New Zealand Furniture

Experience the elegance and beauty of the Seed Pod Tealight Wreath, a unique centrepiece crafted by artisans in New Zealand. Part of the exclusive Seed Pod collection, this tealight ...

Closed Sculptural Vessel by Karin Amdal One Of A Kind. Dimensions: D 12.5 x W 13.5 x H 14 cm. Materials: Ceramic/stoneware clay. Pieces are hand-made, one of a kind, and sizes may v...

Tréology is about connecting people to nature through functional art. Odyssey was created after a road trip to New Zealand's wild West Coast to observe nature’s craft work. Looking deep into nature, we saw the layered rock formations along the sea coast and rivers of New Zealand to achieve a functional table base. The design progression sought to bring layering metaphors into the piece, but a solid mass would be visually too heavy. The solution was to add volume through the introduction of negative space and deliver an abstract representation of the rocks and boulders we observed. Odyssey introduces the interplay with both positive and negative space so the perspective alters when walking around the piece. The Odyssey Live Edge Slab Table...

Divided Sculptural Vessel by Karin Amdal One Of A Kind. Dimensions: D 14 x W 12.5 x H 14 cm. Materials: Ceramic/stoneware clay. Pieces are hand-made, one of a kind, and sizes may va...

Set Of 2 Positive Negative Sculptural Vessels by Karin Amdal One Of A Kind. Dimensions: D 13 x W 14 x H 15 cm. Materials: Ceramic/stoneware clay. Pieces are hand-made, one of a kind...

The Twist pendants are designed to be an elegant lighting solution for any space. These pendants are designed to be hung alone, in pairs, trios, or clu...

Walls Sculptural Vessel by Karin Amdal One Of A Kind. Dimensions: D 12.5 x W 12.5 x H 14.5 cm. Materials: Ceramic/stoneware clay. Pieces are hand-made, one of a kind, and sizes may ...

Halo Sculptural Vessel by Karin Amdal One Of A Kind. Dimensions: D 19.5 x W 12.5 x H 16 cm. Materials: Ceramic/stoneware clay. Pieces are hand-made, one of a kind, and sizes may var...

Emerge Sculptural Vessel by Karin Amdal One Of A Kind. Dimensions: D 13 x W 12,5 x H 16 cm. Materials: Ceramic / Grey stoneware clay. Pieces are hand-made, one of a kind, and sizes ...

Gateway Sculptural Vessel by Karin Amdal One Of A Kind. Dimensions: D 13 x W 13 x H 19 cm. Materials: Ceramic/stoneware clay. Pieces are hand-made, one of a kind, and sizes may vary...

Halo Sculptural Vessel by Karin Amdal One Of A Kind. Dimensions: D 19.5 x W 12.5 x H 16 cm. Materials: Ceramic/stoneware clay. Pieces are hand-made, one of a kind, and sizes may var...

Ancient Kauri or Swamp Kauri refers to prehistoric Kauri forests, buried and preserved in peat swamp up to 50,000 years ago in New Zealand’s North Island by an unexplained act of nat...

Modern Kauri dining table made from solid Ancient Swamp Kauri wood. A live edge Kauri dining table made from New Zealand 50,000-year-old Ancient Swamp Kauri. Hand-crafted in Aucklan...

The Twist Pendants are designed to be an elegant lighting solution for any space. These pendants are designed to be hung alone, in pairs, trios, or clu...

Designed with the intention to bring the outdoors in, the Del Table is reminiscent of our natural surroundings, in this case, abstract versions of leaves of the Monstera Deliciosa. ...

Going Nowhere Sculptural Vessel by Karin Amdal One Of A Kind. Dimensions: D 15 x W 13 x H 16 cm. Materials: Ceramic/stoneware clay. Pieces are hand-made, one of a kind, and sizes ma...

Colorful Pop Art rug by Sophie Dariel. Dimensions: W 170 x D 240 cm. New Zealand wool and silk. Vibrant, electric, blunt and gritty, this capsule collection – based on Sophie Da...

Chanel Sculptural Vessel by Karin Amdal One Of A Kind. Dimensions: D 14 x W 13 x H 15.5 cm. Materials: Ceramic / Grey stoneware clay. Pieces are hand-made, one of a kind, and sizes ...

Sail Sculptural Vessel by Karin Amdal One Of A Kind. Dimensions: D 16 x W 13 x H 15 cm. Materials: Ceramic/stoneware clay. Available in two different sizes. Pieces are hand-made, on...

