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Mid-20th Century Handwoven Wool Swedish Rug

About the Item

This signed Swedish rug has a chocolate-brown field with an outer band of polychrome octogen lozenges and a similar spaced band of lozenges around a moss-green rectangular panel with outer and inner rows of polychrome lozenges around a shaded red similar rectangular panel with further polychrome lozenges, in an light yellow border with similar polychrome lozenges, a chequerboard stripe at each end, initialed in the lower left corner ABMMF. About the Master Weaver: The mid-century Swedish paradigm would not exist without the contributions of Marta Maas-Fjetterstrom. Born in June of 1873, she went on to open her workshop in 1919 and produced a prolific collection of Swedish rugs until her passing in 1941. Her rugs were known for featuring bright pastel geometric patterns and stylized representations of the natural world. Mid-century designers, collectors, and consumers all over the world covet her work dearly, as evidenced by the scores of Swedish designers that followed in Marta’s footsteps.

Creator:
Märta Måås-Fjetterström (Workshop/Studio)
Dimensions:
Width: 69 in (175.26 cm)Length: 97 in (246.38 cm)
Materials and Techniques:
Wool,Hand-Woven
Place of Origin:
Sweden
Period:
Mid-20th Century
Date of Manufacture:
Mid-20th Century
Condition:
Wear consistent with age and use. Original coloration.
Seller Location:
West Hollywood, CA
Reference Number:
Seller: 277871stDibs: LU1518225800431

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Märta Måås-Fjetterström

Märta Måås-Fjetterström was the leading figure in Swedish textile design in the early 20th century. Through her rug-weaving studio, MMF AB, Måås-Fjetterström introduced a modern and cosmopolitan spirit to the tradition-bound craft, creating some of the era’s most sublime rugs and carpets — works that are elegant yet have a handmade warmth and honesty.

Måås-Fjetterström was the daughter of a small-town minister, and her creative bent led her to study drawing at the School of Industrial Arts in Stockholm between 1890 and 1895. She became an art teacher after graduating and began drafting textile designs in the late 1890s. At the time, Sweden was experiencing many of the same cultural concerns that fueled the English Arts and Crafts movement: fears that industrialization was causing many traditional handicrafts to wither into extinction. The state supported numerous artisan workshops, and Måås-Fjetterström was hired as director of a weaving studio in the southern city of Mälmo in 1905. She was dismissed six years later for insisting that artisans be allowed to create original patterns rather than merely copy old ones.

She traveled widely in search of design inspirations, and in 1919 — thanks in large part to the patronage of Ludvig Nobel, grand-nephew of Alfred Nobel, who commissioned her to make all the rugs for a new country manor hotel — Måås-Fjetterström opened her own workshop. There she trained many of Sweden’s best modern weavers, including Barbo Nilsson and Marianne Richter (the latter, a widely celebrated mid-century modernist designer, became a leader at Måås-Fjetterström's atelier after its founder's death in 1941).

A major exhibition in Stockholm in 1934 brought public acclaim, a reputation secured worldwide by exhibitions at the British Museum in 1936 and the Metropolitan Museum of Art in New York in 1939. Måås-Fjetterström’s company, MMF AB, is still in operation, and most of her roughly 700 designs are available for fabrication.

A broad range of influences can be seen in Måås-Fjetterström’s designs, among them Art Nouveau and classic Near Eastern and Asian styles. Her rug patterns fall roughly into two groups: The first includes stylized floral and other naturalistic motifs as well as modernized folkloric themes. The second comprises those employing geometric “tiles” in a formal composition based on that of Persian rugs, with an intricate border surrounding a central medallion.

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