East Asian Furniture

ITEM: Statuette of a horse MATERIAL: Pottery CULTURE: Chinese, Tang Dynasty PERIOD: 618 – 907 A.D DIMENSIONS: 560 mm x 530 mm x 200 mm CONDITION: Good condition. Includes Thermolumin...

ITEM: Statuette of a horse with musician MATERIAL: Pottery CULTURE: Chinese, Tang Dynasty PERIOD: 618 – 907 A.D DIMENSIONS: 420 mm x 365 mm x 145 mm CONDITION: Good condition. Includ...

Edo Pariod Japanese two-panel screen depicting cranes on a willow branch. 3992

A large assembled set of Chinese porcelain mille fleur wares. The set featuring a full tea service, as well as various plates, cups, and saucers. All piece...

A remarkable 19th century Chinese apothecary cabinet. With 24 drawers and 2 larger lower drawers. Each smaller drawer with Chinese script and brass pull handles.

"Pair of Lacquered wood boxes, China, 20th century" 6 cups each inside, perfect condition.

Stunning and unique pair of matching horse sculptures. With a combined experience of almost 30 years in the antiques trade, we were thrilled to once again find beautifully hand-crafted and decorative antiques that we had never seen before. From the density and the weight we can see and feel that these highly decorative horse sculptures are made of a tropical hardwood. Like, for example, with antique mirror frames or church sculptures these horses too were first covered with a mixture of chalk and glue so that the paint would hold longer. And, as so often is the case with antiques, the colors that were used for painting these horses are so much more beautiful than anything you find in this day and age that they truly are an absolute joy to look at. From the colors, the wear, the materials and the techniques that were used to create these horses we can see that these are 19th century antiques. However and unfortunately we lack the knowledge to be able to tell you from which country these highly decorative and sizeable works of art originate. We just can't find matching style horse sculptures anywhere on the worldwide web. They could be Chinese or Nepalese, but they could also be Persian or Arabian. We just have not been able to find out. What we do know is that they are definitely antique, they are in beautiful condition (with some wear, consistent with their age), they are highly decorative, probably unique and they have a look and feel that will instantly change the atmosphere of the room they are in. Mind you, our sharp price for this wonderful pair of horse sculptures...

This is an old Japanese glass cabinet. This is made of Sen wood. It was made in the early Showa period (1920s-1940s). Since it is unpainted, you can enjoy the natural taste of the wo...

Very large Chinese famille rose porcelain bowl. It is hand made and hand painted porcelain fish pot with a thick bull nose ring on the top. A beautiful hand p...

Kobayashi Shosen (1877-1946) Cherry Blossoms in Moonlight Six-panel Japanese Screen. Ink, color and gofun on paper. The image depicts a stunning scene captured on a six-panel Japa...

An antique Central Asian Samarkand rug with an unusual "tiled" pattern with each square panel containing a different floral pattern, surrounded by a geometric border. Measures: 4'...

Anonymous Surrealist Landscape Showa era, circa 1950 Four-panel Japanese Screen, pigment on paper. A post World War 2 Japanese nihon-ga screen de...

A cylindrical iron Ikebana vase with silver and gold spiral design depicting stream. The vase was made by Ueda Hiroshi and is signed Hiroshi. The box come...

Based on a Flemish Verdure tapestry inspired by the 15th century discovery of the New World and its exotic vegetation. Exotic leaves in many shades of sage and pistachio and flowers and fruit in Venetian red, blue, gold, apricot grow freely on a green background surrounded by a antique rose border...

Antique Persian N.W Persia rug 4'10" H x 3'0" W, in small rug size, circa 1920. This Fine floral wool rug features a repeating small-scale floral design throughout, iterated both in ...

An exquisite late Qing dynasty display Stand of longyan wood, carved as a miniature "kang" table. The center panel features an amazing grain that delights the eye, while a soft glo...

Beautiful antique embroidery from China late 19th century with very nice Chinese design with birds, flowers and personages, and beautiful purple color silk foundation, entirely hand ...

Materials: Paper Wood Origin: Japan Dimension: 70” W X 24” D X 14” H Quantity: 2 Available At STUDIO BALESTRA, we curate a unique collection of antique and handcrafted furniture. Ou...