Erm Excuse Me Sculptural Vessel by Karin Amdal One Of A Kind. Dimensions: D 15 x W 13 x H 17 cm. Materials: Ceramic/stoneware clay. Pieces are hand-made, one of a kind, and sizes ma...

Introducing the Wing Water Vessel, a versatile piece that is sure to elevate your dining table or living space. This unique vessel serves as both a water vessel and a vase, making it...

We are excited to introduce the latest addition to the Object Van Brandenburg family - the Fluted Vase. The Fluted Vase is a testament to both elegance and craftsmanship. Its unique...

Introducing the Wing Water Vessel, a versatile piece that is sure to elevate your dining table or living space. This unique vessel serves as both a water vessel and a vase, making it...

Abstract Dadaist contemporary rug inspired by Sophie Taeuber Arp Artist: Sophie Taeuber Arp Dimensions: W 240, D 240 cm New-Zealand wool and silk Jap...

Introducing the Flax Vessel, a stunning, hand-crafted porcelain sculpture that adds a touch of elegance to any home or office space. This versatile piece can be used in a myriad of w...

Colorful Pop Art rug by Sophie Dariel Dimensions: W 170 x D 240 CM New Zealand wool and silk Vibrant, electric, blunt and gritty, this capsule collection – based on Sophie Darie...

Colorful Pop Art rug by Sophie Dariel Dimensions: W 170 x D 240 cm New-Zealand wool and silk Vibrant, electric, blunt and gritty, this capsule collection – based on Sophie Darie...

The Husk Display Plate represents both form and function, making it a stunning addition to any home. Crafted from solid bronze, this piece boasts a beautifully weighted design that e...

Experience the essence of elegance and fragrance with a distinctive alternative to conventional oil burners. Cast in bronze, the Bud oil burner is not only a vessel of aromatic bl...

The Husk Display Plate represents both form and function, making it a stunning addition to any home. Crafted from solid bronze, this piece boasts a beautifully weighted design that e...

Experience the essence of elegance and fragrance with a distinctive alternative to conventional oil burners. Cast in bronze, the Bud oil burner is not only a vessel of aromatic bl...

The Drop Lamp is inspired by the gentle and elegant shape of the Snowdrop Flower, the Drop Lamp offers a striking addition to any interior decor. Whether placed on a table or shelf o...

Contemporary colorful rug inspired by Shangai's Aesthetic Dimensions: W170 x D240 CM New-zealand wool Vibration, perspective, energy, Shanghai By Nig...

Transform the look and feel of your home with stylish and sophisticated Drop Light pendants. These versatile fixtures are the perfect addition to any room, whether you choose to hang...

The twist pendants are designed to be an elegant lighting solution for any space. These pendants are designed to be hung alone, in pairs, trios, or clu...

Contemporary colorful rug inspired by Shangai's Aesthetic Dimensions: W170 x D240 CM New-zealand Wool Vibration, perspective, energy, Shanghai by Nig...

Contemporary colorful rug inspired by Seoul's Aesthetic Dimensions: W 170, D 240 cm New-Zealand wool and silk The South-Korea capital is known for its twenty-five bridges spanni...

Abstract Dadaist contemporary rug inspired by Sophie Taeuber Arp Artist: Sophie Taeuber Arp Dimensions: W 170 x D 240 cm New-Zealand wool and silk Ja...

The Nested Petals consist of three exquisite vessels that can be showcased individually or grouped together, radiating an aura of timeless elegance wherever they are placed. Crafted ...

Transform the look and feel of your home with stylish and sophisticated Drop Light pendants. These versatile fixtures are the perfect addition to any room, whether you choose to hang...

