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T.H. Robsjohn-Gibbings for Saridis Klismos ‘Klini’ Chaise Lounge Model nr. 11

$30,000

About

Rare T.H. Robsjohn-Gibbings for Saridis of Athens, ‘Klini’ chaise lounge model nr. 11, Greek walnut, leather thong, fabric, designed 1961. An ancient Greek inspired daybed by the British designer T.H. Robsjohn-Gibbings. This chaise lounge was part of the 1961 collection he designed for Saridis of Athens , inspired by the drawings he saw on ancient Greek vases. The chaise lounge features a graceful curving back and sable curved legs. The woven seat is made of leather straps which are tight around the walnut frame. The design beholds Robsjohn-Gibbings’ philosophy of furniture design that is independent of time. Labeled with manufacturer’s plaque underneath. Please note that the item has been restored in our in-house restoration atelier. Some signs of age and use are still visible.

Details

  • Creator
    Saridis (Manufacturer),T.H. Robsjohn-Gibbings (Designer)
  • Dimensions
    Height: 35 in. (88.9 cm)Width: 25.75 in. (65.41 cm)Depth: 54 in. (137.16 cm)Seat Height: 14.75 in. (37.47 cm)
  • Style
    Mid-Century Modern (Of the Period)
  • Materials and Techniques
  • Place of Origin
    Greece
  • Period
  • Date of Manufacture
    1960s
  • Condition
    Refinished. Wear consistent with age and use. Please note that the item has been restored in our in-house restoration atelier. Some signs of age and use are still visible.
  • Seller Location
    St. Louis, MO
  • Reference Number
    1stDibs: LU820225702472

Shipping & Returns

  • Shipping
    $599 In-Home Delivery Shipping
    to United States 0, arrives in 3-8 weeks.
    We recommend this shipping type based on item size, type and fragility.
    Ships From: St. Louis, MO
  • Return Policy

    A return for this item may be initiated within 3 days of delivery.

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About the Designer

T.H. Robsjohn-Gibbings

British-born designer, interior decorator and author T.H. Robsjohn-Gibbings (1905–76) was one of the great American tastemakers in the middle decades of the 20th century. Much like Edward Wormley, Robsjohn-Gibbings was a design classicist by education and inclination, but he would come to create some of the most gracious and livable modern furnishings of the era. Robsjohn-Gibbings studied architecture at the University of London, then held various jobs that included designing décors for passenger liners and working as the art director of a film studio. In the early 1930s, while employed by the upper-crust interior designer Charles J. Duveen, Robsjohn-Gibbings experienced an epiphany during a visit to the British Museum. Examining the furniture depicted on ancient Greek ceramics — lithe stools and klismos chairs — he realized that he had found a design touchstone. By 1936, he had moved to New York and set up a showroom on Madison Avenue for his modern reinterpretations of classic Greek designs. Aided by contacts he’d developed while working with Duveen, he quickly established a clientele that included Elizabeth Arden, Doris Duke and Thelma Chrysler Foy. Through his writings for magazines and books, Robsjohn-Gibbings earned a public following and was established as an urbane arbiter of taste. From 1943 to 1956, he produced an understated line of modernist furnishings for Widdicomb, which included one of the icons of the period: the tiered, biomorphic Mesa coffee table (1951). Robsjohn-Gibbings moved to Athens, Greece, in 1966, and created a new line of antiquity-inspired pieces for the firm Saridis. The series turned out to be his swan song. Collectors’ interest in Robsjohn-Gibbings was reignited in the 1980s, when the 200-plus pieces from his 1936–38 commission for the Bel-Air estate of Los Angeles socialite Hilda Boldt Weber — pared-down neoclassical pieces rendered in blond wood (with the occasional flourish) — came on the market. (Up until then, the collection had remained in the house, despite its having changed hands several times.) But his work for Widdicomb remains his most widely known, appreciated for its elegance and generous proportions. Robsjohn-Gibbings despised the stern aesthetic associated with his Bauhaus contemporaries, and a keynote of his modernist pieces is that they have no sharp angles. His chair and sofa frames, table legs and even many cabinets feature softly contoured edges. In whatever styled he designed, Robsjohn-Gibbings was guided by simplicity and timelessness. He wanted his furniture to be lived with happily.
About the Seller
5 / 5
Located in St. Louis, MO
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 1993
1stDibs seller since 2006
556 sales on 1stDibs
Typical response time: 1 hour
Associations
20th Century Specialists
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