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Louis Vuitton Trunk Malle Cabine, 1898

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Louis Vuitton Malle Cabine. Paris, 1899-1904
By Louis Vuitton
Located in Milano, IT
Louis Vuitton trunk dated between 1899 and 1904, covered in monogrammed Jacquard tissée canvas. This type of fabric, used between 1896 and 1904, represents one of the most complicate...
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Antique Early 1900s French Other Trunks and Luggage

Materials

Canvas

Louis Vuitton Malle de Voyage Personnalisées. Parigi Fine Anni '40 del Novecento
By Louis Vuitton
Located in Milano, IT
Baule Louis Vuitton databile alla fine degli anni '40, restaurato e riportato alle condizioni originali. Si tratta di un baule da viaggio di dimensioni ridotte rispetto ai normali st...
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Vintage 1940s French Mid-Century Modern Trunks and Luggage

Materials

Canvas

Louis Vuitton Suitcase Bisten 80 Paris 1970s
By Louis Vuitton
Located in Milano, IT
Louis Vuitton model Bisten 80 hard suitcase in the iconic monogram canvas, dating from the 1970s. The interior is lined and the handles rounded with leather; the corners are brass an...
Category

Vintage 1970s French Mid-Century Modern Trunks and Luggage

Materials

Brass

Pair of Vase Holding Columns Wood, Italy, Mid 19th Century
Located in Milano, IT
Pair of wooden vase holding columns, entirely lacquered in chinoiserie style. Shaped, the base has a tall painted plinth with red and black cheque...
Category

Antique Mid-19th Century Italian Other Obelisks

Materials

Wood

Couple of Corner Pilasters with Ceramic Carved Wood, Italy, 18th Century
Located in Milano, IT
Pair of carved corner pilasters holding a porcelain collection; supported by three carved feet, they develop on the entire surface a carving with leafy curls and flowers that act as ...
Category

Antique 18th Century Italian Other Obelisks

Materials

Porcelain, Wood

Paravento alla chinoiserie. Italia, secondo quarto XIX secolo
By Non-Standard Furniture and Lighting
Located in Milano, IT
Paravento a cinque pannelli snodabili; in pioppo interamente laccato in nero, è decorato con motivi dipinti alla chinoiseie: dragoni, scimmie, volatili, e riserve raffiguranti scene di vita cinese, di giocoleria e di combattimento. Presenta cornici fogliacee dorate a decorazione della cimasa e della parte inferiore. Rivisitazione del designer Pietro Russo con stoffa Dedar. Già ampiamente diffuse alla fine del secolo percedente, le chinoiserie ebbero una vera e propria diffusione nell’Ottocento, apprezzate e richieste dalle principali corti europee. I richiami alla Cina e all’Oriente in genere erano in grado di richiamare un esotismo tanto qpperezzato a livello estetico quanto a livello culturale. Il calligrafismo dei disegni a chinoiserie, l’eterongeneo bestiario (sia reale che fantastico) e le scene di vita, offrivano infatti infinite soluzioni decorative per piccoli oggetti e intere pareti, creando interessanti effetti sccenografici nell’allestimento delle grandi sale. Tra i principali propomotori delle chinoiserie vi fu re Giorgio IV che, con la costruzione del Royal Pavilion a Brighton come palazzo di piacere sul mare, decise di allestire alcuni dei locali proprio con questo stile. In particolare la Banqueting Room, la Long Gallery e la Music Room presentano arredi, lampadari, oggettistica quali porcellane, ma anche moquette e vetrate, di gusto orientaleggiante. Le pareti della stanza dedicata alla musica, furono decorate con scene di vita cinese, in oro su fondo rosso, realizzate da Frederick Crace e Henry...
Category

Antique 19th Century Italian Other Screens and Room Dividers

Materials

Poplar

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