Velvet Sofas

Three-Seater Sesann Sofa by Gianfranco Frattini for Cassina, Italy, 1970s

Two-seater sofa of 1950s Italian design. Completion restored with alcantara fabric upholstery.

Mid-Century Modern Seating Set, Sofa and 3 Armchairs, Italy - New Upholstery

Vintage unique black lacquered high gloss wooden frame armchair in the style of Sapporo. This lounge chair features original grey velvet upholst...

Many different upholstery materials available. Soft, round, inviting, protective. Many attributes can be ascribed to the chairs, armchairs, sofas and tables in the Miles series. They add refinement to homes, hotel lounge areas, meeting corners in offices and reception areas in stores to prove the ultimate in aesthetics, comfort and finish. Long gone are the days when formal sofa...

Mid-Century Modern inspired sectional sofa featuring curved design with luxurious mustard yellow velvet fabric. Supported by walnut base. Standard dimensions: 293 cm x 157 cm x 84 cm...

Scroll down and click "view all from Seller" to see more than 400 other unique products. (2) The new New York collection designs by Sergio Bicego still retains a contemporary soul a...

The Sofa inspires itself nature where green is the predominant element and where valleys and hills prevail. The item’s details allow it to be the perfect statement piece for any cont...

Rare curved sofa attributed to Paolo Buffa, circa 1950 walnut, original gold velvet, iron very good original condition Measures: 145.5 x 60 cm height 94 cm height seat. 41 cm.

Three Seater Sofa in Velvet with Newly Reupholstered in Velvet Fabric by Lennart Bender, 1970’s Additional Information: Material: Solid rosewood and newly reupholstered in velvet fa...

Great 5 piece Post Modern modular sectional sofa. Comprised of 5 identical chair pieces that can be used individually or together. The arrangements are truly endless. Willing to...

A Very Fine Settee After a Design by William Linnell Firmly Attributed to Maple & Company of London The mahogany settee has the end arm supports carved with recumbent mermaids, ter...

Introducing the epitome of sophistication – our Beige Textured Velvet Upholstered 3-Seat Sofa, a fusion of comfort and contemporary design. Sink into luxury with the plush back cushi...

A tribute to Parisian Femininity. The vibe is flirty, a little delicate and ever so slightly vintage. Fully upholstered tight back sofa with a metal base wrapped in a veil of organic...

A stunning dark grey velvet four section custom made bourne. The base is hexagonal in shape with a luxurious inverted pleated flat valance. Four shaped and curved back supports creat...

Sofa, corduroy velvet, wood, Italy, 1970s This delicate sofa has a cozy and bulky appeal. An dark orange to peach velvet has been used to cover the seating. The textured surface of ...

Stunning limited vintage TOGO in its original ‘liberty’ velvet. From its first owner (1979). Exceptional condition. Designed by Michel Ducaroy for Ligne Roset France & sold bij Aèra...

What a stunning, large & matching combination in an exceptional original condition. First owner (1983). An extremely comfortable seating group. A rare find on the market in this c...

Large Mid-century modern sofa designed in the manner of Frederico Munari with generous curves. The sofa has a deep seating and a slopping backrest and arms, that makes it very comfor...

Louis XVI Styly Green Silk Velver Canapé Sofa Settee W Clarence House Tiger Pillow

Modern Cache Antiques Carlyle Sofa Settee

Mario Bellini "Camaleonda" modular sofa for B&B Italia, Italy, 1970, four elements. "Camaleonda" is an icon, rediscovered. A special project made possible this limited edition of "...

Sofa Baïne by Jerome Bugara Editions Limited Edition 25, Signed, serial number and certificate of Authenticity. Lelièvre navy velvet seat. 6 cushion included. Made in France. 100c...

Unveil a new level of comfort and luxury with our Elastron Supersoft Chocolate Sofa. The Elastron Supersoft Chocolate upholstery envelops you in sumptuous softness. The rich chocolat...

Genebra armchair, Modern Collection, Handcrafted in Portugal - Europe by GF Modern. The Genebra armchair is designed to give your living room a sophisticated vintage look. The armchair is upholstered in dark blue velvet...

Modern curved serpentine sofa in orange velvet w gold & wood details Giulia sofa is a modern mid-century style sofa. This luxury sofa pr...

Conchula Day Bed, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. Designed by Rute Martins for the Contemporary Collection, the Conchula day bed is a room-d...

Originally designed in 2001 by Antonio Citterio for B&B Italia, this George four-seat sofa offers both comfort and style. The sofa features a slim tubular steel frame with protec...

Twins Day Bed, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. Designed by Rute Martins for the Contemporary Collection, the Twins day bed and curved sofa s...

Caju Swivel Lounge Chair, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Caju lounge chair stands as a trendy furniture...

