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Baroque Armchairs

BAROQUE STYLE

The decadence of the Baroque style, in which ornate furnishings were layered against paneled walls, painted ceilings, stately chandeliers and, above all, gilding, expressed the power of the church and monarchy through design that celebrated excess. And its influence was omnipresent — antique Baroque furniture was created in the first design style that truly had a global impact.

Theatrical and lavish, Baroque was prevalent across Europe from the 17th to mid-18th century and spread around the world through colonialism, including in Asia, Africa and the Americas. While Baroque originated in Italy and achieved some of its most fantastic forms in the late-period Roman Baroque, it was adapted to meet the tastes and materials in each region. French Baroque furniture informed Louis XIV style and added drama to Versailles. In Spain, the Baroque movement influenced the elaborate Churrigueresque style in which architecture was dripping with ornamental details. In South German Baroque, furniture was made with bold geometric patterns.

Compared to Renaissance furniture, which was more subdued in its proportions, Baroque furniture was extravagant in all aspects, from its shape to its materials.

Allegorical and mythical figures were often sculpted in the wood, along with motifs like scrolling floral forms and acanthus leaves that gave the impression of tangles of dense foliage. Novel techniques and materials such as marquetry, gesso and lacquer — which were used with exotic woods and were employed by cabinetmakers such as André-Charles Boulle, Gerrit Jensen and James Moore — reflected the growth of international trade. Baroque furniture characteristics include a range of decorative elements — a single furnishing could feature everything from carved gilded wood to gilt bronze, lending chairs, mirrors, console tables and other pieces a sense of motion.

Find a collection of authentic antique Baroque tables, lighting, decorative objects and other furniture on 1stDibs.

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Style: Baroque
Armchair, Walnut, Carved, Upholstered, Daniel Marot, Flemish, 17 Century Baroque
Located in BUNGAY, SUFFOLK
A fine, large, late 17th century, Flemish, open armchair in the style of Daniel Marot with an upholstered seat This fine, armchair is an, unusually, large size and the carving is of exceptional quality reflecting the status of the owner it was made for. It is sturdy and in usable condition. Chairs of this type, with tall, intricately carved backs, were placed in rows against a wall forming part of the decoration of a room. The carving of the back of this chair is French in style and was based on decorative prints by Daniël Marot The cresting carved with a profusion of acanthus leaf scrolls. The back with fine, pierced carving. The mid-section with a central flowerhead with scrolled shields above and below ornamented with flowerheads acanthus leaf crestings. Two pairs of carved ‘S’ scrolls ornamented with acanthus leaves either side. The tapering turned sections surmounted by ionic capitals and supporting back of the scroll arms carved with acanthus leaf ornament. The front arms supported by baluster and tapering turned sections ornamented with acanthus leaf carving. The legs joined by a shaped ‘H’ stretcher with central finial, on bun feet. The upholstered seat reupholstered in a bargello woven in tones of blue, green, red and gold faced with braid and brass studwork. The back of the chair has an incredible, 19th century, oak support from the cresting to halfway down the back, which has been beautifully carved to conform with the open sections of the back, and two braces down the length of the back. There are also two oak supports behind seat blocks at the top of the legs. These repairs are sensitive to the model of chair and have become part of its character and features in their own right and they are very interesting from a conservation history perspective. There are two old repairs to a small break in the cresting on the right hand side and the hairline cracks are visible, an old repair to a small break in the top right of the central splat with a small piece added and a visible hairline crack. The right side of the back has noticeable worm damage on the right seat block which is probably the root cause of the break on the block on this side from impact as the chair probably fell backwards at some point and either onto its right side or it hit something on that side and the block weakened by worm gave way as the damage to the chair is localised on the far right side. Because the backs are high on these Daniel Marot chairs they are top heavy and invariably do have damage to the backs and crestings from impact damage so this is not unusual. The right block has been repaired thoroughly and is stable and there is no live worm in the chair. It would be possible to disguise these repairs but I have left them as they are consistent with the 19th century date of the supports and conform with museum standards. A full set of photographs...
Category