Abstract Dadaist contemporary rug inspired by Sophie Taeuber Arp. Artist: Sophie Taeuber Arp Dimensions: W 170, D 240 cm New-Zealand wool and silk. Japanese Abstractions is a collection of nine pieces, all designed around the concept of the imaginary trip to Japan of the Dadaist and feminist artist Sophie Taeuber Arp. Each rug is a combination of geometric shapes and traditional Japanese patterns, a result of the unexpected yet poetic encounter between pure abstraction and cultural influences, between West and East. Sophie Taeuber-Arp Biography (1889–1929) Sophie Henriette Gertrud Taeuber was born on January 19, 1889 in Davos-Platz, Switzerland. From 1904 to 1907 she attended the Stauffacher-Schule and the drawing school at the Industrie- und Gewerbemuseum, or the museum for industry and design, in St. Gallen. In 1910 she began her studies at the Lehr- und Versuchsateliers für angewandte und freie Kunst in Munich, a reformed art school that sought to synthesize the visual and applied arts. After an additional semester at the school of applied arts in Hamburg in 1914, her student days came to an end. She joined the Schweizerischer Werkbund in 1915, the same year that she met Hans Arp. Enthused about her work, he encouraged her to devote herself to it even more fully. The artists’ close collaboration resulted in collages, sculptures and textile designs. Sophie Taeuber took lessons in movement arts from Rudolf von Laban, a founder of modern dance. She appeared as a dancer at the Dada-Soirées at the Cabaret Voltaire and the Galerie-Dada. Later on, she choreographed her own pieces. On May 5, 1916, she took over the textile class at the applied arts school in Zurich. In 1918, she also became a member of the artist’s association Das Neue Leben (New Life). At the same time, she undertook the design of stage backdrops and marionettes for Carlo Gozzi’s rendition of the opera König Hirsch. On October 20, 1922, she married Hans Arp. In 1925, Taeuber-Arp was appointed a member of the Swiss jury at the Exposition Internationale des Arts Décoratifs et Industriels in Paris. Her works won prizes and were shown in the International Exhibition of Modern Tapestries in Toledo, Ohio, USA. Sophie Taeuber-Arp and Hans Arp became French citizens in 1926. Through her connections with the Horn brothers, she secured contracts to design the interiors for various buildings, including the Aubette in Strasbourg. In turn, she asked Hans Arp and Theo van Doesburg to collaborate with her on this large scale project. Around the same time, she had a studio-home built according to her own plans in Clamart, near Paris. Having left her teaching post in Switzerland in 1929, Sophie Taeuber-Arp settled permanently in France. In collaboration with Marcel-Eugéne Cahen, she also realized the renovation and redesign of the Parisian Galerie Goemans. Sophie Taeuber-Arp Biography (1930–1943) In Paris, Sophie Taeuber-Arp joined the artists’ group Cercle et Carré and participated in their exhibitions. In 1931 she became a member of the association Abstraction-Création. Her artist friends Theodor and Woty Werner hired her to design the interior of their Paris apartment. A year later, in 1932, she left the Schweizerischer Werkbund. Her visit to the Sztuki Museum in Lodz, which was facilitated by Jan Brzekowski, led to a fruitful artistic exchange between the Polish avant-garde association a.r. and the Parisian artist’s group Abstraction-Création. Sophie Taeuber-Arp participated in various group exhibitions, and often showed her work with Artistes Suisses at the Galerie Vavin and at the Kunsthalle Bern with Hans Arp, Kurt Seligmann, Hans Schiess, and many others. She designed the layout for Anatole Jakovskis’ book Hans Erni, Hans Schiess, Kurt Seligmann, S. H. Taeuber-Arp, Gerard Vulliamy in 1935. Theodor and Woty Werner helped her secure the commission to design the interior of the Bauhaus professor Ludwig Hilberseimer’s Berlin apartment. Her work was shown in the exhibition These, Antithese, Synthese at the Kunstmuseum Luzern and in 1936 in Zeitprobleme in der Schweizer Malerei und Plastik, an exhibition of contemporary Swiss painting and sculpture, at the Kunsthaus Zürich. Additionally, she participated in the Konstruktivisten-Ausstellung, an exhibition of constructivist art, at the Kunsthalle Basel. Sophie Taeuber-Arp founded the international artists’ journal plastique with César Domela, A. E. Gallatin and L. K. Morris in 1937. The same year she joined the Swiss artists’ group Allianz. In 1938, she exhibited at the Exposition internationale du Surréalisme in Paris and at the Exposition of Contemporary Sculpture in London...

Designed with the intention to bring the outdoors in, the Del Table is reminiscent of our natural surroundings, in this case, abstract versions of leaves of the Monstera Deliciosa. ...

The Frame Coat Rack is a beautifully crafted piece, designed and crafted with precision in New Zealand. The design of the Frame Coat rack is characteriz...

