Brazilian Hardwood Lounge Chairs Armchairs with White Leather

Available today, this Mid-Century Modern “Moleca” Armchair with Stool in Hardwood & Leather by Sergio Rodrigues designed in 1959 is absolutely gorgeous! The "Moleca'' lounge chair...

A beautiful example of the style and craftsmanship of Novo Rumo, a design ateliê extremely active during the 1950s and 1960s in São Paulo, Brazil. Made of Br...

Available now, this beautiful pair of Brazilian Modern armchairs are made of ebonized Pau Marfim hardwood & white leather in buttone style. The structure is composed of curved arms & feet, and were designed by Joaquim Tenreiro in the 1940’s. The wood joints are composed of delicate wood pins in Pau Marfim also, which were typically used by the artist at the time. Sold as set of two. For the restoration process, both armchairs where dissembled to understand their condition and to restore them following Tenreiro’s technique. This is shown in the last 3 images. The set comes from a private residence in Copacabana, Rio de Janeiro. This mid-century modern pair would look incredible in any modern, mid-century modern, boho chic or contemporary environment. Joaquim Tenreiro (1906–1992) was among the leading furniture designers and visual artists in mid-20th century Brazil. Tenreiro was born in Melo, Gouveia Municipality, Portugal into a family of woodworkers and carpenters. In the late 1920s, he emigrated to Rio de Janeiro and began working for the firm of Laubisch & Hirth. In the early 1940s, Tenreiro was among the first designers in the Brazilian furniture industry to adopt a European modernist vernacular. His initial efforts, including the 1942 "Poltrona Leve," met with considerable success, and in 1943 he established his own firm with factories in Rio de Janeiro and São Paulo. However, it was not until the 1950s that he began to be recognized as a master furniture designer in Brazil. His design philosophy found a great response with architects who supported modernism. A forerunner in the use of rediscovered raw materials (like cane and jacaranda -Brazilian Roswood) as well as the creator of a new formal language in 20th-century Brazilian furniture design, he drew on the lessons of past furniture-making as a vital source, not only in the mastery of technical and constructive solutions but also in the aesthetic experience, craftsmanship, and the cultural meaning of his production. As a result, his exquisitely crafted pieces evoke a refined coexistence of traditional values and modern aesthetics, firmly bound to the Brazilian cultural milieu. Literature: • Arquitetura e Decoracao, no. 12, Jul-Aug 1955 • Tenreiro book...

Available now, this super comfortable and visually striking pair of armchairs are made of a solid hardwood frame and purple leather upholstery with buttons in the backrest. These ...

Pair of scissor armchairs, Brazilian hardwood and fabric, Brazil, circa 1950 These exceptionally rare armchairs from Brazil embraces the quintessential Brazilian ethos of the 1950s. The design bears the beauty of Brazil's natural environment through its raw, constructive layout and the skillful use of a local, solid wooden material. The construction is marked by well-defined geometry, logical proportions, and visible constructivist elements. Characterized by simplicity, clarity and absence of ornamentation, this framework is exemplary of architectural minimalism. Upholstered in a delicate patterned fabric in green and white, it beautifully complements the wooden elements. The material use, woodworking, and the overall composition strongly resemblance the designs by Studio de Arte Palma, co-founded by Lina Bo Bardi, Pietro Maria Bardi, and Giancarlo Palanti...

This stunning 1960s pair of Caola armchairs made by Sérgio Rodrigues are made by Brazilian Hardwood Definitely a piece that is capable of bringing a sense of personality and style to any decor. The piece was not restored yet, so the client can choose the style. Sérgio Rodrigues was an architect and designer born in Rio de Janeiro. Together with Joaquim Tenreiro and José Zanine Caldas, he was the Pioneer in transforming Brazilian design into Industrial Design and making it known worldwide. Sergio lived the height of his career in the 50s and 60s. He worked with furniture design in line with modernism in Brazil, bringing a Brazilian identity to his projects both in drawings and in traditional materials - leather, straw, and wood - highlighting the culture of Brazilian indigenous. A contemporary of Oscar Niemeyer and Lúcio COSTA, his furniture was used on a large scale in the construction of the Brazilian capital Brasília. His most famous work is the "Poltrona Mole...