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Rare Nanna Ditzel Three-Person Sofa


Nanna Ditzel, "First Lady of Danish Furniture Design," had a remarkably long and fruitful career. Her family fostered a passionate interest in art and design. She practiced cabinet making at the Copenhagen School of Arts and Crafts and attended the prestigious Royal Academy of Fine Arts in Copenhagen where she studied under Kaare Klint. Her designs spanned furniture, textiles, and jewelry. She was known for her energy and industriousness, and played freely with different forms and materials, resulting in a wide range of styles. This three-seat sofa rests on an expressively grained oak frame. The design was produced in a small number in the early 1950s. Upholstered in Knoll Classic wool bouclé́.


  • Condition
  • Dimensions

    H 28 in. x W 74 in. x D 27 in.

    H 71.12 cm x W 187.96 cm x D 68.58 cm

  • Seat height
    16 in. (40.64 cm)
  • Seller location
    New York, NY
  • Item location

    1stdibs Gallery at 200 LEX

    200 Lexington Avenue

    New York, NY 10016

  • Reference number

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About Nanna Ditzel (Designer)

Nanna Ditzel was the most versatile and creative female designer that Denmark produced in the 20th century. Ditzel brought her talents to bear on a staggering array of forms — she designed furniture, jewelry, tableware and textiles; and she shaped her pieces using an equally astonishing variety of materials, from wood and wicker to silver, ceramics and fiberglass.

     Born in Copenhagen, she trained as a cabinetmaker at the Royal Academy's furniture school — overseen by the great craftsman of the day, Kaare Klint — and graduated in 1943. Ditzel’s early work adhered to the classic Danish modernist tenets of simplicity, comfort and quality, and her armchairs, with their softly curved backrests are much in the spirit of Hans Wegner. Ditzel’s signature piece of that time is her “Ring chair.” Designed along with her husband, Jørgen Ditzel, a fabric maker, the chair has a semicircular padded armrest that seems to embrace the sitter. Ditzel began designing in wicker and in 1959 produced the “Hanging chair.” The piece, suspended from the ceiling by a chain, became a favorite for fashion shoots and may be as iconic of the 1960s as Eero Aarnio’s plastic ball chair of 1963.

     In 1956, Ditzel began designing for the Danish silverware firm Georg Jensen. In an association that lasted some 40 years, Ditzel would create organically shaped jewelry, barware, ceramic tableware and even tablecloths. Like her fellow Dane Verner Panton, Ditzel was not afraid to embrace industrial materials, and she began designing fiberglass chairs in the mid-1960s. Some of her most flamboyant work came toward the end of her career, in pieces such as 1989’s “Bench for Two,” with its shocking Op-art finish, or the “Trinidad chair” of 1992, with it’s sunburst-like, cut-though backs. Such feats of creativity were a fitting coda to one of the most imaginative, prolific and remarkable women of modern design.

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