Reflect takes its name from the way the base mimics the changing landscape of Fiordland in the South Island of New Zealand. The non-geometric form is reflected on opposite sides yet as you move around the table, the perspective and angles change just as they would on Milford Sound. The Reflect Coffee Table is made from sustainable ancient totara trees that have fallen naturally into rivers and preserved for hundreds of years under sediment layers before natural water erosion exposes them. We rescue these trees and continue their journey to become a cherished piece of functional art. The trees location co-ordinates are inscribed on a stainless steel Tréology tag and attached to the table, connecting the owner to a unique piece of New Zealand nature. Totara is a native tree of New Zealand. It was the primary wood used in Maori carving and to make waka (war canoes) in traditional Maori boat building. The organic live edge slab expresses the raw beauty of the wood and showcases the majestic way in which Mother Nature crafts this wonderful material. A brushed stainless-steel base was chosen to both compliment and highlight the totara’s natural beauty while also presenting a visual reference to where this timber was rescued. This statement piece features the wabi-sabi effect of celebrating the imperfections of naturally felled totara timber hewn into live-edge slabs, butterfly joins and stainless steel, wire-base, sculptural legs. The timber slab has the saw marks from the mill that have been de-burred and sanded so it is pleasant to the touch. The timber is finished with a hand-rubbed, low V.O.C. natural oil to bring the gorgeous wood grain to life. Handmade in Christchurch, New Zealand. L 75” x W 31.5" x H 15.5" L 1900mm x W 800mm x H 390mm Customization of dimensions, wood species and finish are available by request. About Treology Sustainability We rescue trees from rivers in the wilderness of New Zealand and craft them into beautiful objects that merge the line between luxury furniture & functional art. We love connecting people to nature through our sustainable wood. Heritage Our company is built on our 150-year family heritage of luxury craftsmanship. We love collaborating with like-minded people who share our values of guardianship, sustainability and craftsmanship. Craftsmanship Craftsmanship is a quality that defines a Treology piece. Our artisan furniture-makers apply skills that have accumulated over a career of crafting natural materials with passion and attention to detail. Our client portfolio includes work for luxury resorts, wineries, art galleries and residential homes. All our furniture is designed and made in Christchurch, New Zealand. Nature We make timber furniture...

Introducing the Wing Water Vessel, a versatile piece that is sure to elevate your dining table or living space. This unique vessel serves as both a water ...

The Twist Pendants are designed to be an elegant lighting solution for any space. These pendants are designed to be hung alone, in pairs, trios, or clu...

Introducing the Fenestration Vessel, a gorgeous addition to the Twisted Vessel collection that will bring a touch of nature to your living space. Inspired by the beauty and spontanei...

Elevate your home decor game with the Lilium Vase! This beautifully designed piece is perfect for those who want to add a touch of sophistication and elegance to their space. Crafte...

Introducing the Abelia Vase, a beautiful and sophisticated piece that will add a touch of elegance to your home decor. Handcrafted in New Zealand, this stunning vase is designed with...

Abstract Dadaist contemporary rug inspired by Sophie Taeuber Arp Artist: Sophie Taeuber Arp Dimensions: W 170 x D 240 cm New Zealand wool and silk ...

Colorful pop art rug by Sophie Dariel Dimensions: W 170 * D 240 cm New-Zealand wool and silk Vibrant, electric, blunt and gritty, this capsule collection – based on Sophie Darie...

Abstract Dadaist contemporary rug inspired by Sophie Taeuber Arp Artist: Sophie Taeuber Arp Dimensions: W 240, D 240 cm New-Zealand wool and silk Jap...

