French Victorian Red Tufted Velvet Settee

French Victorian faux-bamboo design ebonized and gilt-trimmed settee with tufted gold upholstery and fringe (matching stools: 052463)

American Victorian faux bamboo mahogany settee with spindle trim and cross thatched seat with 3 inset panels in back. (att: Hunzinger)

American Victorian carved triple oval back rosewood settee with beige upholstery.

Italian Baroque style 20th century large settee with giltwood filigree frame & button-tufted burgundy & cream upholstery with embroidered flowers and burg...

American Victorian natural wicker lovrseat with arched fan shaped back and scrolled arms with ball and stick uprights above a woven seat. (HEYWOOD BROS. WAKEFIELD CO.)

American Victorian rosewood triple filigree and upholstered back settee with stripe upholstery (att: JOHN HENRY BELTER)

Settee, velvet fabric, stained beech, France, 1930s This exquisite settee of France origin adopts stylistic motifs of the 19th century Victorian Era as can been seen in the ornate ...

Pair of French carved wood silver gilt settees stand on four straight legs and were newly upholstered in a platinum colored tufted velvet with silver nailhead trim detail. Seat heig...

Elevate your home decor with this red velvet settee that seamlessly combines comfort, style, and a dash of vintage allure. Comes with a square pillow...

A stunning French 1920s Louis XV style settee upholstered in a rich red velvet upholstery with a creamy painted wood frame. The brass nailhead detailing adds an extra touch of sophis...

Incorporating 'Stones of Bath' into this settee is inspired the pipers use of one of the five designs commissioned for their centenary, ‘The Glyders’, as loose covers for the chairs at their home Fawley bottom which John Betjeman called ‘Fawley Bum’. 'Stones of Bath' is one of five John Piper (1903-1992) designs commissioned by Arthur Sanderson & Sons in 1959 for their 1960 centenary celebrations. In 1962 Sanderson's screen printed ‘Stones of Bath’ on their Sanderlin fabric, a satinised linen which gave the design a shimmering, restless texture. This was ideally suited to the play of light depicted on the stone in the architectural repeat of buildings in the city of Bath. A piece of this fabric which is in the collection of the V&A was exhibited at the John Piper retrospective held at the Tate Gallery, London, 1983. Reference: 'Artists’ Textiles in Britain 1945-1970', Cat. No. 74. From the late 1950s-early 1960s there was interest in painterly textiles that demonstrated the unique potential of screen printing, with its ability to capture the quality of brush-stroked color. 'The monumental grandeur of many artists' textiles in the early 1960s was necessary if they were to work in the large scale architectural interiors of the era which witnessed a rapid growth in new public buildings, all which required furnishing with suitably prestigious fabrics'. Artists' Textiles in Britain 1945-1970 by Geoffrey Rayner, Richard Chamberlain...

Gio Ponti style Italian tufted settee in newly upholstered taupe velvet. Measure: Seat depth 19".