Large and handsome hand carved mantel. New and ready to ship or to be Delivered. Comes apart for moving. The carving is extremely good. The center Post can be removed if customer d...

A pair of large Meiji period Satsuma Rouleau vases Japanese, Late 19th Century Height 54.5cm, diameter 24cm These beautiful Satsuma-ware vases were made ...

ITEM: Statuette of a Fat Lady MATERIAL: Pottery CULTURE: Chinese, Tang Dynasty PERIOD: 618 – 907 A.D DIMENSIONS: 655 mm x 265 mm x 210 mm CONDITION: Good condition. Includes Thermoluminescence test by Laboratory Kotalla (Reference 05B101123). Includes Certificate of Authenticity from Dutch gallery PROVENANCE: Ex Belgian private collection, acquired from Dutch art gallery Comes with Certificate of Authenticity and Export Licence. If you are from outside the European Union, we will have to apply for the export licence again for your country, this takes 4 to 6 weeks. Due to the fragility and size of this piece, it can only be shipped within the European Union, United Kingdom and neighbouring countries that can be transported by road by private courier (door to door). This beautifully-finished ceramic attendant was made during what many consider to be China’s Golden Age, the Tang Dynasty. It was at this point that China’s outstanding technological and aesthetic achievements opened to external influences, resulting in the introduction of numerous new forms of self-expression, coupled with internal innovation and considerable social freedom. The Tang dynasty also saw the birth of the printed novel, significant musical and theatrical heritage and many of China’s best- known painters and artists. The Tang Dynasty was created on the 18th of June, 618 AD, when the Li family seized power from the last crumbling remnants of the preceding Sui Dynasty. This political and regal regime was long-lived, and lasted for almost 300 years. The imperial aspirations of the preceding periods and early Tang leaders led to unprecedented wealth, resulting in considerable socioeconomic stability, the development of trade networks and vast urbanisation for China’s exploding population (estimated at around 50 million people in the 8th century AD). The Tang rulers took cues from earlier periods, maintaining many of their administrative structures and systems intact. Even when dynastic and governmental institutions withdrew from management of the empire towards the end of the period – their authority undermined by localised rebellions and regional governors known as jiedushi –the systems were so well- established that they continued to operate regardless. The artworks created during this era are among China’s greatest cultural achievements. It was the greatest age for Chinese poetry and painting, and sculpture also developed (although there was a notable decline in Buddhist sculptures following repression of the faith by pro-Taoism administrations later in the regime). It is disarming to note that the eventual decline of imperial power, followed by the official end of the dynasty on the 4th of June 907, hardly affected the great artistic turnover. During the Tang Dynasty, restrictions were placed on the number of objects that could be included in tombs, an amount determined by an individual’s social rank. In spite of the limitations, a striking variety of tomb furnishings – known as mingqi – have been excavated. Entire retinues of ceramic figures – representing warriors, animals, entertainers, musicians, guardians and every other necessary category of assistant – were buried with the dead in order to provide for the afterlife. Warriors (lokapala) were put in place to defend the dead, while horses/ camels were provided for transport, and officials to run his estate in the hereafter. Of all the various types of mingqi, however, there are none more elegant or charming than the sculptures of sophisticated female courtiers, known – rather unfairly – as “fat ladies...

Mochizuki Hanzan (1743-90?) Edo Period, 18th century Decorated with inlaid colored ceramic with a stag and maple leaves Height: 8.4 cm Sealed Hanzan Mochizuki Hanzan (1743-90?...