1690s Dutch Antique Baroque Armchairs

Materials

Walnut

Dos Gallos Custom Walnut and Leather Spiral Twist Armchair with Scrolled Arms
Located in Los Angeles, CA
Our Custom Occasional chair in walnut with barley twist legs and stretchers. Beautifully carved scrolled arms. As shown in COL and nail heads. Can be made in any finish, in solid Wal...
Category

21st Century and Contemporary American Baroque Armchairs

Materials

Oak, Walnut

Armchair, Flemish, 17th Century, Walnut, Upholstered, Bargello, Scrollarm
Located in BUNGAY, SUFFOLK
This open armchair is characteristic of the Haute Époque employing elegant barley-twist turnings and sweeping, curved, scroll arms. The bargello is a re-creation of a fashionable uph...
Category

17th Century Dutch Antique Baroque Armchairs

Materials

Walnut

Original 17th Century Andrea Brustolon Hand Carved Italian Walnut Armchair
By Andrea Brustolon
Located in GB
We are delighted to offer for sale this stunning original 17th century attributed to Andrea Brustolon hand carved Italian walnut armchair with Cherubs...
Category

17th Century Italian Antique Baroque Armchairs

Materials

Velvet, Walnut

19th Century French Baroque Style Upholstered Armchair
Located in Marbella, ES
French baroque style hand carved fruitwood armchair with typical neoclassical rock and plant decorations, gold leaf gilded and painted over in additio...
Category

Mid-19th Century French Antique Baroque Armchairs

Materials

Gold Leaf

Armchair chair 17th Century English Walnut Needlework X-Stretchered, Scroll
Located in BUNGAY, SUFFOLK
An exceptional, museum quality, English, baroque, walnut, open armchair with faceted legs and shaped ‘x’ stretcher, upholstered in fine Georgian needlework...
Category

17th Century English Antique Baroque Armchairs

Materials

Walnut

Italian Baroque Giltwood Armchairs
Located in New York, NY
Pair of Italian Baroque style 20th century armchairs with gilt wood filigree frames & burgundy button-tufted upholstery with embroidered flowers and burgundy velvet seat cushions.
Category

20th Century Italian Baroque Armchairs

Materials

Upholstery, Giltwood

French Baroque 17th Century Louis XIV Walnut Armchair
Located in Troy, NY
Of comfortable size, the four beautifully turned legs joined by conforming stretchers, scrolling, carved arms. Clean up and polish included. The chair needs to be re-upholstered and...
Category

Late 17th Century French Antique Baroque Armchairs

Materials

Walnut

Pair of Spanish Baroque Walnut Armchairs
Located in Essex, MA
With new leather seat and back, flat arms and carved stretchers. Provenance; Fogg Estate, Chestnut Hill Ma.
Category

1690s Spanish Antique Baroque Armchairs

Materials

Walnut

Italian Baroque Giltwood Armchairs
Located in New York, NY
Pair of Italian baroque style 20th century armchairs with giltwood filigree frames, button-tufted burgundy and cream upholstery with embroidered flowers, and burgundy velvet seat cus...
Category

