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black walnut chair no. 4 with black leather seating and back by Frank Buschmann
About the Item
Chair #4: A Contemporary Tribute to the Shaker Tradition
Crafted from Black Walnut with an oil/wax finish, Chair #4 is a modern homage to the timeless "Shaker" chairs, combining minimalist elegance with skilled craftsmanship.
Dimensions: 850 x 570 x 570 mm
Armrest height: 70 cm
Seat height: 49 cm
Featuring a hand-cut joinery system secured with dowels, the chair embraces the signature slightly tilted-back design, inspired by the Shaker tradition. The seating and back are upholstered in black leather, adding a modern touch to its classic form.
As Thomas Merton once said, “The peculiar grace of a Shaker chair is due to the fact that it was made by someone who could believe that an angel could come and sit in it.”
Chair #4 reflects this belief, blending tradition and modern craftsmanship into a timeless piece.
- Creator:Frank Buschmann (Artist)
- Dimensions:Height: 1.97 in (5 cm)Width: 22.45 in (57 cm)Depth: 22.45 in (57 cm)Seat Height: 18.9 in (48 cm)
- Style:Modern (In the Style Of)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:2024
- Production Type:New & Custom(Current Production)
- Estimated Production Time:6-7 weeks
- Condition:
- Seller Location:Carnota, A Coruña, ES
- Reference Number:1stDibs: LU8108241512752
frank buschmann
Frank Buschmann (1969-Pinetown, South Africa), artist / craftsman /designer .
Trained as a industrial designer and cabinetmaker. Of German origin, currently living in Galicia, Spain. He spent his childhood in South Africa and Nigeria, his adolescence and education in Germany, where he studied cabinetmaking at the Karlsruhe School of Crafts. In the Netherlands he studied Industrial Design at the Design Academy in Eindhoven, where he has been later teaching in the Master "man and humanity". Frank argues that the mastery of a trade is a carrier of tools exemplary for the sustainability of the future. Being a master of a trade is not reduced to the virtuosity of handling some techniques but also supposes a long learning to recognize and cultivate specific attitudes and values. With this approach, Frank intends to recover and maintain the knowledge and practice, not only of the traditional techniques and processes of cabinetmaking, but also its values: patience, intuition and the search for perfection. The virtuous management of techniques goes through the learning of values and attitudes and, all of them, he considers, are universal tools needed to deal with the complexity of the future.
Customers can choose from different wood types and leather color
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