Antique Curved Danish Three Seater Sofa in Velvet, Empire, 19th Century

A rare sculptural Danish modern sofa in the style of Henning Kjærnulf. Made in oak and it´s original savak wool upholstery. Made in 1960s by a Danish Cabinetmaker. The general impre...

Stunning classic Danish 2.5 seater sofa in cognac brown leather. Designed by Jens Juul Eilersen for Niels Eilersen, Denmark, 1970s. The design reminds us of some of the best Italian ...

A stunning antique late Gustavian sofa/bench, skillfully crafted by a talented Swedish cabinetmaker of the era. This exquisite piece showcases the hallmark elements of Gustavian desi...

A timeless Danish modern three seater sofa in beech and the original colorful flower fabric. Crafted by a Danish cabinetmaker in the 1960s. This exquisite sofa embodies the essence ...

19th century Swedish canapé sofa: beautifully carved, gray painted sofa adorned with exceptional foliate motif decoration. Newly upholstered with down-wrap cushion. Note: Regional d...

Beautifully carved sofa with original cream and yellow paint finish. Rococo detailing. New upholstery.

Inspired by the story of the Kazakh Eagle Hunters, the profile of the Eagle sofa presents the shape of the golden eagle’s massive wings. Entirely handcraft...

Austrian Biedermeier-period sofa crafted of mahogany veneer, upholstered in beige fabric with geometric motifs. This refined piece of furniture has rolled armrests decorated with twisted patterns and medallions, and large backrest highlighted with scrolls and palmette. The sofa rests on four square fluted legs. The Biedermeier period began in the states of the German Confederation and in the Austrian Empire in 1815 (Congress of Vienna) and ended in 1848 (March Revolution). The Biedermeier style referred mainly to the decorative arts, but also included sculpture and painting. In contrast to the opulence and heroism of Napoleon's Empire, the Biedermeier style promoted calm and simplicity. From 1830 onwards, it embodied a new, comfortable, bourgeois way of life. In furnishing, the emphasis was placed on the structure of the furniture that had robust and geometrical forms, softened by curves. The simplicity of the materials, mainly light woods, was compensated by the variety and exuberance of the forms the backrests of the seats were carved in fan shape, the armrests of the sofas rolled...