Italian Umbrella Stands

Umbrella stand designed by Ettore Sottsass for Rinnovel, Italy 1950s Anodised aluminium

Italian mid-century modern round umbrella stand in arabesque marble, 1950s Round umbrella stand in arabesque marble. The structure follows rounded curved lines, in the upper part the...

Italian mid-century modern round umbrella stand in Calacatta marble, 1950s Round umbrella stand in Calacatta marble. The structure follows rounded curved lines, in the upper part the...

Italian mid-century modern Umbrella stand with dog by Fornasetti, 1950s Metal umbrella stand. On the front there is a shaped and painted metal sheet: the subject is a dog sitting on ...

Italian mid-century modern Hexagonal umbrella stand in brass, 1950s Umbrella stand with hexagonal base entirely in brass. Round feet at the base. 1950s Good condition, in patina. Lig...

Fontana Arte Umbrella Stand - Thick glass feet w/ four feet, lacquered wood and glass top and bottom with brass detail. Wonderful piece. Italy, 1950s

1950s Brass and Velvet Italian Umbrella Stand with handles. Probably Italian. H 46 x D 22 cm

Beautiful Mid-Century umbrella or walking stick stand fully made in thick leather and enirched with a brass emblem in the middle. This charming round umbrella stand is fully made in...

Very rare mid century umbrella holder designed by Ettore Sottsass for Rinnovel Italy. The timeless design is very attractive. Good condit...

Mid-Century Moder Bamboo and Brass Umbrella Stand, 1950s

Italian bamboo umbrella holder - Italy circa 1950s Great shape and patina with wonderful function!.

Ettore Sottsass, Aluminum Umbrella Holder for Rinnovel, 1955, Italy Ettore Sottsass was an influential Italian architect and designer, best known for his role in founding the Memphi...

Antique Italian brass umbrella stand, 1950s Good condition, found in a noble apartment.

Fornasetti waste bin. Baroque pattern lithographic transfer, and lacquered metal. Green on black ground. With brass trim and brass feet. Stamp...

Umbrella stand made of etched glass and brass, attributed to Pier Luigi Colli. The metal box on the underside can be pulled out to empty the water.

Antique Italian brass umbrella stand, 1950s Good condition, found in a noble apartment.

In this listing you will find a late Art Deco umbrella stand done in black iron. It features beautiful decorative woven pattern all around that gives it very elegant looks. The umbre...

Brass Umbrella stand, Italy, Mid Century Original and unusual Very nice conditions.   

Black painted steel wire umbrella stand with two shelves. Produced by Solai Varese in about 1950. Good conditions. Measures in cm 28x60x50h Convenient, practical and lightweight umbr...

Umbrella Stand, 1950s, Italy Original condition

Red-painted wooden umbrella stand with geometric tower shape design, square base, with supporting bottom also made of wood. Designed by Ettore Sottsass and manufactured by Poltronova...

Fabulous Umbrella Stand made in ITALY 1950s Sculpturally crafted in polished brass and black metal. Style of Cesare Lacca & Ico Parisi Original unrestored like new vintage condition....

Gorgeous Temide umbrella stand in curly walnut, model 1703 designed by Ico Parisi and produced by Stildomus in Italy in 1959. This incredible rare version of the iconic Temide umbr...

Elegant and well crafted Italian umbrella stand from the 1950s, with a cast iron base, a brass stem with an ivory-varnished top and a black perforated metal body. Perhaps inspired by...

Early, extremely rare and highly decorative Mid-Century Modern umbrella stand "Roman Arch". Designed by Piero Fornasetti for Fornasetti Milano, Italy, 1950s. Makers mark at the botto...

Rare Ettore Sottsass anodized aluminum umbrella stand made in Italy 1950s. Signed under the base.

Umbrella stand by Piero Fornasetti themed with bottles on a typical italian wine barrel, in silkscreened sheet metal from the 1950s. Good condition...

Love this 1950s Umbrella stand, black round metal base, comes with solid brass handle feet and details. Superb quality and all complete.

Umbrella stand or floor vase in Pucci ceramic, sculpted in relief and hand painted, made in the 1950s. The vase represents a figurative scene, with characters drawn in the brightest ...

