Hurup Møbelfabrik, Mid Century Three Seater Sofa in Brown Leather, Made in 1970s

Lovely 2 seater sofa in oak, reupholstered in a vintage fabric stored from the 1980s. Designed by Danish architect Tage Poulsen, model TP632. Designed in 1962. This sofa can be free...

A rare sculptural Danish modern sofa in the style of Henning Kjærnulf. Made in oak and it´s original savak wool upholstery. Made in 1960s by a Danish Cabinetmaker. The general impre...

A large Danish mid century daybed in solid pine, reupholstered in grey wool. Made by a Danish company "Nyt i Bo" in 1970s. This daybed can also be used as ...

A lovely romantic Baroque style three seater sofa with cushions covered in vintage fabric. Made in solid oak. Handcrafted by Danish cabinetmaker Hans Dau in the 1950s. The overall im...

This two-seater sofa was produced in Scandinavia during the 1970s. The frame is made of solid oak wood with a natural color. The cushions are upholstered with natural leather in a shade of coffee brown. The sofa is equipped with side cushions. The frame with a basket structure, together with a comfortable seat and backrest, ensure high comfort during use. The sofa has a geometric and closed form that perfect match into the minimalist vintage trend...

This three-seater Chesterfield leather sofa was produced in England during the 1920s. It is one of the most recognizable pieces of furniture in the world. The sofa's frame is made of...

Comfortable 1970s sofa in brown leather with cushions and black plastic feet. Seat height about 46cm. Shows signs due to age and use as pictured, leather is worn in some places. As...

This two-seater sofa model 3330 was designed by Arne Vodder for the Danish manufacturer Fritz Hansen during the 1960s. A museum piece, rarely available for sale, especially in the two-seater version. This sofa is upholstered in high-quality amber brown natural leather. Spacious and comfortable pillows are loosely placed. The wide armrests resemble the shape of a wing. The legs are made of black lacquered steel. Perfect proportions, Scandinavian craftsmanship with a clearly marked line of furniture due this project timelessness. The traditions and philosophical assumptions of Danish craftsmanship have been translated into a modern furniture idiom. Vodder was born in Denmark in 1926. Trained as a carpenter and architect, he studied with Finn Juhl at the Royal Danish Academy of Fine Arts in Copenhagen. After school, he worked as a designer in Hindsgaul, focusing primarily on office decor. In 1950, Vodder founded his own architectural and design studio with architect Anton Borg. Over the years, the studio moved to several locations in Copenhagen before finally settling in the suburb of Holte, north of the city. Vodder and Borg worked together until the 1970s. Vodder is best known for its furniture designs that were usually simple pieces consisting of natural materials such as rosewood and teak. His designs were often inspired by natural forms. Vodder collaborated with respected brands, designing furniture for manufacturers such as Fritz Hansen, France & Søn, Nielaus, Sibast, Kircodan. In the 1950s and 1970s, Vodder furniture designs were used by President Jimmy Carter at the White House and President Anwar Sadat in Cairo, and were incorporated into the United Nations Office in Geneva and graced many hotels, banks, and embassies around the world. His works have been widely presented both individually and in collective exhibitions with artists such as Verner Panton and Nanna Ditzel. Fritz Hansen, also known as the Republic of Fritz Hansen, is a Danish furniture design company whose history begins in 1872 in Nakskov. From the very beginning, Fritz Hansen and his son Christian placed emphasis on the high quality of their furniture, which is their hallmark until the present day. The long list of orders in the first fifty years of the company's operation confirms this. At the beginning of the 20th century, Christian Hansen began experimenting with the steam-bending of beech wood, and in 1915 he created the first laminated chairs, which became the company's specialty. Arne Jacobsen completely dominated the 1950s in the company. He started working together in 1934, but his breakthrough came when he created the Ant laminated chair in 1952. The next projects: Series 7 (1955), Swan (1958) and Egg (1958), which were designed for the Royal Hotel in Copenhagen, became milestones in the history of Fritz Hansen and are still produced today. This sofa is in original vintage condition. It has a natural patina and traces of age, leather scrapes, pigment changes, traces of repair on the seat. The seat is 39 cm high. Literature: Catalog of Fritz Hansen, April 1968, page 72. Mobilia Magazine...