ITEM: Statuette of a Fat Lady MATERIAL: Pottery CULTURE: Chinese, Tang Dynasty PERIOD: 618 – 907 A.D DIMENSIONS: 645 mm x 260 mm x 180 mm CONDITION: Good condition. Includes Thermoluminescence test by Laboratory Kotalla (Reference 04B101123). Includes Certificate of Authenticity from Dutch gallery PROVENANCE: Ex Belgian private collection, acquired from Dutch art gallery Comes with Certificate of Authenticity and Export Licence. If you are from outside the European Union, we will have to apply for the export licence again for your country, this takes 4 to 6 weeks. Due to the fragility and size of this piece, it can only be shipped within the European Union, United Kingdom and neighbouring countries that can be transported by road by private courier (door to door). This beautifully-finished ceramic attendant was made during what many consider to be China’s Golden Age, the Tang Dynasty. It was at this point that China’s outstanding technological and aesthetic achievements opened to external influences, resulting in the introduction of numerous new forms of self-expression, coupled with internal innovation and considerable social freedom. The Tang dynasty also saw the birth of the printed novel, significant musical and theatrical heritage and many of China’s best- known painters and artists. The Tang Dynasty was created on the 18th of June, 618 AD, when the Li family seized power from the last crumbling remnants of the preceding Sui Dynasty. This political and regal regime was long-lived, and lasted for almost 300 years. The imperial aspirations of the preceding periods and early Tang leaders led to unprecedented wealth, resulting in considerable socioeconomic stability, the development of trade networks and vast urbanisation for China’s exploding population (estimated at around 50 million people in the 8th century AD). The Tang rulers took cues from earlier periods, maintaining many of their administrative structures and systems intact. Even when dynastic and governmental institutions withdrew from management of the empire towards the end of the period – their authority undermined by localised rebellions and regional governors known as jiedushi –the systems were so well- established that they continued to operate regardless. The artworks created during this era are among China’s greatest cultural achievements. It was the greatest age for Chinese poetry and painting, and sculpture also developed (although there was a notable decline in Buddhist sculptures following repression of the faith by pro-Taoism administrations later in the regime). It is disarming to note that the eventual decline of imperial power, followed by the official end of the dynasty on the 4th of June 907, hardly affected the great artistic turnover. During the Tang Dynasty, restrictions were placed on the number of objects that could be included in tombs, an amount determined by an individual’s social rank. In spite of the limitations, a striking variety of tomb furnishings – known as mingqi – have been excavated. Entire retinues of ceramic figures – representing warriors, animals, entertainers, musicians, guardians and every other necessary category of assistant – were buried with the dead in order to provide for the afterlife. Warriors (lokapala) were put in place to defend the dead, while horses/ camels were provided for transport, and officials to run his estate in the hereafter. Of all the various types of mingqi, however, there are none more elegant or charming than the sculptures of sophisticated female courtiers, known – rather unfairly – as “fat ladies...

Scarlet paint with chinoiserie paint decoration. Three drawers Very good condition. Measures: 34 25"W. x17.25"w. x 29.5"H W5.

A finely carved soap stone sculpture of a wise ancient with a dragon on his shoulder standing on a braun soap stone base. In fine original conditi...

An antique Chinese Qing Dynasty period dark red lacquer wooden low coffee table from the 19th century, with rattan top, low-relief carved meander motifs and spandrels. Created in China during the Qing Dynasty in the 19th century, this low coffee table features a rectangular top with woven rattan inset, sitting above two recessed panels adorned with a careful arrangement of meander motifs carved in low-relief. Raised on four straight feet with carved scrolling spandrels on the front and strengthened with side stretchers, the table boasts an elegant dark reddish brown lacquered finish. With its small proportions and skillfully carved décor, this antique 19th century Qing Dynasty period Chinese low coffee...

Chinese rosewood barrel shaped garden seat with a burl rosewood top. From the Republic period, in the Ming Dynasty taste. China, circa 1912-1949.

This antique coffer table from Shanxi has exceptional patina, harmonious proportions and pleasing overall aesthetics. On the drawers are cast iron handles with beautifully carved chr...

Unique Chinese beautifully carved cinnabar planter with three cranes forming the planter, second half of the 20th century.     

An antique East Turkestan Khotan accent rug handmade during the early 20th century. Measures: 4' 9" x 8' 11"

a late 19th century one-of-a-kind worn Antique Khotan runner. 2'5'' x 9'

Chinese red lacquered wood two-door credenza or sideboard with metal handles. Dealer: S138XX

Japanese hand carved and painted wood mask of Tengu, the legendary Japanese folk religion creature. Traditionally depicted as a human-bird of prey hy...

Woven willow basket with handle - A wonderfully aged and patinated woven basket. Sturdy and impressive enough to use for laundry, holding firewood, magazines, centerpieces or even a ...