Tall ceramic vase or umbrella stand by Giovanni Gariboldi for San Cristoforo - Richard Ginori. Outstanding combination of organic shape and color. Part of a collection of Italian 1...

Perseo umbrella stand, model 1701 designed by Ico Parisi and produced by Stildomus in Italy in 1959. This incredible piece is made of four triangular supports in solid teak wood ...

We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the butt...

A splendid Italian 1950s set of three diagonally cut umbrella stand in Chrome and Electric Blue paint used together to make a single umbrella Stand.

We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982.If you have any questions we are at your disposal. Pushing the button that reads 'View All F...

Made in Italy, 1950s - 1960s. This umbrella stand is in the style of Fornasetti and is made in brass and varnished and serigraphed metal with the illustration of guns. It is a vinta...

We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982.If you have any questions we are at your disposal. Pushing the button that reads 'View All F...

We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982.If you have any questions we are at your disposal. Pushing the button that reads 'View All F...

Very nice patina. Handmade, probably Italy.  

This rare and highly sought-after collectors item is the 'Cesto di Dalie' umbrella stand by Piero Fornasetti, circa 1950s, signed underneath with a Fornasetti medallion label. This h...

Round umbrella stand in solid brass smooth and hammered handmade Italy 1960s

Fabulous brass umbrella & cane stand in form of aj umbrella. Weighted iron base for stability. In excellent vintage condition with minimal wear. Can be parcel posted.

A stainless steel and teak umbrella stand, designed and produced by Ico Parisi for Stildomus, Rome, c. 1959.

Midcentury brass barrell-shaped umbrella stand and cane holder. This fantastic piece was designed in Italy during the 1950s. This item is unique as it has the shape of a barrel, wider in the centre of the structure and tinier on top and the bottom, made of thin brass bars. A marvellous item, perfect to enrich a midcentury entrance...

Beautiful umbrella stand, Made in Italy in the mid-century. Made of perforated sheet metal with shiny brass borders and shiny brass base. The perf...

Umbrella stand with prints of 1950s country English life with leather parts

Beautiful umbrella stand with double handle, in fuchsia and silver anodized aluminum, with "Rinnovel Italia" brand on the bottom. Attributed to Etto...

Grid-worked metal umbrella stand embellished with a metal leaf decorated in the Gio Ponti style, late 1950s production.

Umbrella stand by Piero Fornasetti themed Balloons in silkscreened sheet metal and brass from the 1950s. Good condition, patina of time, original in all its parts. Presence of brand “Fornasetti Milano Made in Italy” on the bottom (request additional photo to see markbrand). Published in: Barnaba Fornasetti, “Fornasetti La Bottega...

Made in Italy, 1950s. This pitcher vase, which can also be used as an umbrella stand, is made in embossed copper. Its minimal and classical, but still modern design perfectly embodi...

This Italian mid-century umbrella stand has a great executive quality that is denoted by various details, such as the round base in precious green marble from the Alps or the stylish...

Rare umbrella stand mod. C9 in glazed ceramic design by Antonia Campi for Società Ceramica Italiana Lavenia, Italy. This sculptural model features a double relief decoration: a styli...

Italian Husband-and-wife team Ico and Luisa Parisi designed together and alongside each other in their studio La Ruota in Como, Italy. With a look that epitomized the modern Italian ...

1950s Mid-Century Modern enameled metal umbrella stand produced by Siva Poggibonsi, Italy. Mat black enamel with Ivory colored figurines who could symbol the four seasons. The nearly 70 year old...

Rare umbrella stand mod. C9 in glazed ceramic design by Antonia Campi for Società Ceramica Italiana Lavenia, Italy. This sculptural model features a double relief decoration: a styl...

Stilnovo umbrella stand, Italy, 1955 Nicely sized artisan 24" high vessel for umbrellas or other things that come to mind. It's made from steel and iron and marked at the bottom. Th...

Round umbrella Italian stand from the 1950s in hard brass with studs.

Umbrella stand with malachite pattern designed by Piero Fornasetti. Italy 1950/60s. Signs of use, botten with smalls signs of rust.