20th Century Italian Baroque Armchairs

Materials

Upholstery, Giltwood

Pair of Italian 19th Century Baroque Carved Arm Throne Chairs, Figural Carvings
Located in Stamford, CT
Pair of Italian 19th century Baroque carved arm throne chairs. The pair with figural carvings and putti sleeping on beds of leafs, attributed to Valentino Panciera Besarel (Venice, 1829-1902) in the manner of Andrea Brustolon (1662-1732). The ornately carved thrones, each flanked with figures of standing males supporting a branch-carved armrests with vines. Raised on cabriolet scrolled legs. Andrea Brustolon (20 July 1662–25 October 1732) was an Italian sculptor in wood. He is known for his furnishings in the Baroque style and devotional sculptures. Biography He was trained in a vigorous local tradition of sculpture in his native Belluno, in the Venetian terraferma, and in the studio of the Genoese sculptor Filippo Parodi, who was carrying out commissions at Padua and at Venice (1677). He spent the years 1678-1680 at Rome, where the High Baroque sculpture of Bernini and his contemporaries polished his style. Apart from that, the first phase of Brustolon's working career was spent in Venice, 1680–1685. Brustolon is documented at several Venetian churches where he executed decorative carving in such profusion that he must have quickly assembled a large studio of assistants. As with his contemporary in London, Grinling Gibbons almost all the high quality robust Baroque carving in Venice has been attributed to Brustolon at one time or another. In the Venetian Ghetto, at the Scola Levantina, Brustolon provided the woodwork for the synagogue on the piano nobile, where the carved, canopied bimah is supported on Solomonic columns, which Brustolon had seen in Bernini's baldacchino in the Basilica of St Peter's. His furniture included armchairs with figural sculptures that take the place of front legs and armrest supports, inspired by his experience of Bernini's Cathedra Petri. The gueridon, a tall Stand for a candelabrum, offered Brustolon unhampered possibilities for variations of the idea of a caryatid or atlas: the familiar Baroque painted and ebonized figural gueridons, endlessly reproduced since the 18th century, found their models in Brustolon's work. His secular commissions from Pietro Venier, of the Venier di San Vio family (a suite of forty sculptural pieces that can be seen in the Sala di Brustolon of the Ca' Rezzonico, Venice), from the Pisani of Strà, and from the Correr di San Simeone families encourage the attribution to him of some extravagantly rich undocumented moveable furniture. Andrea Brustolon's elaborate carved furniture aspired towards the condition of sculpture, such as the Dutch bases for console tables which look like enlargements of the work of the two Van Vianens, Paulus and Adam, perhaps the greatest Dutch silversmiths of the period. These carved pieces display the Baroque tendency to develop a form three-dimensionally in space. Brustolon's walnut, boxwood and ebony pieces transcend ordinary functional limitations of furniture; they are constructed of elaborately carved figures. The framework of Brustolon's chairs, side tables and gueridons were carved as gnarled tree branches, with further supports of putti and male figures carved in ebony. Backrests of the chairs, which were never touched in the rigidly upright posture that contemporary etiquette demanded, were carved with allegories of vanity, fire and music, etc. The most extravagant piece delivered for Pietro Venier was a large side table and vase-stand of box and ebony, designed as a single ensemble to display rare imported Japanese porcelain vases. The eclectic allegories include Hercules with the Hydra and Cerberus, males and reclining river-gods (see ref.). For the Correr, less extrovert chairs bear female nudes extended along the armrests. For the Pisani, he carved a suite of twelve chairs (now at the Palazzo Quirinale) with flowers, fruit, leaves and branches to symbolize the twelve months of the year. Work by Brustolon is at the Villa Pisani at Stra. In 1685 Brustolon returned to the house where he was born at Belluno, and from that time devoted himself mainly to tabernacles and devotional sculptures in walnut, boxwood or ivory. His polychromed ivory Corpus from a crucifix is in the Museo Civico di Belluno, which preserves some of Brustolon's preparatory drawings for frames to be carved with putti displaying emblems. A pair of boxwood sculptures, The Sacrifice of Abraham and Jacob Wrestling with the Angel...
Category

1890s Italian Antique Baroque Armchairs

Materials

Wood

Italian Baroque Style Carved Walnut Armchair, 19th Century
Located in Cypress, CA
Attractive 19th century Italian Baroque style carved walnut armchair with beautifully scrolled arms and legs. Upholstered with white and gold fabric. Measures: Arm height is 28 i...
Category

