Large William IV Fiddleback Mahogany Cellaret

The sarcophagus-shaped top section has a hinged lid and is richly carved throughout in high relief. The everted sides have fleshy palmettes and paired acanthus leaves, while the top has four pairs of leaves which are joined by a carved rib in the centre and scroll outwards to up-curled edges. It is raised on a gadrooned and turned pedestal set on a quatrefoil base with reeded bun feet disguising the original castors. The interior, without fittings, is relined in crushed blue velvet. English, circa 1835. Susan Stuart, in Gillows of Lancaster and London 1730-1840, (ibid), p.110, pl.658, (above) illustrates a rosewood teapoy...

A William IV mahogany book carrier the shaped ends with openwork handles, the frieze with a single drawer.

A William lV shaped mahogany library chair of generous proportions. Reupholstered in our own workshops in distressed burgundy leather. Raised on turned legs and brass casters.  

A George III fiddleback mahogany table jardinière, of sarcophagus form with two turned handles on tapering supports, decorated with shaped panels of plain mahogany within Fine boxwoo...

With central finial and double lyre ratcheted sheet music holders and a single attached brass candle arm, raised on a turned reeded support, shaped triang...

19th century william iv mahogany pole screen, circa 1830 Framed original tapestry depicting a young lady outside with a dog. Frame with gilt slip. Supported by a turned and carved s...

Very finely made likely by Gillow. Using finely figured rosewood. The drawer finely constructed including a key. Unusual form transitioning from the classical Regency to Victorian.

A William IV Policeman’s truncheon A great piece of social history, the baton has a shaped handle, the lower part is ebonised and the upper part has a blue background with the cro...