Cornaro two-seater sofa, designed by Carlo Scarpa and manufactured by Studio Simon in 1974. Made of Iroko wood, foam, and azure chenille velvet. Excellent vintage condition. Born in Venice on June 2nd, 1906, Carlo Scarpa began working very early. Only a year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity; from 1927, he began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building which stands on the banks of the Grand Canal, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa was constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, all worth mentioning. One of his key works, despite its relatively modest diminished proportions, was the first of many works which were to follow in the nineteen fifties: the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and shows clearly Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in how twentieth-century museums were set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his most incredible ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of the Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) and at the Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti Award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on renovating and restoring the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider one of his greatest works. While he worked on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began building a villa in Udine for the Veritti family. To shed some light on how much his work evolved over the years, it may be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions which were to make the most of his formal skills, working on the Carlo Felice Theatre in Genoa as well as another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, plenty of other episodes can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen in 1973, Carlo Scarpa started building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he carried out simultaneously on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this twentieth-century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, arising out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem,” [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea,” followed by a cloister that ends by a small chapel, with an arcosolium bearing the family sarcophagi, the central pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways, teamed with the luminosity of these harmoniously blended spaces, shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all his many skills to come up with this truly magnificent space. As well as an outstanding commitment to architectural work, with the many projects we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure.” Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded eight years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana,” “Quatour,” and “Orseolo.” While in 1974, they added a couch and armchair, “Cornaro,” to the collection and the “Toledo” bed...

Twins Chaise Lounge, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. Designed by Rute Martins for the Contemporary Collection, t...

Minho Chaise Longue, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. Designed by Rute Martins for the Contemporary Collec...

Twins Day Bed, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. Designed by Rute Martins for the Contemporary Collection, the Twins day bed and curved sofa s...

Caju Swivel Lounge Chair, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Caju lounge chair stands as a trendy furniture piece that personifies the organic shape of a cashew. Upholstered in Dedar white velvet, the design of the lounge chair ensures unparalleled comfort and a modern touch in the living space. Caju combines fine craftsmanship and timeless design, becoming a Greenapple’s best-seller and a favorite piece among designers. Caju armchair...

Minho Day Bed, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. Designed by Rute Martins for the Contemporary Collection, the Minho day bed with a wooden sid...

Aurora Sofa, Lusitanus Home Collection, Handcrafted in Europe. An Italian furniture piece and a limited edition of only one unit, this 2-seat sofa comes from Asian craftsmanship wit...

The beautiful rare sofa is statement piece which is also extremely comfortable and packed with personality! Just look at the gorgeous lines and curves on this beauty! Bright and vibr...

Large modular velvet sofa with wooden feet, Italy 1980. Product details Dimensions: 350 W x 80 H x 350 D cm

A very comfortable design with eye-catching colors, these 1970s Italian armchairs have been recently upholstered in vibrant yellow corduroy. Their generous shape invites you to sit a...

Elegant and wide Italian three-seat curved sofa. Circa 1950/60. Soft and comfortable seat. Light beech waxed feet. Perfect condition. Original pieces from the 1950s newly re-upholstered in the traditional way by the best French craftsmen, we used a high quality velvet fabric from Kvadrat Raf Simons' collection and new foams. We can particularly appreciate the work and savoir-faire of our team of upholsterers respecting the original design, using the right proportions and lines as it was designed in the 50's. If needed for a project, we also have the pair of armchairs in stock...

20th century English custom-made 3-seat saddle arm sofa in dark moss green velvet. Wood legs, condition as shown.

Designed by Antionio Citterio for Maxalto B&B Italia, this two seater sofa seamlessly combines modern and traditional design. Featuring a square frame sitting on a brushed black oak...

Sesann two-seater sofa, designed by Gianfranco Frattini in 1970 and produced by the Italian manufacturer Cassina. It features wool bouclé upholstery and a chrome tubular cage as s...

This large modular sofa is composed of a meridian, a lounge chair and an armchair on a light wood base. The color and the shape are very original an...

Caju Swivel Lounge Chair, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Caju lounge chair stands as a trendy furniture piece that personifies the orga...

The geometric pattern is amazing! I love the different shades of greens and pinks mixed throughout! This sofa is in good vintage condition without any rips, tears, or stains. The fa...

This innovative easy chair is available in two different cotton fabrics, canvas and velvet, in five color choices with reinforced seams with contrasting colors and a filling of polys...

The award winning Fleure Sofa is an eye-catching design which commands an audience. Exuding a contemporary vibe but with traditional style cues, as demonstrated by the exquisite flut...

Sofa blue sky with structure in solid wood and covered with blue sky velvet fabric. Feet in gold satinated metal.

Get prepared to bring cozy with the Antelope Canyon sofa that offers a pleasant sensation of inviting warmth and comfortable softness. By the wave-like st...

Leo Armchair, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. Leo puts a modern twist on the traditional armchair. The sumptuous upholstery in mint green...

Beautiful stylish vintage sofa bed / daybed designed by Marco Zanuso for Arflex Italy in the 1950s. Model Sleep-O-Matic version with 2 legs instead of 3. The sofa is upholstered in v...

This is an iconic “271 Mex Cube” 4-piece, 4-6 seat sectional-sofa from the world renown Italian furniture house of Cassina. In a world of temporary pleasu...

As Capella, our job is to ensure the perfect harmony between materials and present them to you in the most accurate and harmonious way. We give them a soul and life. This is our firs...

“Camaleonda” sofa, in white velvet upholstery, designed by Mario Bellini and manufactured by B&B Italia in 1972. Fully restored and reupholstered in Italy. The sofa is very comfort...

Very rare extra large 'Gilda' circle sofa in excellent condition. Designed by Michel Ducaroy in 1972. The sofa is manufactured by 'Roset' the company name of Ligne Roset prior to 1...

Mid-Century Modern 1950s Italian sofa attributed to Guglielmo Ulrich. Shell-shaped in Blue velvet. with wooden feet. This sofa showcases elegant form and rich details with its beauti...