Items Similar to Pair of circa 1825 Georgian Baltimore Ebonised Painted Gilt Bergere Side Chairs
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Pair of circa 1825 Georgian Baltimore Ebonised Painted Gilt Bergere Side Chairs
$5,937.44per set
$7,916.58per set25% Off
£4,312.50per set
£5,750per set25% Off
€5,079.48per set
€6,772.64per set25% Off
CA$8,133.99per set
CA$10,845.32per set25% Off
A$9,025.35per set
A$12,033.80per set25% Off
CHF 4,727.67per set
CHF 6,303.56per set25% Off
MX$110,675.01per set
MX$147,566.68per set25% Off
NOK 60,134.36per set
NOK 80,179.15per set25% Off
SEK 56,764.27per set
SEK 75,685.69per set25% Off
DKK 37,880.85per set
DKK 50,507.80per set25% Off
Quantity
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About the Item
We are delighted to offer this stunning pair of original circa 1825 ebonised and gold gilt hand painted baltimore side chairs
A highly collectable and well made pair of side chairs, if you are looking at this listing then chances are you know how rare and important these pieces are. They were classed as Baltimore “Fancy” furniture due to the ornate painted details, they are steeped in American history and a quick google will give you pages of fascinating reading for the history buffs
These chairs are important significant pieces for any collector of folk art Americana, anyone who knows fine furniture will recognise and appreciate these immediately. The frames have the original ebonised finish which is highlighted with gold gilt accents and hand painting
The chairs have been sympathetically restored to include having all the timber lightly cleaned, hand condition waxed and hand polished, the frames have been checked and secured as required, they are now good and strong and ready to go for the next 200 years!
Dimensions
Height:- 78cm
Width:- 42cm
Depth:- 51cm
Seat height:- 45cm
Please note all measurements are taken at the widest point
This item is available for collection from our Pulborough warehouses
Condition
Please view the very detailed pictures as they form part of the description pertaining to the condition.
Please note vintage period and original items such as leather seating will always have natural patina in the form of creasing and wear, we recommend annual waxing to ensure no moisture is lost, also hand dyed leather is not recommended to sit in direct sunlight for prolonged periods of time as it will dry out and fade.
- Dimensions:Height: 30.71 in (78 cm)Width: 16.54 in (42 cm)Depth: 20.08 in (51 cm)Seat Height: 17.72 in (45 cm)
- Sold As:Set of 2
- Style:Georgian (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1825
- Condition:Refinished. Wear consistent with age and use.
- Seller Location:West Sussex, GB
- Reference Number:1stDibs: LU2823325123562
About the Seller
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- ShippingRetrieving quote...Shipping from: West Sussex, United Kingdom
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Please note all measurements are taken at the widest point
Thomas Chippendale (1718–1779) was born in Otley in the West Riding of Yorkshire, England in June 1718. He became a cabinet-maker in London, designing furniture in the mid-Georgian, English Rococo, and Neoclassical styles. In 1754 he published a book of his designs, titled The Gentleman and Cabinet Maker's Director, upon which success he became renowned. The designs are regarded as representing the current British fashion for furniture of that period and are now reproduced globally. He was buried 16 November 1779, according to the records of St Martin-in-the-Fields, in the cemetery since built upon by the National Gallery. Chippendale furniture is much valued; a padouk cabinet that was offered for auction during 2008 sold for £2,729,250.
Life
"A Design for a State Bed" from the Director, 1762. Chippendale was born the only child of John Chippendale (1690–1768), joiner, and his first wife Mary (née Drake) (1693–1729). He received an elementary education at Prince Henry's Grammar School. The Chippendale family had long been involved with the wood working trades and so he probably received his basic training from his father, though it is believed that he was also trained by Richard Wood in York, before he relocated to London. Wood later ordered eight copies of the Director. On 19 May 1748 he married Catherine Redshaw at St George's Chapel, Mayfair and they had five sons and four daughters.
During 1749 Chippendale rented a modest house in Conduit Court, near Covent Garden. In 1752 he relocated to Somerset Court, off the Strand. In 1754 Chippendale relocated to 60–62 St Martin's Lane in London, where for the next 60 years the family business operated, until 1813 when his son, Thomas Chippendale (Junior), was evicted for bankruptcy. During 1754 he also began a partnership with James Rannie, a wealthy Scottish merchant, who put money into the business at the same time as Chippendale produced the first edition of the Director. Rannie and his bookkeeper, Thomas Haig, probably cared for the finances of the business. His wife, Catherine, died during 1772. After James Rannie died in 1766, Thomas Haig seems to have borrowed £2,000 from Rannie's widow, which he used to become Chippendale's partner. One of Rannie's executors, Henry Ferguson...
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