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Scandinavian Painted Wedding Trunk

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Rare Antique French Goyard Wardrobe Steamer Trunk
Located in Atlanta, GA
A large and impressive E. Goyard steamer trunk, Paris, France circa 1900. It features a dome shaped trunk case covered with Goyard signature chevron canvas and befitted with patinate...
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Early 20th Century French Trunks and Luggage

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Bronze

Japanese Namban Lacquer and Inlay Coffer Momoyama Period
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A rare Japanese Namban Lacquer domed coffer circa 1570-1610s of Azuchi-Momoyama to early Edo period. These types of lacquerware were made for export to ...
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Antique 16th Century Japanese Japonisme Lacquer

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Wood, Lacquer

Chinese Folding Floor Screen with Stone Insets
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A six panel hinged folding floor screen from China circa end of the 19th- early 20th century. Each panel features three sections of black lacquere...
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Antique Late 19th Century Chinese Chinese Export Furniture

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Vintage Goyard Crossbody Steamer Bag
By Goyard
Located in Atlanta, GA
A vintage crossbody type Goyard bag with its iconic chevron printed canvas, leather trims and brass hardware circa post 1965 when the flexible canvas was introduced, likely from 1970-80s. The bag has a streamer rectangular shape, but it is completely foldable into a smaller purse...
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Late 20th Century Modern Trunks and Luggage

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Brass

Rare Extra-Large 19th Century Chinese Painted Leather Trunk
Located in Atlanta, GA
This extremely large Qing Dynasty leather trunk is beautifully painted with a tradition Chinese landscape scene over the oxblood color painted leather. The interior top is painted as...
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Antique Mid-19th Century Chinese Furniture

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Leather, Lacquer

Korean Folding Chaekgeori Painted Scholar Floor Screen
Located in Atlanta, GA
A six-panel painted folding floor screen from Korea circa early 20th century. This type of screen is called Chaekgeori (books and things) which is quite unique to Korea. It became popular at the end of 18th century favored and encouraged by King Jeongjo (1752-1800) as a political tool to promote social conservatism such as the traditional Confucianism value, especially considered important in a time when waves of new ideology influx came to Korea. Initially commissioned for the royal court, they became increasingly popular with the scholars of noble and affluent households and were used widely in their halls and studies. Early screens were painted with trompe-l’oeil bookcases displaying books and arrays of collectibles. Later, the bookcases were eliminated to focus on the assemblage of neatly stacked books and objects of scholarly pursue. On this screen, the six panels were neatly presented and framed in woven brocade borders. Among the stacked volumes, one can find many fine porcelain vases with flowers, potted orchids, pen holders with brush pens and scroll paintings, incense burner, ink stone, teapot, fan with ink painting, vessels of fruits, exotic plants such as lotus, plumeria and even a pair of glasses. It feels like a pleasant visual measure hunting for the viewers. Several words in Chinese found their way into the picture as well, including filial (xiao), longevity (shou) and luck (fu). The painting was done in a meticulous way with no details overlooked and also with a rather western still-life dimensional perspective. In a rather unusual maximal but also minimalistic way, the screen exudes a historical charm with a folky flair but appears modern at the same time. Each panel is 17.5"w by 70.2"h. For general information on the subject see reference: Chaekgeori the Power and Pleasure of Possessions in Korean Painted Screens...
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20th Century Korean Folk Art Paintings and Screens

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Brocade, Silk, Wood, Paper

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