Mongolian Furniture

This beautifully-aged wooden container dates to the late 19th century and was used to transport and store a nutritious butter made from yak’s milk. Food was scarce on the Mongolian s...

Vintage Mongolian chocolate brown handmade wool carpet Size: 8'7" × 11'1" (261 × 337 cm) An early 20th century antique Mongolian rug, the chocolate brown field with sparse staggered ...

Scatter size Chinese Peking rug from the 2nd quarter of the 20th century with an animal pictorial motif Measures: 1'11" x 3'7".

An antique Mongolian room size carpet handmade during the early 20th century with a contemporary Art Deco style geometric pattern in neutral colors. Measures: 9' 2" x 11' 1" The craft of the hand-knotted carpet in China, and the surrounding areas including Mongolia and Tibet, extends into the early centuries of the first millennium, C.E., but we really have a firm grasp only beginning in the later 16th century with large, very coarsely woven carpets, often depicting dragons, created for the Imperial Forbidden City palaces. Chinese carpets have always been commercial and there are no tribal groups responsible for any of the carpet weaving strains. When the Ming Dynasty fell in 1644, with no Imperial patrons, production moved to the city of Ningxia in north central China where several workshops turned out more finely woven pieces for the Mandarins of the administrative Ch’ing bureaucracy and well-to-do merchants. Ningxia was the major Chinese carpet center up through most of the 19th century, with first allover and then medallion designs on cotton foundations in medium weaves. Palettes were initially limited to yellows, dark blue and cream, but later widened to include reds, browns and even green. These antiques were the first Chinese carpets to be exported to the West and they fitted in well with the craze for Chinese blue-and-white porcelain in the second half of the 19th century. Ningxia also wove shaped and rectangular small rugs for saddle underlays, chair (“throne”) seats and shaped backs, pillar carpets with dragons or monks for Buddhist monasteries, and long divided runners for monastery meditation halls. These small rugs are among the most collectible of all Chinese weavings. Weavers from Ningxia set up workshops in the capital Peking (Beijing) in the 1860’s and began weaving Western room sizes for export, primarily to America. In blue – and – white and polychrome palettes, with round wreath medallions, precious objects, seasonal flowers, paeonies, lotuses, fretwork, clouds, butterflies and bats, all relatively spaciously drawn. The round “Shou” (Good Luck) character is also a prominent decorative motif. There are also a few Peking landscape pictorials with pagodas, houses, bridges, waterscapes and boats. Peking carpets were woven right up until WWII and production began again after the Cultural Revolution around 1970. They are moderately well-woven, on cotton foundations, exactingly executed and indisputably Chinese. Many are in the blue-and-white style. Nothing else looks like a Peking carpet and for a Chinese “look” in a room, they are absolutely indispensable. Sizes range from scatters and a few runners, through the popular 9’12’ size, to large carpets over 20’ which must have been special orders. The earliest Peking Revival carpets are pliable and fairly thin, but they became heavier and more compact in the 20th century, in competition with Art Deco carpets from Tientsin. The modern, post- 1970, pieces are in the traditional Peking style, but are a little too regular and neat. Exactitude has been favored over character, as hard to explain that as it is. There are a number of all-silk and silk-and –metal thread pieces, many with inscriptions purporting to link them with rooms in the Imperial palaces, bringing very substantial auction prices, but none are really antique. The genre emerged after WWI and the present demand comes from mainland Chinese. The silk piles often stand in pattern relief against flat woven gold metal thread grounds. The inscriptions are apocryphal, the rugs are flashily opulent, perfect for nouveaux riches. The Art Deco period between the two World Wars saw a distinctive carpet industry developing in Tientsin (Tianjin) in northeastern China. These are highly prized for their transitional design character, neither overtly Chinese, nor abstractly modern/contemporary. Woven exclusively for export, usually by and for American firms, such as Nichols and Elbrook, they are totally in the “Jazz Age Modern” style of the 1920’s, often without borders, with abstract or abstracted patterns, and only with, at best, a few Chinese-y pattern elements. Vases asymmetrically placed in the corners are features of some of the more Chinese-y carpets. Open fields with floral sprays and branches growing in from the edges are anther design innovation. Often, Chinese motives have been re-imagined in more sharp-edged, abstract manners. Some have no references whatsoever to natural elements. The patterns are sharp and the rugs are never subdued, soft or restrained. The rugs are heavily constructed, with crisp, unfading dyes and medium to medium coarse weaves on cotton foundations. All are extremely well-executed, with none of the vagaries, variations or twists found on even high-quality Persian rugs. The majority are in the 9’ by 12’ format and a surprising number can be found in top condition. There also was a substantial production in Peking from, especially from the Fette factory. Elliptical and round carpets, and lighter, often pastel colors, were a specialty. Nothing looks like an Art Deco Chinese and they work well with traditional Chinese furniture and the most modern decor as well. These is no substitute for a good Chinese Art Deco carpet. Chinese carpets also include small scatters from Tibet, with high quality wool, floating dragons and allover textile patterns. The colors of vintage and modern pieces are bright, but there are antique small rugs (sleeping rugs) with simple chessboard allovers. Only a few large antique Tibetan carpets...

