Giancarlo De Carlo "Lucania" Lounge Chair by Arflex

A fine example of Paul McCobb's tailored aesthetic and refined sense of proportion, this great lounge chair is in excellent original condition. The upholstery is the original black v...

This handsome, tailored Milo Baughman design from 1958 is nick-named the "Laid Back Lounge". It takes inspiration from Scandinavian design of the period with it's upholstered body su...

A fantastic design that builds on historic precedents, Jeff Messerschmit's "Pipe Line" chair combines luxurious materials in a rationalist manner accentuating the components of the c...

Among the earliest of Bruno Mathsson's designs is this rare model 36 easy chair. It features interesting details that were changed in later production. The le...

Stunning early edition martingala chair by Marco Zanuso, manufactured by Arflex, Italy, circa 1950. The chair is newly upholstered in high quality ...

"Lucania" armchair by Giancarlo de Carlo for Arflex, Italy, late 1950s. The Lucania is a generous armchair, with organic shape and innovative design. On launch it was featured in th...

The 1950s saw brilliant Italian designers working to create furniture of the highest quality that explored truly modern shapes and innovative techniques. Designers experimented with ...

Erberto Carboni 'Delfino' Lounge Chair designed in 1954 for Arflex, Italy. New, Current production. Delfino armchair by Erberto Carboni is a significant example of the so-called "organic" furniture, which develops in the 1950s and draws inspiration from the forms of nature. The Delfino armchair has a strong personality, with a very evident graphic sign, that makes it perfect for both home and hospitality space. This wonderful chair is available in a wide range of upholstery options. Please ask us about the possibilities. Designed by Erberto Carboni: Graphic designer, poster designer and illustrator (Parma 1899 - Milan 1984). Graduated in architecture at the Accademia di Belle Arti in Parma (in 1921, earning an honorary diploma), he immediately started working as a graphic designer, opening a studio in his hometown (he developed advertising material for some local companies). He also began to work as an illustrator, collaborating with some publishing houses in setting up the iconography of volumes of consumer fiction and beginning to work with some magazines, such as "Lidel", "Novella", "Dramma", "Emporium", "Le Grandi Firme". In 1932 he moved to Milan, where he came into contact with Studio Boggeri and Olivetti Advertising...