home. About the Design Studio: Works of Rooms Studio refer to the sculptural forms and abundant materials in juxtaposition with the feminine instincts. Born and raised in Tbilisi, Georgia, the duo behind the Rooms, Nata Janberidze and Keti Toloraia, lean towards preserving the inherited craftsmanship techniques unique to the region. Massive wood and stone objects are hand-crafted using traditional techniques to create raw and symbolic forms often rooted in the designers' childhood memories. Growing up in a culturally diverse environment, where the two worlds - Western and Eastern collide, remarkably influenced their design language. Over the years, Rooms has created eight independent collections and collaborations equally memorable and representative of the duo's perpetual mission to bring life to omitted elements of a former life. Through their series of works, Janberidze and Toloraia try to examine the boundaries between the public and private. Experiencing adolescent years in the 90s - a significant decade of cultural and societal shifts - their work is a narrative of personal experiences of womanhood. By contrasting the new feminine monumental shapes with architectural brutality, Rooms challenges the status quo and also bridges the conventional and contemporary design with a confluence of female energy.? The work of Rooms Studio has concerned itself with questions of nomenclature since the Tbilisi-based design atelier was co-founded by Nata Janberidze and Keti Toloraia in 2007. Take, for instance, the studio’s name: in adopting the basic unit of interior space as the title of their practice, Janberidze and Toloraia also emphasized the emotional force of interiority and inner life in determining their creative output. The studio’s largest U.S. exhibition to date, Distant Symphony expands upon this impulse to focus inward. The title is again a chief concern—some of the objects included here were designed during the global pandemic, under a regime of forced isolation that made the studio’s typically collective work process untenable. The pieces shown here are the results of Rooms’ search for a way forward. The first room, an antechamber of sorts, evokes the intimate quality of a private home. Shown here are trinkets and personal effects chosen by Janberidze and Toloraia for their emotive qualities; a low background noise emphasizes the climate of urban domesticity. The ensuing gallery space features highlights of Rooms’ recent design output. Here, the subtle scent of organic materials provides a sensory indication of the atelier’s interest in dichotomies: natural and man-made, personal and collective, local and cosmopolitan.   In light of the global circumstances, Janberidze and Toloraia felt it was especially important to pursue collaborative work. Rooms invited three artists—Shotiko Aptsiauri, Salome Chigalashvili and Mariana Chkonia—to conduct a dialogue and shared design process. As such, this exhibition is a kind of polyphonic meditation on a need for solitude and desire for companionship. The practice of polyphonic singing, essential to Georgian folk culture, is reinterpreted here as a design endeavor. Chigilashvili, working with unprocessed yarn, interpreted folk motifs by adapting embroidery to the scale of furniture with expansive stitches applied to painted boards...

French chinoiserie screen in lacquered and painted wood and plaster with floral motifs and popular scenes, mid-20th century screen composed o...

Impressive sculptural room divider, France 1950s. Unique and huge piece made out of plaster (metal wire inside) with beautiful artistic expression, all handcrafted by the artist. Bea...

WATER COLOR ON PLASTER
3 PANNELS SCREEN, THE ARTSIT USE TO WORK WITH J-M FRANCK.
YOU CAN FIND SIMILAR SCREEN IN THE J-M FRANCK BOOK; SEE PICTURE

reddish brown ground decorated on one side with building and figural landscape, bordered with urns and vases, reverse with calligraphy and above and below vignettes, signed

One side decorated with pavillion, courtesans, floral vases, reverse with lakes, mountains, and people.