Louis XVI Models and Miniatures

SHIPPING POLICY: No additional costs will be added to this order. Shipping costs will be totally covered by the seller (customs duties included). A girl, head and shoulders, her da...

Model commode, Louis Seize around 1790, walnut veneered and marquetry, 3 drawers, brass knobs, restored condition, shellac polish height: 30 cm, width: 40 cm, depth: 24,5 cm

A 19th century Meissen Porcelain Model Of Empress Catherine II Of Russia's Favorite Dog (Russisches Windspiel). This delightful 19th-century Meissen porcelain model depicts Empress C...

An 18th century French Louis XVI marquetry secretaire, or secretary desk with bookcase. Beautifully made with book matched veneer of mahogany and fine inlay of walnut and mahogany. I...

18th century Altar Modell, South Germany, with original painting, wood A rare altar model with original painting, in the middle Jesus Christus and on the top God the father and two...

20th century antique reproduction miniature fauteuil made in the French Louis XVI style. The armchair has an oval back carved with ribbon detail and a bowknot at the crest. The arms ...

This petite Louis XVI style miniature commode is a gem with beautiful patina and maturity, early 19th century. The two drawers, the sides and the top are adorned with bands of two co...

SHIPPING POLICY: No additional costs will be added to this order. Shipping costs will be totally covered by the seller (customs duties included). Portrait of a lady, possibly Archduchess Maria Carolina of Austria, Queen of Naples...

A very rare Louis XVI period serinette or bird organ in the form of a transitional style gilt bronze mounted and marquetry inlaid miniature commode in the manner of gilbert, by Robert Richard, Paris. With a label for ' RICHARD - maitre facteur d’orgues et mécanicien / Rue de richelieu à la bibliothèque Du Roy / Paris 1775'. This rare Serinette or Bird Organ has a wooden cylinder barrel mounted by twelve pins and linked to twelve sound pipes. A crank attached to the front panel controls the bellows that activates the mechanism. The exceptional marquetry inlaid case is in the form of a gilt bronze mounted transitional style miniature commode. The top of the commode is inlaid with a landscape scene with buildings, opening to an interior with an allegory of Love Conquering All, represented by two doves perching on a bow and quiver. The front of the commode depicts two obelisks centred by a Fine musical trophy and each side is inlaid with panels depicting the Medici Vase. The back of the commode is decorated with floral marquetry. A closely related Serinette dating from circa 1770, also in the form of a miniature commode, with the marquetry case stamped by the master marqueteur Leonard Boudin, is in the collection of the Victoria & Albert Museum, London. The term serinette is derived from serine, French for finch. The instrument worked like a small barrel organ with a barbed cylinder, wind box and lead pipes and produced a high, thin sound in imitation of birds. Other versions included a merline, which copied blackbirds and a turlutaine, which copied curlews. Used to teach caged birds to sing tunes, different barrels could be inserted to train different birds. It first appeared in France circa 1730 and became a popular drawing-room toy for fashionable women. An interesting painting commissioned in 1751 for Louis XV by Jean-Baptiste-Siméon Chardin and now in the collection of the Louvre, depicts a refined lady seated in her salon playing a bird organ to encourage her bird to sing. Robert Richard Robert Richard was a Parisian organ and harpsichord maker and the mécanicien du roi to Louis XV and Louis XVI and was based in the Bibliothèque du Roi in rue de Richelieu. Initially working alongside the Cliquot family who acted as 'facteur d'orgue du Roi', he is recorded as building an organ for the church of Notre-Dame de Quebec, in Montreal in 1753 (destroyed in 1759) and as the inventor of a mechanical concert shown in an engraving by d'Eisen in 1769. Canon Jean Marie De La Corne described Robert Richard as : ''Le plus habile ouvrier de paris, fameux mechanitien et Homme de probité''. French, Dated 1775. Literature: Pierre Kjellberg, The French Furniture of the 17th century, The Editions of the Amateur, 2008 Count Francois de Salverte, Cabinetmakers of the 18th century, Editions of Art and History, 1934 Raymond Russell, Victoria and Albert Museum Catalogue of Musical Instruments, Volume I - Keyboard Instruments,(London, 1968; p. 69.) Elizabeth Miller...