Scatter-size Chinese Peking rug in blue from the 2nd quarter of the 20th century. Measures: 2'6" x 4'2''

Though very few antique examples have survived, the tradition of Mongolian carpet weaving goes back many centuries, inspired in part by the designs of Chinese textiles, borrowing cer...

Scatter-size Chinese Peking rug in blue from the 2nd quarter of the 20th century. Measures: 2'2" x 4'4''

Scatter-size Chinese Peking rug in blue and white from the 2nd quarter of the 20th century. Measures: 2'1" x 4'.

A Chinese Art Deco pictorial landscape wool rug from Baotou in the Inner Mongolia region. Beautifully scenic view of a village on a lake surrounded by mountains with trees, houses, a...

Orgin: Mongolia Dimensions: 11’5? x 5’5? Age: 1920’s Design: Khotan Material: 100% Wool-pile Color: Rust, Pink, Brown, Yellow 7313 An epitome of history, character and culture, Antique Khotan rugs add richness to a room. Produced in Khotan, an area situated along the silk trade...

Orgin: Mongolia Dimensions: 14’4? x 7’4? Age: 1950’s Design: Khotan Material: 100% Wool-pile Color: Sky Blue, Pink, Beige, Brown 6089 An epitome of history, character and culture, Antique Khotan rugs add richness to a room. Produced in Khotan, an area situated along the silk trade...

Origin: Mongolia Dimensions: 8' x 4’2? Age:1920’s Design: Khotan Material: 100% Wool-pile Color: Sky Blue, Rust, Beige, Gold 3284 An epitome of history, character and culture, Antique Khotan rugs add richness to a room. Produced in Khotan, an area situated along the silk trade...

Orgin: Turkey Dimensions: 11' x 5’8? Age: 1920’s Design: Khotan Material: 100% Wool-pile Color: Navy Blue, Beige, Brown 9371 An epitome of history...

Orgin: Mongolia Dimensions: 10’4? x 4’4? Age: 1920’s Design: Khotan Material: 100% Wool-pile Color: Terra Cotta, Navy Blue, Salmon, Beige 8757 Beautiful Khotan, could work as a runner or stunning entry carpet...

Orgin: Mongolia Dimensions: 10' x 3’4? Age: 1920’s Design: Khotan Material: 100% Wool-pile Color: Wheat, Rust, Navy Blue, Beige 7134 An epitome of history, character and culture, Antique Khotan rugs add richness to a room. Produced in Khotan, an area situated along the silk trade...

One of the most vivid small Thangkas I have ever owned. Purchased from a wealthy Mongolian collector along with 3 other fine small Thangkas in the 1990's from his very best personal pieces as a thank you for a long friendship. Painted thangka is 6.75 x 9 inches, frame is 13 x 15 1/8 inches. Custom mat and frame, with museum glass and silk matting. Exquisite. Not inexpensive for a small Thangka, but you won't find better. Probably early to mid 20th century (in reality many of the Mongolian Thangkas sold in the west as 19thC are early 20thC, as the environment there causes cloth and paper to usually soil, darken and degrade. The number of truly early Thangkas that are bright and clean are very few. Even most of the early/mid 20th Cones show great wear and soiling. This one almost sure lived all of its life in a large Gau box or in a drawer or trunk, as the colors look as bright as the day it was painted. It was very difficult 20 years ago to find pieces like this- today is nearly impossible. Many of my pieces like this end up...

Rare 4 panel hand painted screen on canvas featuring three Bactrian camels lead by a Mongolian Sherpa with dog. Good consistent condition with its age (100 years) no tears to canvas,...

Hand knotted in wool originating circa 1910-1920, this 10 x 11 antique rug connotes a rare Mongolian rug pattern among the select additions to our collection, enjoying a Classic pall...

Antique Mongolian Rug, Mongolia, Early 20th Century – Size: 3 ft 9 in x 5 ft 7 in (1.14 m x 1.7 m).

This early 20th century coffer from Mongolia was painted by hand with auspicious fruits and blessings, likely as part of a bride's dowry. Wishes painted on the pomegranates, peaches ...

This beautiful grain container was made over a century ago in Mongolia. It was made to last: the sturdy pine wood slats tightly joined, with the forever knots helping to secure them ...

These beautifully-aged wooden containers date to the late 19th century and were originally used to transport and store a nutritious butter made from y...