Set of Two Chairs by Alfred Christensen for Slagelse Møbelfabrik, Denmark, 1940s

This is the 1960s 'Safari' chair for Red Rasmussen by Danish designer Kaare Klint, which he originally designed in the 1930s. The chair is entirely foldable, making it a lightweight ...

Charming pair of Grete Jalk Model 118 armchairs in teak and fabric for France & Daverkosen from 1955. These two comfortable chairs are the first o...

Set of two vintage French chairs by Hugues Steiner from the 1960s. These 'spring back' chairs have a very exceptional design that is recognizable ...

These beautiful bentwood chairs were designed in 1958 by the Italian architect Eugenio Gerli for Società Compensatie Curvi. This company, which was located in Monza at the time, specialized in manufacturing highly stylized chairs made of bentwood with a modular choice offered to the customer. For example, there was a catalog showing that at that time you could choose from different types of bases and bodies. These specific lounge chairs are made up of seven layers of glued and bent teak veneer. A special example of craftsmanship and artistry in which technique and aesthetics effortlessly come together. The body is attached to a beautiful slender black-painted metal base by means of four bolts. The considerable contrast between the base and the seating area seems to make the chair float. The opening at the back of the seat allows for an angelic light...

Rare armchair by Giuseppe Pagano Pogatschnig and Gino Maggioni, circa 1940s. The base consists of two square-shaped sides and the chair's legs. This design is very recognizable from ...

Impressive Italian Modern Osvaldo Borsani arm chair Model P24 by Tecno from Italy 1961. Wooden armrests in combination with the metal frame make this an interesting and timeless piec...

Easy chair with solid beach arms and legs early design from Alfred Christensen Production catalogue from Slagelse Møbelværk no. 4401, 1944.

Danish Modern focused more on the aesthetics of modern design whilst employing the exquisite technique and material familiarity of highly skilled craftsmen known as cabinetmakers. Alfred Christensen’s present armchair in this style is a rare and exquisite example of this. Clean and pure lines define this armchair that are coupled with expert craftsmanship and delicate research into proportions, materials and the requirements of the human body, adapting design to modern-day needs. Adopting the trend of abandoning ornamentation to benefit the form, Christensen maintained the beauty and warmth inherent to traditional Danish cabinetmaking. In consequence, this armchair has a beautiful, warm look with rounded edges and an open look. The only ornamentation is the piping cord that runs along the edges of the body. The unique colour of the velour upholstery in combination with the dark, stained beech legs create warm elegance, perfect to bring a modern touch to any space. While Danish designers, including Alfred Christensen, had many principles, above all, all designers...

Danish high wingback lounge chair in brown sheepskin, designed by Danish designer Alfred Christensen for Slagelse Møbelfabrik in Denmark, 1940s. This rare lounge chair is a wonderfu...

Sculptural and very beautiful 1940s model 117 high back open arm lounge chairs made of stained and lacquered beech wood designed by Alfred Christensen for Slagelse Mobelvaerk. These ...

Danish Modern focused more on the aesthetics of modern design whilst employing the exquisite technique and material familiarity of highly skilled craftsmen known as cabinetmakers. Alfred Christensen’s present sofa in this style is a rare and exquisite example of this. This sofa has the characteristic ‘open armrest’ design that showcases the high level craftsmanship and the beautiful walnut structure as well. Clean and pure lines define this model that are coupled with expert craftsmanship and delicate research into proportions, materials and the requirements of the human body, adapting design to modern-day needs. Adopting the trend of abandoning ornamentation to benefit the form, Christensen maintained the beauty and warmth inherent to traditional Danish cabinetmaking. In consequence, this three-seater sofa has an elegant but still warm look thanks to its rounded edges and open execution. The only form of ornamentation - apart from the bent armrests - is the button tufting on the back. The light colour of the textural upholstery in combination with the dark walnut legs create an aesthetic that is perfect to bring a modern touch to any space. While Danish designers, including Alfred Christensen, had many principles, above all, all designers...

1960s, Danish design by Alfred Christensen for Slagelse Møbelværk. Armchair in floral light fabric. Good condition: no smells and no stains. Legs and armrest in beechwood. Front legs...