19th Century Italian Antique Baroque Armchairs

Materials

Walnut, Upholstery

Pair of French 19th-20th Century Baroque Style Carved Thrones Armchairs
Located in Los Angeles, CA
A pair of French 19th-20th century Baroque style carved walnut and needlepoint upholstered hall throne armchairs with raised carved armrests and fluted conjoint legs. The tapestries ...
Category

1890s French Antique Baroque Armchairs

Materials

Wool, Walnut

Baroque 18th Century Armchair with Original Brass Stamp, Sweden, circa 1740
Located in New York, NY
Exceptional Swedish Baroque 18th century armchair, circa 1740, origin: Sweden, with beautifully carved details such as shells, scrolls on...
Category

18th Century Swedish Antique Baroque Armchairs

Materials

Leather

18th Century Italian Giltwood Armchairs
Located in Stockbridge, GA
Category

Mid-18th Century Italian Antique Baroque Armchairs

Materials

Giltwood

Frailero Armchair, Walnut Wood, Textile, Spain, 17th Century
Located in Madrid, ES
Armchair with arms and high backrest of the type known as "frailero" upholstered in red and yellow textile, with fringes on the seat and the lower part of the backrest. The carved de...
Category

17th Century Spanish Antique Baroque Armchairs

Materials

Other

Venetian Style Armchair
Located in London, Park Royal
Re-edition of an 18th century Venetian armchair, hand-carved with beautifully crafted detailing. Hand finished in a gesso white patina...
Category

2010s British Baroque Armchairs

Materials

Wood, Gesso

Armchair Swedish Baroque Oak Sweden
Located in New York, NY
Armchair Swedish Baroque oak, Sweden. A single armchair made in Sweden during the early part of the Baroque period. Frame made of oak with an upholstered b...
Category

Mid-18th Century Swedish Antique Baroque Armchairs

Materials

Oak

Armchair, chair, 17th Century, Italian, Walnut, Scroll, Baroque, Tapestry
Located in BUNGAY, SUFFOLK
This elegant armchair exudes classic gravitas, with scroll arms, fall turnings and triple toe feet The tapestry back depicting Flora underneath a bower is a distinctive feature. It...
Category

