Neoclassical Revival Lyre-Back Settee

This lovely Louis XVI style settee features a beautifully carved frame and caned arms that give the piece an open, elegant presence. The silhouette is classic and balanced, with stra...

nfuse your home with timeless sophistication with this Antique Duncan Phyfe Style Sofa. Its ebonized wood frame features exquisite carvings that highlight the skill and craftsmanship...

This vintage chaise-style bench brings both personality and comfort to any interior. The rolled arms curve outward in a dramatic, inviting shape, creating a perfectly cushioned perch...

Elevate your living space with this stunning Vintage Bamboo Hollywood Regency Sofa- a perfect blend of tropical charm and sophisticated design. This piece embodies the glamour and e...

Rare and elegant Directoire style lyre-back settee. Original black paint. Newly reupholstered with vintage fabric. Horsehair-filled cushion.

Nicely-carved, painted Swedish settee in the neoclassical style. The carved elements feature a lyre back terminated with eagles' heads, women's faces on the ...

An Italian two-chair back carved-wood settee from the turn of the 18th and 19th century. This antique tête-à-tête (loveseat) from Italy features a straight top-rail along back, above...

Small Settee in the neoclassical taste Boston, Massachusetts (active 1804–17), about 1810 Mahogany (secondary woods: ash) Measures: 35 1/8 in. high, 59 3/4 in. long, 19 1/8 in. deep Although the diminutive scale of this settee places it in a unique category, the piece itself partakes of a vocabulary that is common in Boston furniture of the Late Federal period. Its sabre legs, for example, as seen straight on from the left and right ends, are closely related to the legs, as seen from the front, on a group of chairs of undisputed Boston origin, including a spectacular armchair with scrolled arms (see Stuart P. Feld, Boston in the Age of Neo-Classicism, 1810–1840, exhib. cat. [New York: Hirschl & Adler Galleries, 1999], p. 37 no. 6 illus. in color), as well as a number of side chairs, including a set made for Nathan Appleton (see Page Talbott, “Boston Empire Furniture, Part I,” The Magazine Antiques, CVII [May 1975], p. 887 fig. 12). In all, the legs are ornamented with two bold, somewhat flattened reeds set between corner beads, a pattern which is repeated here on the front and end seat rails as well. The superb quality of the piece is further demonstrated in the finely drawn profile of the arms, as well as the delicately bulbous surface of the fronts of the arms and legs. As in the best of the related chairs, the sabre legs end in delicately carved paw feet. The added refinement of the beautifully carved rosettes at both the fronts and backs of the arms suggests that the piece may have been designed to be used in the round. Stylistically harmonious with these pieces is also a group of larger sofas with frontally set sabre legs and scrolled arms (see Page Talbott, “Seating Furniture in Boston, 1810–1835,” The Magazine Antiques, CXXXIX [May 1991], p. 963 pl. 11) that represent an indigenously Boston form. Although none of the furniture in this group has been effectively attributed, they can certainly be related to various Boston card tables...