Anglo-Japanese Walnut Armchair Attributed to Liberty and Co

Liberty and Co. attributed. An Arts & Crafts walnut armchair with extending uprights to the back and floral inlays to the backrest roundels with an array of stretchers below the seat...

Liberty & Co attributed made by William Birch. An English Arts & Crafts shaped ladder back armchair with ball finials to the back and to the front of the arms with turned supports b...

Edward William Godwin (attributed) for William A. and S. Smee, an Anglo-Japanese walnut spindle back armchair, with a re-upholstered yellow leather seat, metal label. Godwin designe...

Six Liberty and Co walnut Arts and Crafts Windsor armchair with original green finish. Featured in the Liberty and Co Yule Tide gifts catalogue of 1895-6. And also in the Liberty Des...

English arts and crafts brown walnut armchair, attributed to JS Henry circa 1900. Scrolled terminals atop a solid back and seat newly upholstered in off-white...

A beautiful Swedish armchair attributed to Folke Ohlsson for DUX, crafted in the 1950s. This piece perfectly embodies the elegance of Scandinavian design, featuring lines and details...

Italian Modern Walnut Armchair, Attributed to Franco Campo and Carlo Graffi

A superb Glasgow School Arts And Crafts oak armchair. After a design by George Walton for Liberty & Co. Circa 1895. The chair is almost identical to the George Walton design, but has a variant shaped top to the back. Literature: Daryl Bennett, 'Liberty Furniture 1875-1915'.4 Art Furniture, Page 131, plate 4.91. Sketch illustration of George Walton design. Please see photographs. The seating retains the original webbing and filling and has been padded and re-covered with brown leather and copperised studs. The studs are set how they were originally on the chair. Please refer to the last photograph showing the frame before re-upholstery. They have been slightly aged. The oak has the original patina, which has been waxed. There are some marks around the frame with an indentation to note to the top of one arm. The edges to the legs are knocked with use. The chair has a flattened curved arm with an elongated tapering back. The Abingwood design was considered some of the most distinctive of Walton's designs, strongly influenced by C R Mackintosh...