17th Century Italian Antique Baroque Armchairs

Materials

Walnut

Pair of Palatial Venetian Walnut Carved Mid-19th Century Baroque Figural Thrones
Located in Los Angeles, CA
A very fine pair of palatial Venetian walnut carved mid-19th century Baroque figural throne armchairs, attributed to Valentino Panciera Besarel (Venice, 1829-1902) in the manner of Andrea Brustolon (1662-1732). The ornately carved thrones, each flanked with figures of standing males supporting a branch-carved armrests with vines. Raised on cabriolet scrolled legs. Provenance: The Castello di Giove in Umbria, Italy, circa 1870-1880. Height: 54 1/4 inches (137.8 cm.) Width: 37 1/4 inches (94.6 cm.) Depth: 32 inches (81.3 cm.) Andrea Brustolon (20 July 1662 – 25 October 1732) was an Italian sculptor in wood. He is known for his furnishings in the Baroque style and devotional sculptures. Biography He was trained in a vigorous local tradition of sculpture in his native Belluno, in the Venetian terraferma, and in the studio of the Genoese sculptor Filippo Parodi, who was carrying out commissions at Padua and at Venice (1677). He spent the years 1678-80 at Rome, where the High Baroque sculpture of Bernini and his contemporaries polished his style. Apart from that, the first phase of Brustolon's working career was spent in Venice, 1680–1685. Brustolon is documented at several Venetian churches where he executed decorative carving in such profusion that he must have quickly assembled a large studio of assistants. As with his contemporary in London, Grinling Gibbons almost all the high quality robust Baroque carving in Venice has been attributed to Brustolon at one time or another. In the Venetian Ghetto, at the Scola Levantina, Brustolon provided the woodwork for the synagogue on the piano nobile, where the carved, canopied bimah is supported on Solomonic columns, which Brustolon had seen in Bernini's baldacchino in the Basilica of St Peter's. His furniture included armchairs with figural sculptures that take the place of front legs and armrest supports, inspired by his experience of Bernini's Cathedra Petri. The gueridon, a tall stand for a candelabrum, offered Brustolon unhampered possibilities for variations of the idea of a caryatid or atlas: the familiar Baroque painted and ebonized figural gueridons, endlessly reproduced since the eighteenth century, found their models in Brustolon's work. His secular commissions from Pietro Venier, of the Venier di San Vio family (a suite of forty sculptural pieces that can be seen in the Sala di Brustolon of the Ca' Rezzonico, Venice), from the Pisani of Strà, and from the Correr di San Simeone families encourage the attribution to him of some extravagantly rich undocumented moveable furniture. Andrea Brustolon's elaborate carved furniture aspired towards the condition of sculpture, such as the Dutch bases for console tables which look like enlargements of the work of the two Van Vianens, Paulus and Adam, perhaps the greatest Dutch silversmiths of the period. These carved pieces display the baroque tendency to develop a form three-dimensionally in space. Brustolon's walnut, boxwood and ebony pieces transcend ordinary functional limitations of furniture; they are constructed of elaborately carved figures. The framework of Brustolon's chairs, side tables and gueridons were carved as gnarled tree branches, with further supports of putti and male figures carved in ebony. Backrests of the chairs, which were never touched in the rigidly upright posture that contemporary etiquette demanded, were carved with allegories of vanity, fire and music, etc. The most extravagant piece delivered for Pietro Venier was a large side table and vase-stand of box and ebony, designed as a single ensemble to display rare imported Japanese porcelain vases. The eclectic allegories include Hercules with the Hydra and Cerberus, males and reclining river-gods (see ref.). For the Correr, less extrovert chairs bear female nudes extended along the armrests. For the Pisani, he carved a suite of twelve chairs (now at the Palazzo Quirinale) with flowers, fruit, leaves and branches to symbolize the twelve months of the year. Work by Brustolon is at the Villa Pisani at Stra. In 1685 Brustolon returned to the house where he was born at Belluno, and from that time devoted himself mainly to tabernacles and devotional sculptures in walnut, boxwood or ivory. His polychromed ivory Corpus from a crucifix is in the Museo Civico di Belluno, which preserves some of Brustolon's preparatory drawings for frames to be carved with putti displaying emblems. A pair of boxwood sculptures, The Sacrifice of Abraham and Jacob Wrestling with the Angel...
Category

19th Century Italian Antique Baroque Armchairs

Materials

Leather, Walnut

Pair of Italian Walnut Armchairs
Located in San Francisco, CA
Pair of 18th century style Italian walnut armchairs. Good carved details with pegged joinery. Hand caned seats with older custom fit cotton wea...
Category

20th Century Italian Baroque Armchairs

Materials

Cane, Cotton, Walnut

Black Baroque Armchair with Wildlife Designed Fabric by Ascension Latorre, Spain
By Ascension Latorre
Located in Schagen, NL
Exclusive design by the Spanish family company Ascension Latorre. The company is known for their hand made furniture. The chair features an eboniz...
Category

21st Century and Contemporary Spanish Baroque Armchairs

Materials

Fabric, Wood

Pair of 19th Century Italian Armchairs with Giltwood Finials
Located in Los Angeles, CA
Pair of early 19th century walnut armchairs with giltwood finials. The armchairs are upholstered in an embossed gold metallic glazed charcoal colored ...
Category

18th Century Italian Antique Baroque Armchairs

Materials

Giltwood, Ostrich Leather

Italian Baroque Walnut Armchair by Andrea Fantoni, c1690
By Andrea Fantoni
Located in valatie, NY
This early Baroque chair is made from rich Italian walnut. The broad antique frame was carved by the Italian sculptor and wood carver Andrea Fantoni, see accompanying photo. The arms...
Category