Abstract Dadaist contemporary rug inspired by Sophie Taeuber Arp Artist: Sophie Taeuber Arp Dimensions: W 170, D 240 cm New-Zealand wool and silk Japanese Abstractions is a collection of nine pieces, all designed around the concept of the imaginary trip to Japan of the Dadaist and feminist artist Sophie Taeuber Arp. Each rug is a combination of geometric shapes and traditional Japanese patterns, a result of the unexpected yet poetic encounter between pure abstraction and cultural influences, between West and East. SOPHIE TAEUBER-ARP Biography (1889–1929) Sophie Henriette Gertrud Taeuber was born on January 19, 1889 in Davos-Platz, Switzerland. From 1904 to 1907 she attended the Stauffacher-Schule and the drawing school at the Industrie- und Gewerbemuseum, or the museum for industry and design, in St. Gallen. In 1910 she began her studies at the Lehr- und Versuchsateliers für angewandte und freie Kunst in Munich, a reformed art school that sought to synthesize the visual and applied arts. After an additional semester at the school of applied arts in Hamburg in 1914, her student days came to an end. She joined the Schweizerischer Werkbund in 1915, the same year that she met Hans Arp. Enthused about her work, he encouraged her to devote herself to it even more fully. The artists’ close collaboration resulted in collages, sculptures and textile designs. Sophie Taeuber took lessons in movement arts from Rudolf von Laban, a founder of modern dance. She appeared as a dancer at the Dada-Soirées at the Cabaret Voltaire and the Galerie-Dada. Later on, she choreographed her own pieces. On May 5, 1916, she took over the textile class at the applied arts school in Zurich. In 1918, she also became a member of the artist’s association Das Neue Leben (New Life). At the same time, she undertook the design of stage backdrops and marionettes for Carlo Gozzi’s rendition of the opera König Hirsch. On October 20, 1922, she married Hans Arp. In 1925, Taeuber-Arp was appointed a member of the Swiss jury at the Exposition Internationale des Arts Décoratifs et Industriels in Paris. Her works won prizes and were shown in the International Exhibition of Modern Tapestries in Toledo, Ohio, USA. Sophie Taeuber-Arp and Hans Arp became French citizens in 1926. Through her connections with the Horn brothers, she secured contracts to design the interiors for various buildings, including the Aubette in Strasbourg. In turn, she asked Hans Arp and Theo van Doesburg to collaborate with her on this large-scale project. Around the same time, she had a studio-home built according to her own plans in Clamart, near Paris. Having left her teaching post in Switzerland in 1929, Sophie Taeuber-Arp settled permanently in France. In collaboration with Marcel-Eugéne Cahen, she also realized the renovation and redesign of theParisian Galerie Goemans. SOPHIE TAEUBER-ARP Biography (1930–1943) In Paris, Sophie Taeuber-Arp joined the artists’ group Cercle et Carré and participated in their exhibitions. In 1931 she became a member of the association Abstraction-Création. Her artist friends Theodor and Woty Werner hired her to design the interior of their Paris apartment. A year later, in 1932, she left the Schweizerischer Werkbund. Her visit to the Sztuki Museum in Lodz, which was facilitated by Jan Brzekowski, led to a fruitful artistic exchange between the Polish avant-garde association a.r. and the Parisian artist’s group Abstraction-Création. Sophie Taeuber-Arp participated in various group exhibitions, and often showed her work with Artistes Suisses at the Galerie Vavin and at the Kunsthalle Bern with Hans Arp, Kurt Seligmann, Hans Schiess, and many others. She designed the layout for Anatole Jakovskis’ book Hans Erni, Hans Schiess, Kurt Seligmann, S. H. Taeuber-Arp, Gerard Vulliamy in 1935. Theodor and Woty Werner helped her secure the commission to design the interior of the Bauhaus professor Ludwig Hilberseimer’s Berlin apartment. Her work was shown in the exhibition These, Antithese, Synthese at the Kunstmuseum Luzern and in 1936 in Zeitprobleme in der Schweizer Malerei und Plastik, an exhibition of contemporary Swiss painting and sculpture, at the Kunsthaus Zürich. Additionally, she participated in the Konstruktivisten-Ausstellung, an exhibition of constructivist art, at the Kunsthalle Basel. Sophie Taeuber-Arp founded the international artists’ journal plastique with César Domela, A. E. Gallatin and L. K. Morris in 1937. The same year she joined the Swiss artists’ group Allianz. In 1938, she exhibited at the Exposition internationale du Surréalisme in Paris and at the Exposition of Contemporary Sculpture in London...

Contemporary colorful rug inspired by Shangai's Aesthetic Dimensions: W 240 x D 240 CM New Zealand wool Vibration, perspective, energy, Shanghai by Night is an interpretation of...

Contemporary colorful rug inspired by Seoul's Aesthetic Dimensions: W 170, D 240 cm New-Zealand wool and silk The South-Korea capital is known for its twenty-five bridges spanni...

Contemporary colorful rug inspired by Seoul's Aesthetic Dimensions: W 240 * D 240 cm New-Zealand wool and silk The South-Korea capital is known for its twenty-five bridges spann...

Abstract Dadaist Contemporary rug inspired by Sophie Taeuber Arp Artist: Sophie Taeuber Arp Dimensions: W 170 x D 240 cm New Zealand wool and silk Ja...

Abstract Dadaist contemporary rug inspired by Sophie Taeuber Arp Artist: Sophie Taeuber Arp Dimensions: W 170 x D 240 cm New Zealand wool and silk Ja...

Stunning copper wire sculpture of generous thickness depicting an acrobat woman in exercise positioned on a circle of canvas rubber, created by Maria Vittoria Urbinati in 2010. The b...

Pulman (Elizabeth, 1836-1900). A fine collection of Maori Portrait of Chiefs, natives, and landscapes of the Bay of Islands, New Zealand, c .1870, albumen prints laid on contemporary...