Charles Eames LCW , Lounge Chair Wood

Arthur Espenet Carpenter, California, USA, circa early 1970s "Wishbone" chair of African Hyedua and brown leather strapping. Stamped to the underside "Espenet", he chose not to sign ...

Hans J. Wegner "The Chair" also known as the "Round Chair", model JH503 in teak seat upholstered with green leather beautiful patina to the wood, with particularly nice joints on th...

Luciano Nustrini (1928-1999), PA1 Chair, made by Poltronova, Italy 1950s This fabulous little chair is about as 1950s as you can get! Constructed with a curved walnut ply backrest,...

Designed by Franco Albini and Franca Helg and manufactured in Italy by Poggi in the late 1950s, the Luisa and Luisella chairs have become icons of Italian mid-century design. The fr...

Early Production LCW designed by Charles Eames manufactured by Herman Miller - 1955. Chair is in very good original condition with the original black analine dye.

An excellent example of Charles Eames Herman Miller/Evans 1940's LCW (lounge chair wood). All original with original shock mounts, screws and label intact.

LCW lounge chairs by Charles and Ray Eames in excellent original condition from around 1960-70s

Set two lounge chairs model EA 108 designer Charles Eames for Herman Miller production 1960s. Charles Eames began very early in life as a designer to the extent that he was employed, as early as age 14, in the workshops of the Laclede Steel Company. He studied architecture at Washington University in St. Louis. He proposed to his professors the study of the work of Frank Lloyd Wright but, at first dissuaded from his intent, was later expelled from the school on the grounds that-we read in the commentary of one of the professors-"his point of view was too modern." A great influence on him was Finnish architect Eero Saarinen, with whom he shared some professional experiences and became friends. In 1938, at the latter's invitation, he moved to Michigan, where he studied architecture at Cranbrook Academy of Art and later taught there, also becoming head of the Industrial Design department. In 1941 he won, with Eero Saarinen, the competition for MoMA in New York concerning "Organic Design in Home Furnishing." Their work showed a new way of conceiving wooden furniture, experimenting with the use of bentwood plywood, as done a few years earlier by Alvar Aalto. In 1941 he was united in second marriage to Ray Kaiser...