Late 17th Century Italian Antique Baroque Armchairs

Materials

Upholstery, Walnut

Italian Late Baroque 18th Century Walnut Swivel or Desk Chair of Rare Form
Located in Troy, NY
From the Veneto Region, very unusual and rare swivel chair with an open barrel back with three pierced splats, shaped seat above a swivel mechanism, on three exaggerated cabriole leg...
Category

Early 18th Century Italian Antique Baroque Armchairs

Materials

Walnut

Monumental Ebonized Venetian Hand Carved Armchair, circa 1780 by Fratelli Mora
Located in Vigonza, Padua
Important ebonized Baroque Venetian armchair, circa 1780 Fratelli Mora. Produced by Fratelli Mora in Bergamo, factory established in 1778. At that time the main production was made ...
Category

Late 18th Century Antique Baroque Armchairs

Materials

Walnut

A Pair Italian 19th-20th Century Baroque Giltwood Carved Winged Throne Armchairs
Located in Los Angeles, CA
Fine pair of Italian 19th-20th century baroque style giltwood carved winged throne armchairs, each finely carved throne with scrolls and wavy armrests, on cabriole carved feet. (New ...
Category

Early 1900s Italian Antique Baroque Armchairs

Materials

Giltwood

Armchair Baroque 18th Century Oak Southern Europe
Located in New York, NY
An armchair in made during the late Baroque period 18th century in southern Europe most likely Spain. Frame from oak in original finish.
Category

Early 18th Century Spanish Antique Baroque Armchairs

Materials

Oak

Early 18th Century Regence Northern French / Flemish Oversized Armchair
Located in Troy, NY
Very Comfortable and Rare Armchair of Generous Proportions and stately appearance, exuberantly carved Beech Wood frame, with scrolling floral motives, wavy open arms, cabriole legs j...
Category

Early 18th Century French Antique Baroque Armchairs

Materials

Beech, Upholstery

Pair of 18th Century Style Armchair in the Italian Taste
Located in Palm Beach, FL
18th century style Italianate, "Mediterranean" armchair, upholstered seat, padded armrests and woven cane back, with antique grey patina finish; William R. Eubanks interior design in...
Category

21st Century and Contemporary French Baroque Armchairs

Materials

Wood

Set of Four 19th Century Large, Hand-Carved Wood High Back Armchairs
Located in New York, NY
A set of four 19th century large hand-carved wood high back armchairs. Wonderful quality carvings, standing on curved legs which are attached by a stretcher.
Category

Late 19th Century French Antique Baroque Armchairs

Materials

Wood

Baroque Style Mid 19th Century Carved Walnut Armchair with Scrolled Motifs
Located in Palm Desert, CA
A Baroque style carved walnut camelback armchair from the mid 19th century with scrolled arms and legs, cross stretcher and new upholstery. This Baroque style fauteuil features a slightly slanted camel back, from which two exquisite scrolled open arms emerge. Delicate acanthus leaves adorn the surface of these tall arms, gently leading the eye to the splayed, scrolled extremities. The rectangular upholstered seat is raised on four richly carved Flemish scroll...
Category

19th Century Antique Baroque Armchairs

Materials

Walnut, Upholstery

Swedish Baroque Captain's Arm Chair, Hand-Carved with Gold Trim c. 1750
Located in Atlanta, GA
Hand-carved Swedish Baroque Captain's chair in black with gold trim and Swedish flag. Arms are covered in distressed leather with nail head trim. The chair is covered in gold design with motifs including leaves and shells. Exact provenance and meaning of symbols and letters is unknown. It is believed that this chair was created for the captain of a ship, making it a unique conversation piece for your space. Could be recovered or reupholstered with new leather or left distressed to highlight the age, patina, and history of the chair. This captain's chair would work well as an accent chair, side chair, or a statement dining room head chair...
Category

Late 18th Century Swedish Antique Baroque Armchairs

Materials

Leather, Wood, Paint

Neo-Baroque Hand-Carved Louis XIII Style Armchair
Located in New York, NY
Hand-carved walnut Louis XVIII style armchair with curved wood and tapered legs and brass nailhead trim. Seat depth - 20". Arm height - 28".
Category