Japanese two panel screen: Amorous Cranes and Turtles. In Japan, cranes symbolize fidelity as they mate for life and turtles symbolize longevity. Additionally, this screen also has the Japanese motif of sho-chiku-bai, or the three friends of winter (pine, plum, and bamboo). So called the three friends of winter because all three flourish during the cold months. This screen was originally fusuma doors...

Mid-20th century oriental camphor wood chest or trunk. Elaborate shape, different sort of wood, detailed carved scenes. Retaining the origi...

Durable, comfortable, and practical--the Utility collection is a highly sophisticated take on the enduringly popular industrial aesthetic. As its name suggests, the collection is ut...

This exceptional pair is in very fine condition. They are over 150 years old. They were found in France where The bronze dore bases were added. No mark on the Bases. Dark blue liz...

The dimensions for the Chinese lacquered wood console table with scrolled ends and Greek key design are approximately: Height: 33 inches Width: 72 inches Depth: 18 inches

Pair of mid-century modern mosaic tile top side tables in brass frames with saber legs. Possibly Murano glass tiles inlaid in a random pattern, great for indoor or outdoor use. In go...

Chinese Art Deco carved mahogany circular end table or plant stand with a marble top, raised on tapered legs terminating in ball and claw feet. This piece dates back to the 1930s. D...

The dimensions for the Japanese steel mounted bentwood and woven rush tiered stacking basket with handle are as follows: Height: 27" Width: 18" Depth: 15"

The Chinese carved plant stand or small table has dimensions of 34" in height and a top diameter of 19".

Sun at six is a contemporary furniture design studio working with traditional Chinese joinery masters to handcraft our pieces using traditional joinery. The wide paneled plume bed is...

Chinese Export shell-inlaid ebonized corner chair, the sweeping horseshoe-shaped crestrail centered by a prunus-inlaid rest, and supported by two reticulated and inlaid splats in the...

The dimensions for the Chinese hardwood octagonal locking storage box are as follows: Height: 13.5" Width: 9.5" Depth: 9.5"

Ashly Fine Rugs presents a 1980s Vintage Sino-Persian Tabriz Mahi 9x12 Handmade Rug. Tabriz is a northern city in modern-day Iran and has forever been famous for the fineness and cr...

Dealer: S138XX

This beautiful sculpture realized in China in the 18th century depicts Guanyin, a Bodhisattva associated with compassion. The female form holds a pot in her hands. She appears draped...

A Chinese Qing Dynasty period elm sideboard from the 19th century, with two drawers and carved apron. Created in China during the Qing Dynasty period, this elm sideboard features a r...

This is an 18th-century imperial silk Chinese textile that measures 79 x 47CM in size. This rare example has been preserved in excellent condition and has retained its dramatic satur...

A Chinese vintage Japanese Kutani style lamp from the mid-20th century, with court scenes and wooden base. Crafted in China during the midcentu...

Light brown ivory floral French provincial square needlepoint pillow. Made of wool with an ivory cotton cloth backing. It is new and has never been used. Measures: 16 x 16 inches....

Varieties of the Japanese Print, with 20 Hand Printed Examples Volume 1 by Toshi Yoshida. Published privately in Tokyo, 1967. Signed and inscribed by artist in english and japanese...

Chinese painting on paper, which is unrolled once hung on the wall. It is a painting that depicts birds in nature, in the style of the 18th c...

A reclaimed vintage Industrial explosion proof iron and copper cage light ceiling pendant. A solid metal light fixture with timeless desig...

This exquisite four-case lacquered inro was dated to the latter part of 18th century to early 19th century (Edo period) and made by Shigehide. The opposite sides of the inro together features a lavish flower arrangement in a bamboo basket (ikebana). The detailed craftmanship was a true pleasure to behold. Mostly Takamaki-e (high relief) were used to texturize the delicate petals of the chrysanthemums, on which different shades of gold were used to create contrast. Raden (mother of pearl) shells were also used to highlight some leaves, rendering the piece an interesting balance of color and material. The interior was completed in a mottled gold finish. It was signed Shigehide on the bottom with a Kao. There is a small carved rabbit ojime bead...

Traditional Handwoven Antique Red Area Rug, Size: 2'-1" X 2'-8"