Plywood Dining Chair by Børge Mogensen for Søborg Møbelfabrik, Denmark, 1953
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Plywood Dining Chair by Børge Mogensen for Søborg Møbelfabrik, Denmark, 1953
About the Item
- Creator:Børge Mogensen (Designer),Soborg Mobelfabrik (Manufacturer)
- Dimensions:Height: 30.32 in (77 cm)Width: 19.89 in (50.5 cm)Depth: 18.51 in (47 cm)Seat Height: 16.54 in (42 cm)
- Style:Mid-Century Modern (In the Style Of)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1953
- Condition:Wear consistent with age and use.
- Seller Location:Amsterdam, NL
- Reference Number:1stDibs: LU103988206673
Børge Mogensen
Among the great mid-20th century Danish furniture designers, Børge Mogensen distinguished himself with his faith to traditional values of craftsmanship and honesty of materials.
While peers such as Hans Wegner, Finn Juhl and Arne Jacobsen designed some of the most striking and now iconic furnishings of the era, Mogensen focused on making pieces that were simple, durable and comfortable — and in the long run perhaps more useful and better loved.
Mogensen studied under and later worked for Kaare Klint, a master cabinetmaker whose chief tenets were quality of construction and simplicity of line. Klint was a classicist, who believed that furniture forms should evolve from those of historical models. So, too, in his way was Mogensen, as two of his best-known earlier pieces attest. His 1945 Spokeback Sofa, with hinged arms that can be lowered to facilitate lounging, is a reinterpretation of the venerable Knole settee. With the oval silhouette of its plywood backrest and waterdrop-shaped cutouts, Mogenson’s Shell chair, designed in 1949, can be seen as a novel take on early 19th century Empire side chairs.
Yet Mogensen shared the aesthetical sensibilities of his most forward-looking colleagues. His cabinets deploy the same spare geometries and lushly figured woods as those of Ludwig Mies van der Rohe and his disciple Florence Knoll, the chief difference being that Mies and Knoll used chrome steel for the frames and legs of their pieces. The brawny oak frames and slung leather seats and backrests of Mogensen’s Hunting chair (1950) and Spanish chair (1958) display the same hefty construction and appreciation of natural materials seen in the work of Charlotte Perriand and Sergio Rodrigues.
As you will see from the furnishings on 1stDibs, Børge Mogensen designed for function more than sculptural effect. While his chairs may not be the first pieces in a décor to draw the eye, they are often the first to draw in those looking for a comfortable seat.
- Børge Mogensen Wingback Chair for Fredericia, Denmark, 1960By Børge Mogensen, FredericiaLocated in Amsterdam, NLHigh back wingchair designed by Børge Mogensen, manufactured by Fredericia in Denmark, circa 1960. This beautiful seat has a sharply defined outline and a soft, inviting interior....Category
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- Spokeback Sofa by Børge Mogensen for Fritz Hansen, Denmark, 1963By Fritz Hansen, Hans J. WegnerLocated in Amsterdam, NLBeautiful spokeback sofa designed by Børge Mogensen, manufactured by Fritz Hansen in Denmark, 1963. This piece is made of high quality beechwood and is newly upholstered in light grey kvadrat fabric. The sofa has a very "open" design, showing it's structure and the used techniques from every angle. The details are really impressive, so is the unique feature of one reclining side and the leather streps that keep that side in place. The spokeback sofa has a unique history: it was designed in 1945, but didn't fit the fashion of that time. It turned out that Wegner was a true visionair, because after the sofa did get produced in 1963, it would grow to be one of Wegner most populair designs. It was copied many times, this original piece is a very rare find. A beautiful piece of Scandinavian design history that would make a true eye-catcher in any modern or Scandinavian interior! It remains in very good, vintage condition with minor wear consistent with age and use, preserving an amazing patina. In 1958, Børge Mogensen and his family travelled to Spain. For the hardworking designer, the trip became more than just a holiday. In Andalucia he fell in love with an old chair with a wide seat and broad armrests. Once back in Denmark, he created the Spanish chair. The chair he fell in love with is a traditional type of chair and is very common in areas influenced by ancient Islamic culture from Spain to northern India. Børge Mogensen modernised the design by removing the elaborate carvings, and thus he created his own version with his customary geometrical precision. Yet he retained the most important feature: the broad armrests that give the chair its distinctive character. The broad armrests also serve as a practical place to place a cup or a glass. By designing The Spanish chair Mogensen...Category
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