Mid-20th Century French Baroque Armchairs

Materials

Wood

Swedish Baroque 17th Century Leather-Covered Wing Back Armchair
Located in Troy, NY
Oversized, stately armchair of comfortable proportions, leather covering with beautiful patina and accentuated with brass studs, turned legs and stretchers.
Category

17th Century Swedish Antique Baroque Armchairs

Materials

Leather, Oak

Spanish 17th century Baroque Armorial Armchair
Located in Troy, NY
Rare and very special Spanish armchair, the back featuring a prominent coat of arms carved and with painted accents, conforming front stretcher. O...
Category

17th Century Spanish Antique Baroque Armchairs

Materials

Walnut

Baroque Style Carved Wood Armchairs, France, circa 1900s
Located in Isle Sur La Sorgue, Vaucluse
Unusual and theatrical pair of heavily carved armchairs, the backs featuring a pair of birds with finely detailed feathers.
Category

Early 20th Century French Baroque Armchairs

17th Century Italian Gold and Silver Leaf Armchairs from Naples, Italy
Located in Houston, TX
Wood carved armchairs from Napes, Italy, circa 1680. Very rare and has the antique fabric in good condition. Some parts appear gold leaf and other...
Category

17th Century Italian Antique Baroque Armchairs

Materials

Gold Leaf

Original Baroque Rococo Re-Looked Armchair
Located in Miami, FL
Customized antique armchair. Finely carved wood frame, typical of the Rococo style. Reupholstered in a modern fabric. Wood refinished in silver leaf. Very sophisticated carved wood. ...
Category

Late 19th Century French Antique Baroque Armchairs

Materials

Fabric, Wood

Pair of 19th Century Spanish Colonial Style Carved Armchairs with Leather
Located in Miami, FL
Pair of Spanish colonial style armchairs, having leather both seats and backs, and brass nailheads. Measure: height to the arm: 25.59 in.
Category

Late 19th Century Spanish Antique Baroque Armchairs

Materials

Leather, Walnut

Henning Kjærnulf, Set of 8 Dining Chairs, Danish Mid Century Modern, 1960s
Located in Odense, DK
Such an admirable set of 8 dining chairs in oak, seats & back in it´s original stripe pattern fabric. This set is in the series of the popular "razorblade" model. Designed by Hennin...
Category

Mid-20th Century Danish Baroque Armchairs

Materials

Oak, Fabric, Wool

Set of 3 German Armchair, 20th Century
Located in Madrid, ES
20th century 3 armchair set Germans in carved and gilded wood, decorated with plant motifs. Seats and back upholstered with studs. Signs of use. DIM.: 97 x 64 x 50 cm.
Category

20th Century German Baroque Armchairs

Materials

Wood

Baroque armchairs for sale on 1stDibs.

Find a broad range of unique Baroque armchairs for sale on 1stDibs. Many of these items were first offered in the 21st Century and Contemporary, but contemporary artisans have continued to produce works inspired by this style. If you’re looking to add vintage armchairs created in this style to your space, the works available on 1stDibs include seating, folk art and other home furnishings, frequently crafted with wood, walnut and other materials. If you’re shopping for used Baroque armchairs made in a specific country, there are Europe, Italy, and France pieces for sale on 1stDibs. While there are many designers and brands associated with original armchairs, popular names associated with this style include Europa Antiques, Modenese Gastone, Hendrix Allardyce, and Henning Kjærnulf. It’s true that these talented designers have at times inspired knockoffs, but our experienced specialists have partnered with only top vetted sellers to offer authentic pieces that come with a buyer protection guarantee. Prices for armchairs differ depending upon multiple factors, including designer, materials, construction methods, condition and provenance. On 1stDibs, the price for these items starts at $712 and tops out at $76,500 while the average work can sell for $4,800.

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