Midcentury hexagonal umbrella stands in ice and black Lucite. This stunning item was produced after Willy Rizzo, 1980s This piece has beautiful yet simple lines, with a clear inspiration from Willy Rizzo's design. The Lucite is designed in order to produce a "freezing" ice effect. An incredible object that will enrich a mid-century entrance hall or corridor. Dimensions (cm): Width - 32 Depth - 28 Height - 52 Italian designer and photographer Willy Rizzo (1928-2013) first came to prominence in the 1960s as both a chronicler of and participant in La Dolce Vita, the glamorous, jet set lifestyle enjoyed by many international celebrities and socialites in the postwar era. While photography was Rizzo's first love, in the 1970s he developed a passion for interiors and launched a second successful career as a luxury furniture designer. Rizzo was born in Naples in 1928 but moved to France at an early age. After expressing an interest in photography at the age of 12, Rizzo's mother gifted him an Agfa Box camera; soon he was shooting portraits of his classmates at Paris's Istituto Statale Italiano Leonardo Da Vinci. In the 1940s, Rizzo began his career as a photojournalist, working for several French publications, including Ciné Mondial, Point de Vue, and Image du Monde. In the aftermath of the Second World War, Rizzo notably covered the Nuremberg Trials and traveled to Tunisia for Point de Vue to photograph the conflict in North Africa, which was later published in Life Magazine. As his reputation grew, he was hired by France Dimanche to take portraits of the rich and famous at flashy events like the Cannes Film Festival. Rizzo's charm won the trust of royalty, dignitaries, and movie stars, which allowing him to capture these public figures in unusually candid moments. Hoping to advance his career even further, Rizzo traveled to New York with Black Star Agency in 1947 to photograph American starlets. When he returned to Paris two years later, he was invited to join Jean Prouvost’s newest publication in color, Paris Match, as head photographer—a position that he held for 20 years and, along the way, sparked a new culture of celebrity photographers who were as intriguing and fashionable as their subjects. In 1959, he became the artistic director of Marie Claire and collaborated with other fashion magazines, such as Vogue. Over the course of his career, Rizzo photographed dozens of stars, including Brigitte Bardot, Maria Callas, Salvador Dalí, Marlene Dietrich, Jane Fonda, Gene Kelly, and Gregory Peck, as well as striking up close friendships with famous personalities like Coco Chanel, Christian Dior, and Jack Nicholson. In 1962, Rizzo famously captured some of the last moments of Marilyn Monroe’s life on film before she tragically committed suicide a few weeks later. In 1968, Rizzo married Italian actress Elsa Martinelli, and the pair relocated to Rome. It was here that Rizzo began his work in furniture design, starting with his newly-leased, run-down Roman apartment. Just for personal use (at first), Rizzo created a series one-of-a-kind pieces inspired by modernist icons, such as Mies van der Rohe and Le Corbusier. But as his glitterati friends—Rodolfo Parisi, Gigli Rizzi, Franco Rapetti, Salvador Dalí, Brigitte Bardot, and the like—became admirers of his work, Rizzo was flooded with design commissions. Rizzo went on to furnish apartments for Italian aristocracy in the Palazzo Borghese and Palazzo Ruspoli that same year and quickly earned an international reputation as a designer to the rich and famous. In response to ever-growing demand, he launched his own Tivoli-based company dedicated to contemporary furniture design handmade in lux materials such as wood, marble, stainless steel, brass, and wild boar. Over time, his team of eight grew to 150, and he was able to open shops in France and throughout Europe, as well as in New York, Miami, and Los Angeles. With an emphasis on clean lines and geometric forms, Rizzo's tables, chairs, and accessories combined contemporary shapes with traditional materials—in contrast to many of his contemporaries, like Ettore Sottsass and Vico Magistretti, who were popularizing plastic, foam, and other synthetics in furniture production. Among Rizzo's most successful designs are many low, box-like tables in granite, metal, glass, or burled wood, often embellished with brass or chrome accents or built-in liquor cabinets or trays. Two examples of his most celebrated designs include the Alveo Coffee Table (1970s) for Mario Sabot and the circular Yin Yang Coffee Table...