Brass Chairs

An attractive & very comfortable pair of giltwood fauteuils, both frames showing arched crest-rails with upholstered backs, sided by padded armrests ter...

Set of four Louis XV style brown pressed leather carved side chairs having cabriole legs leading to an ornate carved form apron supporting high back re...

A pair of Louis XIV style French fauteuils, or arm chairs, with solid walnut frames. Boldly carved armrests with large ball finials and turned wood spindle legs and stretcher. Nice p...

Offering One Of Our Recent Palm Beach Estate Fine Furniture Acquisitions Of A Set of 6 Antique Early 1900's French Provincial Cane Walnut Dinin...

New colorful upholstery is a great contrast to the beautiful old oak in these chairs. The lovely patina evident on the oak feet and structure is enough to convey the half-century of ...

This hand-carved and blackened reclaimed oak chair, designed by Rooms Studio (from their 2018 Wild Minimalism collection), is inspired by the legacy of traditional Georgian craftsmanship. The Sculptural Chair is meticulously handcrafted of ancient wood, and features a diamond shape cut-out on the top rail, which is curved gently, cradling the back, with a round seat and circular cross stretcher. About the Design Studio: Works of Rooms Studio refers to the sculptural forms and abundant materials in juxtaposition with the feminine instincts. Born and raised in Tbilisi, Georgia, the duo behind the Rooms, Nata Janberidze and Keti Toloraia, lean towards preserving the inherited craftsmanship techniques unique to the region. Massive wood and stone objects are hand-crafted using traditional techniques to create raw and symbolic forms often rooted in the designers' childhood memories. Growing up in a culturally diverse environment, where the two worlds - Western and Eastern collide, remarkably influenced their design language. Over the years, Rooms has created eight independent collections and collaborations equally memorable and representative of the duo's perpetual mission to bring life to omitted elements of a former life. Through their series of works, Janberidze and Toloraia try to examine the boundaries between the public and private. Experiencing adolescent years in the 90s - a significant decade of cultural and societal shifts - their work is a narrative of personal experiences of womanhood. By contrasting the new feminine monumental shapes with architectural brutality, Rooms challenges the status quo and also bridges the conventional and contemporary design with a confluence of female energy. The work of Rooms Studio has concerned itself with questions of nomenclature since the Tbilisi-based design atelier was co-founded by Nata Janberidze and Keti Toloraia in 2007. Take, for instance, the studio’s name: in adopting the basic unit of interior space as the title of their practice, Janberidze and Toloraia also emphasized the emotional force of interiority and inner life in determining their creative output. The studio’s largest U.S. exhibition to date, "Distant Symphony," expands upon this impulse to focus inward. The title is again a chief concern—some of the objects included here were designed during the global pandemic, under a regime of forced isolation that made the studio’s typically collective work process untenable. The pieces shown here are the results of Rooms’ search for a way forward. The first room, an antechamber of sorts, evokes the intimate quality of a private home. Shown here are trinkets and personal effects chosen by Janberidze and Toloraia for their emotive qualities; a low background noise emphasizes the climate of urban domesticity. The ensuing gallery space features highlights of Rooms’ recent design output. Here, the subtle scent of organic materials provides a sensory indication of the atelier’s interest in dichotomies: natural and man-made, personal and collective, local and cosmopolitan.   In light of the global circumstances, Janberidze and Toloraia felt it was especially important to pursue collaborative work. Rooms invited three artists—Shotiko Aptsiauri, Salome Chigalashvili and Mariana Chkonia—to conduct a dialogue and shared design process. As such, this exhibition is a kind of polyphonic meditation on a need for solitude and desire for companionship. The practice of polyphonic singing, essential to Georgian folk culture, is reinterpreted here as a design endeavor. Chigilashvili, working with unprocessed yarn, interpreted folk motifs by adapting embroidery to the scale of furniture with expansive stitches applied to painted boards...

An antique French pair of cathedral chairs made of hand crafted walnut with centered carved rosettes on the high backrest and bottom front panel of the seat, in good condition. Nice ...

Pair of hand carved walnut oversized vintage Louis XV style fauteuil armchairs. Beautifully upholstered in off-white damask with nail head det...

The 'Velvet' chair in black was designed from clean and pure lines with the elimination of any kind of excesses so that your greater identity were the colors, in a range of 09 options chosen by the user. By its Minimalist appearance, the color of the structure always accompanies the color of the fabric, guaranteeing visual unity to the product. The backrest height does not exceed the top of tables which reflects its minimalism concept...

Pair of Milo Baughman for Thayer Coggin swivel and tilt lounge chairs. Great floral vintage fabric on these.    

Finely carved pair of walnut French Louis XV bergere chairs with lovely damask upholstery and original brass tacking. Bought in the South of France. #6398

A classic and elegant near pair of antique Syrian carved walnut folding scribes chairs with shell and bone inlay, late 19th century, Syria. The chairs of hand carved walnut in a f...