Phyllis Morris “Cosmopolitan” Neo-Rococo Peach Striped Silk Fauteuil

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Phyllis Morris “Cosmopolitan” Neo-Rococo Peach Striped Silk Fauteuil

Name: Phyllis Morris “Cosmopolitan” Neo-Rococo Peach Striped Silk Fauteuil
Brand: Phyllis Morris
Rating: 5 (53 reviews)

About the Item

Phyllis Morris Neo-Rococo Peach Striped Silk Fauteuil with gorgeous trompe l’oeil ribbon effect and lovely cerused finish (which was a major trend in the late 17th / early 18th centuries). Phyllis Morris was an iconic West Coast (LA) designer whose career spanned the 1950’s to her death in 1988. In 1953 Morris created a lamp whose design was based on one of her primitive figure clay sculptures. The lamp was manufactured by W.J. Sloan's, a high-end NY based department store that had a second location in Los Angeles. The lamp became so successful that Morris decided to pursue self-manufacturing of the second lamp design—a poodle lamp modeled after her own pink-dyed poodle Pamela—and set up a factory in nearby Burbank. The poodle lamp propelled Morris into the limelight and it wasn't long before she became a local celebrity. Often wearing a full-length mink coat and pink pedal pusher slacks, she would drive throughout Los Angeles in a pink Cadillac convertible with its top down and the front and back seats filled with pink poodle lamps and real pink-dyed poodles in the front seat. Not only did the residents of L.A. take note of Morris and her colorful marketing technique, but famed newspaper columnist Walter Winchell would eventually write "Who's the wise guy that said 'beauty and business don't mix?' Meet striking blonde Phyllis Morris. She's been setting this nation's furniture styling for ten years.” Shortly after opening a lighting showroom in 1955 on Melrose Place in Los Angeles, Morris began adding her own furniture designs to round out the offerings. Initially these furniture collections drew upon the Spanish Colonial look with dark woods, large carved scrollwork and baroque elements as well as other Mediterranean-inspired styles. As the 1960s approached, Morris included more modern styles using lacquer and exotic finishes and materials and moved to a larger showroom on nearby Beverly Boulevard in 1961. The "swinging sixties" fueled by a youth culture fascinated with music, fashion and alternative arts and religions ushered in a freer social attitude towards lifestyles which gave Morris and others in the design profession an opportunity to shake up the interior design world (which still relied heavily on English and Colonial American influences) with her distinctive vision of how colorful and eclectic interiors could be. A typical Morris room setting during the mid-1960s would find Pop art accessories and objets d'art commingling with often large or over-scaled furniture. All together, this created a look that defined Morris' style which brought international attention to high-profile residential interiors and hotel projects where her pieces were used. Bright colors, large patterns and bold designs were devices favored by Morris to make a design statement wherever possible. "I'm a designer's designer," she told The Globe and Mail in 1961, alluding to her role as a source of furnishings to the top interior designers in the industry. Over the course of time, Morris developed a loyal following among interior designers and prominent figures on the Los Angeles arts and culture scene. Becoming more entrenched in the social world of Los Angeles and Hollywood as her fame grew, Morris befriended many in the show business community and counted Joan Crawford, Lucille Ball, Gypsy Rose Lee, Liberace, Joan Collins, Regis Philbin and author Harold Robbins, to name a few, as part of her inner circle. And so impressive were Morris' parties at both her Beverly Hills home and her Los Angeles showroom that Town & Country magazine wrote "Certainly this was THE top party of the holiday season," referring to a 1966 soiree at Morris' 17-room mansion. Many Hollywood film fans would have relished being at the Morris showroom in 1970 when Joan Crawford stopped in to look for artwork for her home. Morris offered the screen legend a Coca-Cola. The following day, 20 cases of Pepsi-Cola arrived at the Phyllis Morris showroom with a note from Crawford saying "Pour all those Cokes down the drain." During personal appearances and media interviews, Morris would offer provocative quips or do something seemingly outrageous which provided never-ending material for the press and often made headlines around the globe. The Toronto Daily Star ran a photo of Morris wearing a mink coat backwards in public which "shocked the other women" of Toronto noted reporter Penny Longley on Morris' first-ever visit to the Canadian city. Morris casually referred to the coat as her "mink muu muu." Among her many eyebrow-raising quotes: "Twin beds have no place in a happy marriage, but separate bedrooms have and "Minimalism is for those without much to say." When it came to talking about herself, Morris was always forthcoming but with a sense of humor. "I don't think anyone in our family is hurt by the fact that I don't scrub floors or peel potatoes," she told Home Furnishings Daily. “As a matter of fact, they'd rather I wouldn't because I'm so bad at housekeeping. Her whimsical, sensual, shamelessly opulent pieces, often assymetrical, oversized and rounded (organic) form were not only a major commercial hit with the Hollywood and Vegas elite throughout the 1960's - 1980's, but also stand as a strong counterpoint to the reasoned, angular, symmetrical, borderline antiseptic Modernist designs of her Midwest and East Coast contemporaries -- virtually all men. Put one of her iconic pink poodle table lamps on a Noguchi coffee table or Mccobb nightstand and tell me she wasn't making a major political statement with her aesthetic...

Creator:
Phyllis Morris (Designer)
Dimensions:
Height: 36 in (91.44 cm)Width: 28 in (71.12 cm)Depth: 26 in (66.04 cm)Seat Height: 17 in (43.18 cm)
Style:
Hollywood Regency (Of the Period)
Materials and Techniques:
Silk,Wood
Place of Origin:
United States
Period:
Late 20th Century
Date of Manufacture:
Circa 1980
Condition:
Wear consistent with age and use. Will require reupholstery.
Seller Location:
Brooklyn, NY
Reference Number:
1stDibs: LU4190312450503

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